Nicolas Auvray Photography

Dolomites No.3 Trentino-South Tyrol, Italy 2024 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all th...

"How the West Was Won" Texas, USA 2020 Available Sizes (Framed Size) Large: 71” x 91” Edition of 12 Standard: 52” x 65” Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed in lower right by artist. This photo comes with a with Certificate of Authenticity About David Yarrow David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining. David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art...

Black and White Fine Art long exposure landscape photography. Giants Causeway the natural wonder on the Irish coast at sunset, Ireland. Archival pigment in...

New York, New York, 1981 by American photographer Leonard Freed. This is a 16" x 12" signed verso (on back), gelatin silver, also stamped verso, vintage print. The photograph captures men in suits...

Kabool, 'Avenue of Trees’, 2001 by John Reardon Edition of 2/10 Silver Gelatin Print, The framed print has been sold so we are happy to offer now unframed print for the suggested pri...

Trinity Church, Wall Street, 1995 by Leonard Freed is a 14" x 11" black and white, gelatin silver, vintage print. The urban landscape photograph captures Freed's interest in New York City architecture, a city he loved, as well as reveals the photographer's masterful techniques in using light...

A gelatin silver estate print, 24" x 20" from the Freed archive, Rome, Italy, 2000 by Leonard Freed is a black and white contemporary photograph focused on an unexpected, poetic, and beautiful classical sculpture in the stairwell of a modest Roman dwelling. Leonard Freed discovered Little Italy in...

"66 Degrees North" Namafjall Geothermal Area, Iceland - 2022 Available Sizes (Framed Size) 52 x 58" Framed / Edition of 12 71 x 80" Framed / Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Developing a concept that ticks the boxes creatively and then executing that concept are emphatically two different jobs, which is why making a picture is a longer process than taking a picture. Many years ago, the exceptional work of British photographer Tim Flach, drew my attention to the hot springs of Myvatn in the north of Iceland. This remote area is geologically angry and in deep winter it is fairly inhospitable, but in the summer, it becomes something of a tourist resort for the local Icelandics and all too crowded for how we operate. We would always choose inhospitable over crowded. I have filmed here in the winter in the past, but struggled to do justice to the uniquely raw ecosystem. As always there is an element of knowing how to get it right by initially getting it hopelessly wrong. In particular, this is not a safe place without engaging locals, because the ground underneath, much like Yellowstone in Wyoming, is not to be taken for granted. To be brave and work close to the geysers needs permits and guides. But in 2022, we finally had our rewards. The weather plays such a big role in the field; no more so than up here at 66 degrees north where the Norse Gods granted my wish for strong winds and good light. It was the wind that amplified the trail of steam and allowed me to work a comfortable distance from the source without losing the effect. It was then up to me to work the strong late afternoon light to the best of my advantage. The end result is a strong image and certainly authentic. It's stripped back and visceral mood lives and breathes the wildest of Icelandic sagas. There are horse...

David Armentor says, "The Sugar Mill Sessions focuses on sugar production in Southwest Louisiana. It attempts to give a localized, romantic view of the industry by documenting harvest seasons of the sugar mills, Cajun Co-op, Louisiana Sugar Cane Co-op and Enterprise. With the sugar industry as a passive backdrop to my upbringing, it was natural for me use its distinctive characteristics as indicators of "home" even after relocating as an adult. Originally, this work began in 2004 with the intention of capturing these traits in a purely formal documentary fashion, following the discipline of "photograph what you know." I worked mostly at night during the harvesting season months of September through January, which gave way to a more expressive capture of the industry. This direction allowed me to give a unique perspective to an industry where sense of place is often viewed as burdensome or vexatious. Unique lighting conditions along with modernistic compositions allow the images more gentle, hushed qualities while remaining grounded in the innate industrial masculinity -- something easily overlooked by those familiar with the landscape. 'The Sugar Mill Sessions' is an ongoing body of work which has evolved going forward. Historically great artists have explored this complex industry that is ingrained in the Southern culture as it has a continual ability to serve as an umbrella for flavorful artistic expression, critique and research." Gulf coast native David Armentor is an artist who has been working in the photographic medium since 2002. He received a BA from Louisiana State University where he learned the craft of traditional photographic print making. After graduation he taught photography classes for the Baton Rouge Arts Council and worked as a freelance photographer until moving to Seattle, WA, where he continued his photographic endeavors with the Benham Gallery as the gallery manager and guest artist. He now resides in New Orleans, LA, and is the founder of St Veronica...

Mark of Esteem, ‘Silhouette’, 2001 by John Reardon This Print is part of the Hermès Collection of Contemporary Photographs since November 2023 A few mor...

Racetrack by Frank Schott 24 x 40 inches (56 x 102cm) edition of 25 signed 48 x 88 inches (122 x 224cm) edition of 7 signed archival quality fine art pigment print limited art ...

Lightning/Cotton Field, signed, limited edition, storm photograph Mitch Dobrowner has been traveling in the company of professional storm chases for...