Natalia Antadze Paintings

Depiction of a male nude in diffuse architectural scenery. Signed lower right (Paul) Anton Kaulbach (1864 Hannover - 1930 Berlin). Oil on canvas, in gold-patinated frame. Image size:...

Wonderful abstract expressionist nude with heavy impasto of seated woman. Bay area find. Signed on verso "Swan," circa 1990. Unframed. Image size: 24"H x 18"W.

Violin Serenade - Blue Grass in the Nude Acrylic Abstract Expressionist on Paper A nude reclining in an emerald green chair gives an interesting o...

Oil painting on board, unframed, abstracted, figurative, expressionist, energetic brushwork

Sensuous portrait of a nude woman in an abstracted red and grey environment. Daniel Hughes pays homage to classical painting techniques with a loose hand. Bold, modulated colour brus...

The task was to write in a semi-abstract style about one’s impressions and observations of a nude model.

Portrait of Joan Brown Bay Area Expressionist Seated Nude in Oil on Canvas Heavy impasto painting of a seated nude woman (Joan Brown) by Honora Berg (American, 1897-1985). Bold depiction of a nude woman with dark hair. She is sitting in a dark blue chair, body slightly angled towards the viewer. The wall behind her is a deep red. Both the chair and the model are made out of many small brushstrokes of varying colors, creating a pointillist feel. Honora Berg also painted and portrait of Manuel Neri (Joan's Husband) which we acquired also from the Larry Miller Estate. Unframed. Canvas size: 30"H x 24"W Signed and dated "Honora Berg 60" in the lower right corner. Signed "H. Berg" on verso. Tag from Larry Miller Fine Art on verso. Provenance: Estate of Honora Berg, David Carson...

An original oil on canvas painting from the estate of George North Morris from the artist's "Lovers" series. This piece comes in its original wood frame presentation. George North Morris - painter, writer, teacher Born May 13, 1915 in East Liberty, PA Died Oct. 1, 1996 in Hudson, NY Studio locations over the years: varied from Hyannis (MA), Providence (RI), Oglethorp (GA), Montpelier (VT), Yonkers & Westchester Co. (NY) to the later years in Germantown (NY). Subject matter consisted mainly of seascapes and landscapes but in the 60's and 70's he experienced his abstract era. The later years, in fact most of his life was spent in New England and N.Y. state. Most of his more valuable paintings where along the Hudson River and Westchester County. His most frequent methods were oils and water colors, and in the 1940' his artistic expression was through the use of clay. Most of his pottery was made from local Cape Cod (Barnstable) clay which he and his family dug, washed and prepared. He wrote a part of the foreward, called "The Tradition", for a book "A Century and a Half of American Art 1825-1975". Published in 1975 by the "National Academy of Design". He was also an art critic and reporter for the Worcester Telegram and the Provincetown New Beacon. He was a person that felt time was by far better spent talking about and hearing ideas and thoughts. The following are some of his. George Morris's life was that of art and art critic as well as educator. "It was the two summers, 1938 and 1939" recalled Morris, "that I really learned how to paint". Though much of his work showed a strong Edward Hopper influence, at the same time it took many roads. It was, over the years, much too varied to categorize. He started with collage, moved to abstraction, and then to a period during the late 1960s and '70s when he completed what he called his "Lovers Series" - erotic paintings filled with large orchestrated flat color - that show him moving away from abstraction. Upon becoming bored with the concept of abstract painting, he looked for new challenges in pastels, acrylics and water colors, painting once again what he called "the world as it is recognizable by others". George firmly believed that all the best artists are good hucksters, too. Solo exhibitions as a painter were as follows: Columbia-Greene Community College - 1985 Barrett House - 1985 Smith Gallery - 1980, '81, '82 Swansborough Gallery, Wellfleet - 1983 Hopper House, Nyack, NY - 1981 Hudson River Museum, Yonkers Shepherd Gallery...

"Pensive Woman" by French artist Natalya Mougenot is a striking abstract expressionist painting that captures introspection and emotional depth. The artwork depicts a solitary figure...

An original oil on un-stretched canvas which was featured in the artist's retrospective exhibition at The Burchfield Penney Art Center. Jackie Felix (1929-2009) earned her Bachelo...

An original oil on un-stretched canvas by Jackie Felix, currently featured in the exhibition at Benjaman Gallery "Over the Fence". Jackie Felix (1929-2009) earned her Bachelor of ...

A stunning Swedish nude portrait of a woman reclining on a sofa from the 1940s! The muted palette, softness of the brushwork, and gentleness of the model’s pose work wonderfully to c...