Nicola Bolla Figurative Paintings

Kyoto VII Landscape – Silver Pavilion is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink, Japanese pigments and gold leaves on Japanese ca...

Sunset to Kyo is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with India ink, Japanese pigments and gold leaves on cardboard, dimensions are...

Camellia IX is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with India ink and pigments on Japanese cardboard, dimensions of the framed artw...

Dominika Krechowicz is a professor at the Gdansk GUT Institute Flags 7, 213 x 96 cm, acrylic, pigment on paper, 1999, composed of 24 elements, a single part is 24 x 30 cm. Works fr...

Cosmos IV is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments and silver leaves on Japanese cardboard, dimensions are 27.3 × 24.2 cm (10.7 ×...

The full frontal female figure is suspended in mid-air with both arms in motion, seemingly about to jump off the canvas. The blurred figure is set against a clear, graphic backdrop of reds, black and other dark tones with a turquoise rectangular box framing the torso of the figure. A simple black wooden frame frames the work. "I have been active in telling stories with images for over 45 years. My fascination with shapes and textures are my earliest memories and everything I have done in my adult life has revolved around these interests. I learned a lot about color, composition and story telling by stripping all sentimentality from these elements and using them for more than 25 years as a designer. Although I enjoy the challenge and variety of commissions, my own work is very personal. My work has always been about expressing the otherness and mystery just underneath everyday life. Reacting to the ephemeral nature of life and mortality. All of my personal paintings are just different ways of expressing one moment, one feeling. I’m describing a place I’ve never been with a language I’ve never spoken but I’ve spent my whole life trying to get there because its my home." -- Mark Gilmore...

Provenance: Acquired directly from the artist. Signed on the reverse of the painting Medium: Acrylic paint with gold leaf and mineral pigments Exhibited: M50 Daigo Art Centre, Shanghai "Gods and Men of the Himalayas" 2021 “The Realm of Imaginary Mystery” is an amazing Tibetan Narrative Wall Painting. Artist’s Statement The Realm of Imaginary Mystery continues the narrative approach I have been experimenting with, with much of the linguistic expression coming from elements of mature Tibetan wall paintings. Narrative in painting is something that Western modern art and Chinese literati painting have strongly rejected, but I believe that it is precisely the way in which traditional Tibetan art is expressed. It is also the native language system that I have always been searching for. It is not defunct, it has just not been activated to connect to the contemporary context. Unlike the traditional narrative, my narrative is scattered and fragmented. Like the chaos of the times. This work was painted during the epidemic, which made me experience the uncertainty of world affairs and the impermanence of life. The word "vague and confused" is actually a homophone of "Sumi". The reason why I use "vague and confused" instead of "Sumi" is that I think "vague and confused" is more suitable for the world we live in, which is unreal and confusing. It is in the virtual that we gain knowledge, produce and record history. Perhaps when historians study our generation in 2,000 years' time, the internet will be the great transparent medium in which trivial or significant records of the virtual world will be recorded, like a phantom suspended over this era. When a thing is erased from the virtual world, that is perhaps its demise in the historical sense. Perhaps the world we live in, the dreams we hold on to and the art we create are, from the beginning, just a phantom of illusion. GADE GADE is a leading Tibetan Artist, Art Professor and Curator with 30+ years of experience in painting, and lecturing on finding one’s voice through contemporary art. Gade’s creative concept is based on the “Tibetanized background”, and continues the first-perspective Tibetan art, still using traditional Tibetan Thangkas, murals, Tibetan Buddhism-related materials, composition, style and other elements. He is an active, worldwide exhibiting artist with a portfolio of work available upon request. Gade currently lives and works in Lhasa, Tibet, China. Gade's works have won the Bronze Award of China National Art Exhibition and Special Award of China Fine Brushwork Painting Exhibition, and the TAR Art Exhibition Silver Award. His works have been collected by many museums and galleries, including: National Art Museum of China (Beijing), Rubin Museum (New York, USA), White Rabbit Art...

Flair (2024) by Rebecca Johnson Flashe, dry pigment, acrylic, pastel and watercolor on 14x11" canvas, custom Kona-stained wood frame. Neo-folk style doves and star with decorative b...

The ghostly figures of a man and horse are set against the epic backdrop of a forested landscape and atmospheric blue sky. Peter Hoffer's paintings evoke nostalgia for classical, rom...

The iconic presence of a Mountie in red serge on a ghostly white horse is set against the epic backdrop of a forested landscape. Peter Hoffer's paintings evoke nostalgia for classica...

Original painting on paper by Agnese Negriba. This artwork on paper is from the 'Garden Spirits' series inspired by the extraordinary gardens of London and Oxford. A female figure is...

Original painting on paper by Agnese Negriba. This artwork on paper is from the 'Garden Spirits' series inspired by the extraordinary gardens of London and Oxford. A female figure is...