Nicola Simbari Furniture

Early 20th century Japanese black and white paper print of drawings of 18th century Japanese screen. This black and white paper print ...

city scape, oil on canvas, art, painting, landscape, wall art wall decoration

Seventeen Lithographs for Frank O'Hara, New York, Limited Editions Club, 1988 the complete set of 17 signed and numbered lithographs in colors by Willem De Kooning, title page, and justification, on Chine appliqué, numbered 51 of 60 (there were also 12 with opposite facing text, and 550 bound copies with the lithographs appliquéd to the text pages), all with full margins and beautifully framed. Comes with original black cloth-covered portfolio with black leather label and gilt stamped title (very minor wear) and original purchase paperwork from Baby Jane...

Charming English oil on canvas depicting three Spaniels and a flying duck overhead. Signed P. Hargrove. Original gilt frame.

We present this fantastic 19th century oil on canvas painting. The painting features the initials NP at the bottom left (see photo). Attributable to the Italian painter Nicola Palizzi...

An Italian oil on canvas still life painting from the 19th century depicting fruits in front of a column and an open sky, in giltwood frame. Created in Italy during the 19th century,...

Dimensions: 42"H x 32"W x 1 1/4inD This vintage Art Deco Erte (1892-1990) print "Soiree" is perfect for you and your home! Romain de Tirtoff (23 November 1892 – 21 April 1990), kno...

19th-Century Framed Oil on Canvas Depicting Village We present you this oil on canvas depicting a landscape with a small house, people and animals. It is signed by Germain Postelle....

This very well executed antique oil painting is unsigned, with unknown origins, and is presumed to date to approximately 1920 and done in the period impressionistic style. The painti...

A mid 17th century large scale oil on canvas depicting a Leopardess, a Lioness and a Wolf toying with a Dead Hare in an Arcadian landscape; in the style of the Dutch Golden Age ‘Animaliers’ and the circle of Frans Snijders. Large canvases of hunting scenes, often featuring exotic animals such as leopards and lions, were initially popularised by the celebrated painter and diplomat Sir Peter Paul Rubens (1577-1640), and rapidly became a fixture of seventeenth-century patrician residences across Europe. They were heirs to the Renaissance tradition of tapestries representing hunts, which had long been a form of princely decoration, but had typically required much greater expenditures of time and money. A monumental Wolf and Fox Hunt painted by Rubens in about 1616 – now in New York’s Metropolitan Museum – is considered one of the master’s earliest forays into this genre (fig. 1), alongside a set of four large hunting scenes originally executed for Elector Maximilian of Bavaria (c. 1616), featuring a Hippopotamus and Crocodile Hunt (Alte Pinakothek, Munich); a Wild Boar Hunt (Musée des Beaux-Arts, Marseilles); a Tiger Hunt (Musée des Beaux-Arts, Rennes); and a Lion Hunt destroyed by fire in Bordeaux in 1870. This type of composition – with its energetic treatment of the subject, its references to exotic and powerful beasts and its vibrant atmosphere – immediately appealed to patrons and was enthusiastically embraced by artists both within and outside Rubens’ immediate circle. Among the former were fellow Flemish painters Frans Snyders (1579-1657) and his brother-in-law Paul de Vos (c. 1591-1678), each of whom collaborated with Rubens on important commissions, while also pursuing the genre of hunting scenes as part of their respective studio practices. Indeed, both are now predominantly remembered for their dynamic representations of hunts, which – differently to Rubens’ – chiefly focus on the animals, without the presence of human figures. This characteristic is shared by the present composition, which highlights the interaction between the beasts themselves, their feral nature and proximity enhancing the scene’s dramatic undercurrent. The wolf on the left, baring its teeth to defend its prey, is carefully observed, including its blood-shot eyes, salivating mouth, and thick fur, which all find parallels in compositions by Rubens and his circle (fig. 2). Similarly, the lioness emerging from behind a tree trunk in the background is a citation from a famous composition by Rubens and Jan Brueghel the Elder...

Nicolas Fasolino Realism Oil Painting on Canvas, Argentine Artist A still life composition executed in a realist medium by noted Argentine Artist Nicolas Fasolino signed lower right and dated '05. This oil on canvas depicts a candle-lit table...

Three gorgeous early 19th century architectural prints by Louis-Pierre Baltard de la Fresque (1764 — 1846).