Nathan Oliveira Art

American, 1928-2010

Born 1928, Oakland, California; Died 2010, Stanford, California. Nathan Oliveira was a leading member of the second generation of the Bay Area figurative painters. He is best known for his brilliantly colored figurative and landscape paintings as well as intricate bronze sculptures with colorful patinas. Oliveira achieved national prominence fusing Abstract Expressionism and figuration in psychologically charged canvases that explored human isolation and alienation. In 1959, he was the youngest painter included in the important exhibition New Images of Man at the Museum of Modern Art in New York, which also featured works by Francis Bacon, Alberto Giacometti, Richard Diebenkorn, and Jackson Pollack. Overnight, Oliveira found wide acclaim for his nervous human images, built up with thick layers of scuffed and scratched paint. Nathan Oliveira employed a bravura, brushy style of paint application. His abstracted figures and landscapes, however, reflected an affinity with the darker vision of European artists like Oskar Kokoschka and Edvard Munch or more nearly contemporary artists like Alberto Giacometti and Francis Bacon, who shared his sense of human conflict and existential angst. Particularly influential was the German painter Max Beckmann, with whom he studied briefly. Nathan Oliveira had solo exhibitions in major museums all over the world. His paintings are held in the collections of many distinguished institutions, including the Art Institute of Chicago; the Carnegie Institute, Pittsburgh; the Fine Arts Museums of San Francisco; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; the Art Institute of Chicago; the Museum of Modern Art, New York; the National Gallery of Art, Washington, DC; the San Francisco Museum of Modern Art; and the Tate Modern, London, among others.

Artist: Nathan Oliveira

Nathan OliveiraUntitled, 1984

$125,000

Untitled

By Nathan Oliveira

Located in Palm Desert, CA

A painting by Nathan Oliveira. "Untitled" is a Bay Area Figurative Painting, oil on canvas in a brown and tan palette by American artist Nathan Oliveira. The artwork is signed in the lower right, "Oliveira 64”. A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959. During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

Category

Late 20th Century Post-War Nathan Oliveira Art

Materials

Canvas, Oil

Nathan OliveiraNude Stepping from the Carpet, 1962

$115,000

Nude Stepping from the Carpet

By Nathan Oliveira

Located in Palm Desert, CA

A painting by Nathan Oliveira. "Nude Stepping from the Carpet" is a contemporary painting, oil on canvas in a palette of reds, greens, and beiges by Bay Area figurative artist Nathan Oliveira. The artwork is signed in the lower right, "N Oliveira 62". During the early years, Oliveira’s lone figures often suggest an existential angst similar to that of Giacometti, but there is also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

Category

Mid-20th Century Contemporary Nathan Oliveira Art

Materials

Canvas, Oil

Nathan OliveiraMiramar I, 1969

$500

Miramar I

By Nathan Oliveira

Located in Wilton Manors, FL

Artwork title: Miramar IArtist name: Nathan Oliveira Date created: 1969 Classification: print Medium: lithograph Edition: 75 Dimensions: 29 3/8 × 22 1/8 in. (74.6 × 56.2 cm) Signed...

Category

1960s Nathan Oliveira Art

Materials

Lithograph

Nathan OliveiraStelae No. 5, 1998

$55,000

Stelae No. 5

By Nathan Oliveira

Located in Palm Desert, CA

"Stelae No. 5" is a painting by Bay Area Figurative artist Nathan Oliveira. The painting is signed and dated lower right, "Oliveira 98". The framed piece measures 67 1/2 x 55 3/4 x 2 in. A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959. During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...

Category

1990s Nathan Oliveira Art

Materials

Canvas, Oil

Nathan OliveiraHead, 1959

Price Upon Request

Head

By Nathan Oliveira

Located in San Francisco, CA

Watercolor, gouache, ink wash, crayon, and pencil on paper

Category

1950s Nathan Oliveira Art

Materials

Crayon, Ink, Watercolor, Gouache, Pencil

Nathan OliveiraPessoa's Sleigh II, 2000

Price Upon Request

Pessoa's Sleigh II

By Nathan Oliveira

Located in San Francisco, CA

Category

Nathan Oliveira Art

Materials

Monotype

Rene RicardGigi: red black abstract print with poetry based on 1950s vintage movie poster, 1989

$3,000

H 50 in W 38 in

Gigi: red black abstract print with poetry based on 1950s vintage movie poster

By Rene Ricard

Located in New York, NY

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. This red and black lithograp...

