Nicholas Watts Furniture

Vintage 1940's chrome frame building directory sign with beveled glass double panels. This came from the famous Boston (North End) restaurant 'Joe Tecce's' which closed in 2010 after...

American print mallards in flight and swimming in marsh grass matted under glass in a painted and gilt frame. "Lucky Pond" Richard E. Bishop, mid 20...

Gucci Horsebit picture frame, brass, nickel, signed. Stirrup form photo frame finished in brass and nickel. The display opening is 5.63 inches in height by 5.75 inches wide. The four...

Gucci Horsebit picture frame, nickel, signed. Stirrup form photo frame in polished nickel. The display opening is 5.63 inches in height by 5.75 inches wide. The four circular feet on...

Gabriella Crespi rare large round picture frame from the iconic Rising Sun series in bamboo and brass, Italy, 1970s. This elegant bamboo frame is a striking example of Crespi’s deft...

VG participates in creating very distinct environments, spaces in which you can escape from reality; to seek refuge whilst expressing your personality; spaces in which you can breath...

Photo frame covered in stitched alligator embossed leather by Palecek. Viewable Photo Size: 3-1/2" x 5-1/2"

Encased in a geometric Art Deco frame, this small printed portrait depicts a young woman of French royalty, most likely Empress Josephine Bonaparte. Josephine Bonaparte was the Empre...

Ornate framed print. Real giltwood frame. Flower print protected with front glass and wood in the back. Measures: 28W x 2.25"D x 24H.

For sale is a vintage art print from the 1950s. The original painting is "Der Rosengarten"/The Rose Garden by renowned Austrian Art Nouveau Painter ...

Miniature portrait of a distinguished lady, signed Stieler. Bronze frame behind oval round glass, 19th century Signed Stieler, Joseph Karl Stieler (1781- Mainz - 1858 Munich) was a German painter. The size is 10 cm x 7.5 cm x 1 cm 1820-1830 From 1820 until 1855 he worked as royal court painter of the Bavarian kings. He is known for his Neoclassical portraits, especially for the Gallery of Beauties at Nymphenburg Palace in Munich. Born in the city of Mainz to a long-established family of engravers, punchcutters and die makers, Stieler received some artistic training from his father, August Friedrich Stieler (1736–1789). After the early death of his father, Joseph Karl autodidactically completed his apprenticeship and began his career as a painter of miniatures, which were increasingly sought after by bourgeois circles After Mainz had been occupied by French revolutionary troops in 1792, Stieler followed the expelled court of Prince-Archbishop Friedrich Karl Joseph von Erthal to Aschaffenburg. Here he met with the later Archbishop Karl Theodor Anton Maria von Dalberg, who became his most important patron and sponsor. From 1802 to 1805 he attended the Academy of Fine Arts Vienna in the master class of Heinrich Füger. Stieler's portrait style was most especially shaped during his work in the Parisian atelier of François Gérard, a student of Jacques-Louis David. In 1808, he established himself as an independent portraitist in the city of Frankfurt and in 1810 travelled through Italy. From 1812 he worked at the court of King Maximilian I Joseph of Bavaria. In 1816, he again travelled to Vienna to paint the portrait of Emperor Francis I of Austria. Between February and April 1820, he worked on his portrait of Ludwig van Beethoven, which is probably the most well-known representation of the composer today. In 1847 he also painted the portrait of Lola Montez...

Elegant white ceramic picture frame. This fantastic piece was designed in Italy during the 1960s and it is designed by Tommaso Barbi. This item is breathtaking to the amazing glossy ...