Nathalie du Pasquier Seating

Iconic "First Chair" designed by Michelle de Lucchi for Memphis Milano 1983 in good condition, some scratches to the seat.

Chair re-designed by Alessandro Guerriero for the Alchimia Redesign Collection. The piece is a tribute to the famous Steltman chair design...

Palace chair in colored lacquered wood, designed in 1983, by George Sowden. George Sowden was born in Leeds, UK in 1942. He studied architecture at Glou...

Designed in 1983 by Michele de Lucchi, the ‘First Chair’ is a landmark piece in the Memphis Milano collection as the only original Memphis design to be mass-produced, with an estimat...

Peter Shire bone chair designed and made in the Studio of Peter Shire, 1983. Only two of these chairs were ever made. The other reside in a private collection in Germany. Very large ...

La poltrona Bel Air di Peter Shire, prodotta da Memphis Milano è un pezzo di design unico che rappresenta l'audacia e l'originalità del movimento Memphis. Questo esemplare è stato p...

The First chair in enameled wood and metal, was originally designed in 1983 by Michele De Lucchi. Michele De Lucchi was born in 1951 in Ferrara and graduated in architecture in Florence. During the period of radical and experimental architecture he was a prominent figure in movements like Cavart, Alchymia and Memphis. His architectural designs have been mainly for office buildings in Japan, in Germany, in Switzerland and in Italy. He has taken care of numerous art and design exhibitions and has planned buildings for museums as Triennale di Milano, Palazzo delle Esposizioni di Roma and Neues Museum...

FRAME collection is the perfect trio for any gathering space. The collection includes a table, a chair and a bench, holding everything one needs for a cozy get together. Being a s...

Set of 4 Italian Post-Modern / Memphis Bolidist "Velox" dining chairs by Massimo Iosa Ghini for Moroso, Milan, 1987. 1 "Velox" Chair with sweeping curved arms and 3 "Velox" side chai...

The Aurora collection aka Dawn marks a new exiting moment in our design history, in where we dove deep in to the creativity unknown, to create a collection that would be able to hold...

Baughman was inspired by the courageous young avant-garde designers known as the Memphis Group that burst on to the works stage in 1981 with a total disregard for the traditions and design tenants of restrained, idealized Modernism, Baughman designed a small collection of 11 colorful, post-modern pieces and convinced Coggin to put the collection into production by 1984. The unexpected designs made a splash upon their debut, with critics praising Baughman’s graceful and carefully considered take on the wild Italian ‘new design.’ The wider American audience and Coggin’s well-to-do yet conservative clientele did not take to Baughman’s experiment in exercising complete creative control. ''Only galleries bought it,'' Baughman told the NYT in the months after the collection’s release. Pieces from the 1984 Prisma collection are extremely difficult to come by. Literature: Oscar Fitzgerald, American furniture: 1650 to the Present , 2017. P 517; CH 19 Postmodern and AvantGarde Furniture...

5 Memphis Milano style chairs, newly upholstered with a beautiful blue-green color fabric. Black coated metal frame and wooden back.