Category

1980s Contemporary Nathan Oliveira Art

Materials

Lithograph

Ilonka KaraszChildren Snow Sledding in Central Park - New Yorker Cover Study, circa 1930 - 1960

$15,000

H 16.85 in W 12.25 in

Children Snow Sledding in Central Park - New Yorker Cover Study

Located in Miami, FL

Hungarian/American artist/illustrator depicts a charming scene of sledding in the snow in Central Park. The work is abstract in its design as it's functional in its narrative - Unpublished New Yorker...

Category

1940s Modern Nathan Oliveira Art

Materials

Charcoal, Ink, Watercolor, Gouache, Pencil

Tom BennettNymph and Satyr, abstracted nude figures classical, 2017

$1,000

H 35.99 in W 24.02 in

Nymph and Satyr, abstracted nude figures classical

By Tom Bennett

Located in Brooklyn, NY

Richly painted work on archival paper - abstracted nudes

Category

2010s Neo-Expressionist Nathan Oliveira Art

Materials

Archival Paper, Monotype

John Alfred MohlteGroup portrait painting after the hunt, oil on canvas, Early 20th Century

$13,010

H 25.99 in W 36.23 in D 1.19 in

Group portrait painting after the hunt, oil on canvas

Located in London, GB

This charming painting depicts a group of gentlemen gathered around a kitchen table and admiring an English Setter. The snowy rooftops, just visible from the kitchen window, combined with the lit fire and holly decorating the picture frames in the room, implies that this is a Christmas scene. It also appears that the gentlemen have just returned from a fox hunt, and are now warming themselves, drinking port and smoking long pipes by the fire. Five men — three gathered behind the table and two standing in front — are identically dressed in long black riding boots...

Category

Early 20th Century Naturalistic Nathan Oliveira Art

Materials

Oil, Canvas

Edwin Child"Hillside Landscape" Edwin Child, Farmland, Vast Rural Mountainous Landscape, 1896

$7,000

H 26 in W 36 in

"Hillside Landscape" Edwin Child, Farmland, Vast Rural Mountainous Landscape

Located in New York, NY

Edwin Child Hillside Landscape, 1896 Signed and dated lower right Oil on canvas 18 x 28 inches Edwin Burrage Child was a prominent New England portraitis...

Category

1890s American Impressionist Nathan Oliveira Art

Materials

Canvas, Oil

Madonna and child, Italian school, 18th century

$7,046

H 38.39 in W 32.29 in

Madonna and child, Italian school, 18th century

Located in DEVENTER, NL

Italian School, 18th century Depicted are the Madonna and Child Jesus, the virgin Mary is holding the Child Jesus lovingly in her arms. The child, lying on a bundle of cloth and with...

Category

18th Century Nathan Oliveira Art

Materials

Canvas, Oil

Vaclav Vytlacil"Woman Reading in an Interior" Vaclav Vytlacil, Loose Brushwork Portrait, Circa 1915

$29,000

H 23 in W 26.5 in

"Woman Reading in an Interior" Vaclav Vytlacil, Loose Brushwork Portrait

By Vaclav Vytlacil

Located in New York, NY

Vaclav Vytlacil Woman Reading in an Interior, circa 1915 Signed lower right Oil on canvas 16 x 20 inches As a child, Vytlacil had taken art classes at the Art Institute of Chicago....

Category

1910s Impressionist Nathan Oliveira Art

Materials

Canvas, Oil

Angela WakefieldLarge Original Painting of Broadway New York City from 2011 - early 21st Century, 2011

$19,858

H 41 in W 53 in D 1.75 in

Large Original Painting of Broadway New York City from 2011 - early 21st Century

By Angela Wakefield

Located in Preston, GB

Large Atmospheric Black & Yellow Painting of Broadway New York City by British Urban Landscape Artist, Angela Wakefield. This unique original...

