Nicoletta Munroe Photography
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Artist: Nicoletta Munroe
Raspail Red, Paris Metro Series
Located in Surfside, FL
these are original (signed with initials) proof prints
c-print on Fuji crystal archive paper. there is some minor wear to the surface but it cannot be photographed and will probabl...
Category
1990s Conceptual Nicoletta Munroe Photography
Materials
C Print
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Raspail Red, Paris Metro Series
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from the Heather and Tony Podesta Collection, an exhibition of 28
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works the couple has donated to the museum. P(art)ners demonstrates
the Podestas' shared collecting vision and honors their participation
in the inaugural TEDWomen conference in Washington D.C.
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staff to hand them the curatorial reins for this exhibition. The two
have articulated the themes for P(art)ners and selected the works.
Images of the female body or allusions to it (such as seen in G-Force
Dive, a witty sculpture by E.V. Day (American, b. 1967) made from
women's thong underwear stretched into the shape of fighter jets) present
multiple views of contemporary feminine identity.
These works exploring the female body are paired with photographs of
architecture. Although they are built by and for people, the interior
spaces lack human presence and appear surprisingly abstract. The
Podestas note that images of constructed environments complement those
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Heather and Tony Podesta each head their own government relations firm
in Washington, D.C., but they travel to contemporary art fairs and
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SURVIVAL L.A. A Group Show with Lisa Adams, SE Barnet, Kaucyila
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C Print
Odeon, Green 2 Chairs, Paris Metro Series
Located in Surfside, FL
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The National Museum of Women in the Arts presents P(art)ners: Gifts
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have articulated the themes for P(art)ners and selected the works.
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from the Heather and Tony Podesta Collection, an exhibition of 28
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works the couple has donated to the museum. P(art)ners demonstrates
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have articulated the themes for P(art)ners and selected the works.
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Dive, a witty sculpture by E.V. Day (American, b. 1967) made from
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architecture. Although they are built by and for people, the interior
spaces lack human presence and appear surprisingly abstract. The
Podestas note that images of constructed environments complement those
of the human figure: "They are what remain of us when we're not
there."
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in Washington, D.C., but they travel to contemporary art fairs and
biennials around the world to discover outstanding new artists.
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rows of seats seem to stand in for the people who fill the stations
each day.
SURVIVAL L.A. A Group Show with Lisa Adams, SE Barnet, Kaucyila
Brooke, Kathy Chenoweth, Martin Durazo, Kathleen Johnson, Hillary
Mushkin, Nicoletta Munroe, Susan Otto, Christopher Pate, Steve Roden,
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Raid Journal essays by: Holly Myers and Gordy Grundy
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Category
1990s Conceptual Nicoletta Munroe Photography
Vavin, Purple. Paris Metro Series
Located in Surfside, FL
these are original (signed with initials) proof prints
c-print on Fuji crystal archive paper. there is some minor wear to the surface but it cannot be photographed and will probably not be visible when framed
The National Museum of Women in the Arts presents P(art)ners: Gifts
from the Heather and Tony Podesta Collection, an exhibition of 28
contemporary photographs and sculptures drawn from the more than 300
works the couple has donated to the museum. P(art)ners demonstrates
the Podestas' shared collecting vision and honors their participation
in the inaugural TEDWomen conference in Washington D.C.
The Podestas' collaborative collecting practice inspired the NMWA
staff to hand them the curatorial reins for this exhibition. The two
have articulated the themes for P(art)ners and selected the works.
Images of the female body or allusions to it (such as seen in G-Force
Dive, a witty sculpture by E.V. Day (American, b. 1967) made from
women's thong underwear stretched into the shape of fighter jets) present
multiple views of contemporary feminine identity.
These works exploring the female body are paired with photographs of
architecture. Although they are built by and for people, the interior
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of the human figure: "They are what remain of us when we're not
there."
Heather and Tony Podesta each head their own government relations firm
in Washington, D.C., but they travel to contemporary art fairs and
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from the Heather and Tony Podesta Collection, an exhibition of 28
contemporary photographs and sculptures drawn from the more than 300
works the couple has donated to the museum. P(art)ners demonstrates
the Podestas' shared collecting vision and honors their participation
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have articulated the themes for P(art)ners and selected the works.
Images of the female body or allusions to it (such as seen in G-Force
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c-print on Fuji crystal archive paper. there is some minor wear to the surface but it cannot be photographed and will probably not be visible when framed
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works the couple has donated to the museum. P(art)ners demonstrates
the Podestas' shared collecting vision and honors their participation
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The Podestas' collaborative collecting practice inspired the NMWA
staff to hand them the curatorial reins for this exhibition. The two
have articulated the themes for P(art)ners and selected the works.
Images of the female body or allusions to it (such as seen in G-Force
Dive, a witty sculpture by E.V. Day (American, b. 1967) made from
women's thong underwear stretched into the shape of fighter jets) present
multiple views of contemporary feminine identity.
These works exploring the female body are paired with photographs of
architecture. Although they are built by and for people, the interior
spaces lack human presence and appear surprisingly abstract. The
Podestas note that images of constructed environments complement those
of the human figure: "They are what remain of us when we're not
there."
