Nathalie du Pasquier Seating

Chair re-designed by Alessandro Guerriero for the Alchimia Redesign Collection., in collaboration with Studio Superego for Superego Editio...

Palace chair in colored lacquered wood, designed in 1983, by George Sowden. George Sowden was born in Leeds, UK in 1942. He studied architecture at Glou...

The solemnity and essentiality of Palace by George J. Sowden make this chair a true icon of the silent transformation of Memphis. Palace reinterprets the rationalist forms of design ...

This Diverge chair is offered in wooden ash, stained black, anthracite or walnut leg structure, with the upholstered Twins Dove Gray cotton cushion. The seat cushion is available in ...

Vintage Postmodern Italian design natural leather dining chair set of 7 chairs by Segis, made in Italy in the early 1990's. Thick natural leather...

Post modern chair 80s Memphis movement, spirit of Ettore Sottsass, Starck, Ettore Sottsass, Pierre Sala, etc... . This chair is elegant and comfortab...

The First chair in enameled wood and metal, was originally designed in 1983 by Michele De Lucchi. Michele De Lucchi was born in 1951 in Ferrara and graduated in architecture in Florence. During the period of radical and experimental architecture he was a prominent figure in movements like Cavart, Alchymia and Memphis. His architectural designs have been mainly for office buildings in Japan, in Germany, in Switzerland and in Italy. He has taken care of numerous art and design exhibitions and has planned buildings for museums as Triennale di Milano, Palazzo delle Esposizioni di Roma and Neues Museum...

La poltrona Bel Air di Peter Shire, prodotta da Memphis Milano è un pezzo di design unico che rappresenta l'audacia e l'originalità del movimento Memphis. Questo esemplare è stato p...

Baughman was inspired by the courageous young avant-garde designers known as the Memphis Group that burst on to the works stage in 1981 with a total disregard for the traditions and design tenants of restrained, idealized Modernism, Baughman designed a small collection of 11 colorful, post-modern pieces and convinced Coggin to put the collection into production by 1984. The unexpected designs made a splash upon their debut, with critics praising Baughman’s graceful and carefully considered take on the wild Italian ‘new design.’ The wider American audience and Coggin’s well-to-do yet conservative clientele did not take to Baughman’s experiment in exercising complete creative control. ''Only galleries bought it,'' Baughman told the NYT in the months after the collection’s release. Pieces from the 1984 Prisma collection are extremely difficult to come by. Literature: Oscar Fitzgerald, American furniture: 1650 to the Present , 2017. P 517; CH 19 Postmodern and AvantGarde Furniture...

The Aurora collection aka Dawn marks a new exiting moment in our design history, in where we dove deep in to the creativity unknown, to create a collection that would be able to hold...

The Big Sur couch is made out of 100% wool, and the structure is in lacquered wood. The couch was originally designed in 1986 by Peter Shire for Memphis M...

Roma Green Armchair in fiberglass with iridescent finish, designed by Marco Zanini in 1985. Marco Zanini was born in Trento in 1954. He graduated in architecture at the University o...