Category

2010s Contemporary Nathan Oliveira Art

Materials

Canvas, Paint, Cotton Canvas, Acrylic, Gesso, Linen, Mixed Media, Oil

William Lester Stevens"Winter Landscape" William Lester Stevens, Cape Ann Snowy Landscape

$29,000

H 40 in W 43 in

"Winter Landscape" William Lester Stevens, Cape Ann Snowy Landscape

By William Lester Stevens

Located in New York, NY

William Lester Stevens Winter Landscape Signed lower right Oil on canvas 32 x 36 inches Born on June 15, 1888, in Rockport, Massachusetts, Stevens displayed his artistic abilities ...

Category

1920s Modern Nathan Oliveira Art

Materials

Canvas, Oil

Carl Wuermer"Winter Silence" Carl Wuermer, American Impressionism Quiet Snowy Landscape, circa 1920s

$12,000

H 31 in W 36 in

"Winter Silence" Carl Wuermer, American Impressionism Quiet Snowy Landscape

By Carl Wuermer

Located in New York, NY

Carl Wuermer Winter Silence Signed lower left Oil on canvas 25 x 30 inches Known for serene, realistic landscapes, he was a widely exhibited painter who won numerous awards includi...

Category

1920s American Impressionist Nathan Oliveira Art

Materials

Canvas, Oil

Arthur Clifton Goodwin"Boston Square" Arthur Clifton Goodwin, Impressionist Boston Urban Landscape, circa 1920s

$21,000

H 37 in W 43 in

"Boston Square" Arthur Clifton Goodwin, Impressionist Boston Urban Landscape

By Arthur Clifton Goodwin

Located in New York, NY

Arthur Clifton Goodwin Boston Square Signed lower left Oil on canvas 30 x 36 inches A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goodwin di...

Category

1920s American Impressionist Nathan Oliveira Art

Materials

Canvas, Oil

Bruno SurdoParadox of St. Sebastian - Contemporary Oil Painting with Graffiti and Shackles, 2017

$15,500

H 60 in W 36 in D 2.5 in

Paradox of St. Sebastian - Contemporary Oil Painting with Graffiti and Shackles

By Bruno Surdo

Located in Chicago, IL

This painting is Bruno Surdo’s contemporary reimagining of Saint Sebastian, one of the most enduring subjects in Western art. From Mantegna and Botticelli to Guido Reni and Caravaggio, Sebastian has long been depicted as the bound, arrow-pierced martyr whose physical suffering becomes an image of spiritual transcendence. Surdo clearly situates himself within this lineage: the contrapposto pose, uplifted gaze, and carefully modeled anatomy reflect his atelier training and deep engagement with Renaissance ideals of the heroic nude. The flesh is luminous and sculptural, recalling Michelangelo’s influence on the canon of the male body as both aesthetic and symbolic form. Yet Surdo decisively destabilizes the tradition. The arrows piercing the body are not lethal shafts but rubber suction-cup darts—objects associated with toys and staged play. This substitution transforms martyrdom into performance. The gravity of sacred suffering is undercut by irony, even absurdity. The saint is no longer impaled by instruments of death but by harmless projectiles, suggesting that contemporary suffering may be theatricalized, trivialized, or culturally mediated. At the same time, the figure’s expression remains sincere and emotionally vulnerable; the psychological intensity is real, even if the wounds are not. This tension between authentic emotion and artificial harm introduces a modern critique of spectacle—how pain can be aestheticized, simulated, or consumed. The graffiti-covered urban wall further collapses sacred history into contemporary space. Instead of a devotional landscape or heavenly backdrop, Surdo situates his Sebastian against a chaotic, tagged surface, merging classical beauty with raw urban immediacy. Saint Sebastian has long functioned not only as a symbol of faith but also as an emblem of sensualized male beauty and coded identity in art history. Surdo acknowledges that layered tradition while reframing it through irony and cultural commentary. By replacing deadly arrows with toy darts, he transforms martyrdom into a meditation on vulnerability in an age where suffering may be symbolic rather than fatal—performed, projected, or socially inflicted rather than divinely ordained. As in much of his work, Surdo grounds contemporary psychological tension in the authority of Renaissance form, using the language of history painting to question what sanctity, sacrifice, and spectacle mean today. Bruno Surdo Paradox of St. Sebastian oil on canvas 60h x 36w in 152.40h x 91.44w cm Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