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in Washington, D.C., but they travel to contemporary art fairs and
biennials around the world to discover outstanding new artists.
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nature that explore the frequently blurred boundary between culture
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coexisted harmoniously in an unspoiled landscape.
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from the Heather and Tony Podesta Collection, an exhibition of 28
contemporary photographs and sculptures drawn from the more than 300
works the couple has donated to the museum. P(art)ners demonstrates
the Podestas' shared collecting vision and honors their participation
in the inaugural TEDWomen conference in Washington D.C.
The Podestas' collaborative collecting practice inspired the NMWA
staff to hand them the curatorial reins for this exhibition. The two
have articulated the themes for P(art)ners and selected the works.
Images of the female body or allusions to it (such as seen in G-Force
Dive, a witty sculpture by E.V. Day (American, b. 1967) made from
women's thong underwear stretched into the shape of fighter jets) present
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These works exploring the female body are paired with photographs of
architecture. Although they are built by and for people, the interior
spaces lack human presence and appear surprisingly abstract. The
Podestas note that images of constructed environments complement those
of the human figure: "They are what remain of us when we're not
there."
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in Washington, D.C., but they travel to contemporary art fairs and
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rows of seats seem to stand in for the people who fill the stations
each day.
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Metro Saint Sulpice, Red. Paris Metro Series
Located in Surfside, FL
these are original (signed with initials) proof prints
c-print on Fuji crystal archive paper. there is some minor wear to the surface but it cannot be photographed and will probably not be visible when framed
The National Museum of Women in the Arts presents P(art)ners: Gifts
from the Heather and Tony Podesta Collection, an exhibition of 28
contemporary photographs and sculptures drawn from the more than 300
works the couple has donated to the museum. P(art)ners demonstrates
the Podestas' shared collecting vision and honors their participation
in the inaugural TEDWomen conference in Washington D.C.
The Podestas' collaborative collecting practice inspired the NMWA
staff to hand them the curatorial reins for this exhibition. The two
have articulated the themes for P(art)ners and selected the works.
Images of the female body or allusions to it (such as seen in G-Force
Dive, a witty sculpture by E.V. Day (American, b. 1967) made from
women's thong underwear stretched into the shape of fighter jets) present
multiple views of contemporary feminine identity.
These works exploring the female body are paired with photographs of
architecture. Although they are built by and for people, the interior
spaces lack human presence and appear surprisingly abstract. The
Podestas note that images of constructed environments complement those
of the human figure: "They are what remain of us when we're not
there."
Heather and Tony Podesta each head their own government relations firm
in Washington, D.C., but they travel to contemporary art fairs and
biennials around the world to discover outstanding new artists.
P(art)ners features a striking series of photographs about travel by
Nicoletta Munroe (American, b. 1968). For her "Paris Métro" series,
Munroe, who has also worked as an art director in Hollywood, shot the
brightly colored seats on the platforms of Paris's subway system. The
rows of seats seem to stand in for the people who fill the stations
each day.
SURVIVAL L.A. A Group Show with Lisa Adams, SE Barnet, Kaucyila
Brooke, Kathy Chenoweth, Martin Durazo, Kathleen Johnson, Hillary
Mushkin, Nicoletta Munroe, Susan Otto, Christopher Pate, Steve Roden,
Thaddeus Strode and Jody Zellen
Raid Journal essays by: Holly Myers and Gordy Grundy
UnNaturally features over 40 visually stunning works by fifteen
artists who employ artificial materials to create simulations of
nature that explore the frequently blurred boundary between culture
and our environment, raising provocative questions about the mediated
environment in which we live. UnNaturally plays on our nostalgia for
an idealized pre-industrial past in which human beings and nature
coexisted harmoniously in an unspoiled landscape.
Artists includes Chris Astley, Gregory Crewdson, Jacci Den Hartog,
Allan deSouza, Keith Edmier, Iñigo Manglano-Ovalle, Jason
Middlebrook,Nicoletta Munroe, Roxy Paine, Michael Pierzynski, Marc
Quinn, Michelle Segre, Alyson Shotz, Frances Whitehead and Clara
Williams. New works byRoxy Paine, courtesy of James Cohan Gallery, New
York, are included for the USF CAM premier.
I Can t Go On I ll Go On Low s First-Year Anniversary Exhibit
Features New Work By Artists Who ve Had Solo Shows At The Gallery:
Nobuyoshi Araki Nicoletta Munroe Mark Gonzales Takashi Homma Fiering &
Luem And Dean Sameshima.
Category
1990s Conceptual Nicoletta Munroe Photography
Nicoletta Munroe photography for sale on 1stDibs.
Find a wide variety of authentic Nicoletta Munroe photography available for sale on 1stDibs. You can also browse by medium to find art by Nicoletta Munroe in c print and more. Not every interior allows for large Nicoletta Munroe photography, so small editions measuring 17 inches across are available. Customers who are interested in this artist might also find the work of Brenda Zlamany, Todd Gray, and Emily Cheng. Nicoletta Munroe photography prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $400 and tops out at $400, while the average work can sell for $400.
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