Category

21st Century and Contemporary Contemporary Nathan Oliveira Art

Materials

Canvas, Oil

Previously Available Items

Nathan OliveiraNathan Oliveira 'Nude' Limited Edition Signed Lithograph Print, 2004

Sold

H 22.5 in W 18.38 in

Nathan Oliveira 'Nude' Limited Edition Signed Lithograph Print

By Nathan Oliveira

Located in San Rafael, CA

Nathan Oliveira (American, 1928-2010) Nude, 2004 Lithograph in colors on wove paper Edition 9/10 Signed, numbered, and dated in pencil along lower edge (Unframed) Sheet: 22-1/2 x 18-...

Category

21st Century and Contemporary Abstract Expressionist Nathan Oliveira Art

Materials

Lithograph

Nathan OliveiraCopper Plate Nude II (2) 2001. Aquatint - signed, dated front - Nathan Oliveira, 2001

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H 27.75 in W 23 in D 1.5 in

Copper Plate Nude II (2) 2001. Aquatint - signed, dated front - Nathan Oliveira

By Nathan Oliveira

Located in Burlingame, CA

Vivid and beautiful female figurative nude with lifted arms by Nathan Oliveira - color sugar lift and spit bite aquatints, aquatint and texture from the back of a discarded plate 23 ...

Category

21st Century and Contemporary Abstract Expressionist Nathan Oliveira Art

Materials

Aquatint

Nathan OliveiraFigure, 2010

Sold

H 66 in W 50 in

Figure

By Nathan Oliveira

Located in San Francisco, CA

Category

Nathan Oliveira Art

Materials

Oil, Canvas

Nathan OliveiraAt The ADAA Art Show - Figure with Arm Up, 2010

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H 66 in W 50 in

At The ADAA Art Show - Figure with Arm Up

By Nathan Oliveira

Located in San Francisco, CA

Category

Nathan Oliveira Art

Materials

Oil, Canvas

Nathan OliveiraRevisited Standing Figure, 2010

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H 89 in W 77 in

Revisited Standing Figure

By Nathan Oliveira

Located in San Francisco, CA

Category

Nathan Oliveira Art

Materials

Oil, Canvas

Nathan OliveiraSkating Figure, 2010

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H 84 in W 70 in

Skating Figure

By Nathan Oliveira

Located in San Francisco, CA

Category

Nathan Oliveira Art

Materials

Oil, Canvas

Nathan OliveiraStanding Figure, 2010

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H 66 in W 54 in

Standing Figure

By Nathan Oliveira

Located in San Francisco, CA

Category

Nathan Oliveira Art

Materials

Oil, Canvas

Nathan OliveiraUntitled Figure, 2010

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H 66 in W 50 in

Untitled Figure

By Nathan Oliveira

Located in San Francisco, CA

Category

Nathan Oliveira Art

Materials

Oil, Canvas

Nathan OliveiraUntitled Standing Figure, 2010

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H 66 in W 54 in

Untitled Standing Figure

By Nathan Oliveira

Located in San Francisco, CA

Category

Nathan Oliveira Art

Materials

Oil, Canvas

Nathan OliveiraFigure with Shoe, 2010

Sold

H 66 in W 50 in

Figure with Shoe

By Nathan Oliveira

Located in San Francisco, CA

Category

Nathan Oliveira Art

Materials

Oil, Canvas

Nathan OliveiraHead #1, 1960

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H 12 in W 9 in

Head #1

By Nathan Oliveira

Located in San Francisco, CA

Category

Nathan Oliveira Art

Nathan OliveiraSeated Figure, 1960

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H 12 in W 9 in

Seated Figure

By Nathan Oliveira

Located in San Francisco, CA

Category

Nathan Oliveira Art

Nathan Oliveira art for sale on 1stDibs.

Find a wide variety of authentic Nathan Oliveira art available for sale on 1stDibs. You can also browse by medium to find art by Nathan Oliveira in paint, canvas, fabric and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the post-war style. Not every interior allows for large Nathan Oliveira art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Arne Hiersoux, Paul Wonner, and William Theophilus Brown. Nathan Oliveira art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $55,000 and tops out at $135,000, while the average work can sell for $115,000.