Nikolai Kraneis Art

Natalia Pankova (1965) - Sunflowers - Oil on canvas Oil measurements 50x50 cm. Frameless. This striking piece by Natalia Pankova, a renowned contemporary Russian painter, captures the energy and vitality of a sunflower bouquet in her signature expressionist style. Pankova uses a vibrant palette and dynamic brushstrokes, creating a powerful balance between structure and emotion. The artist draws clear inspiration from masters such as Vincent van Gogh, whose use of color and expressive approach to still life revolutionized the art world, and Paul Cézanne, celebrated for his structural and geometric treatment of still life. Additionally, echoes of Wassily Kandinsky's expressionism can be seen, particularly in the harmonious interplay of shapes and colors. The painting is not framed, offering the buyer the freedom to select a frame that best suits their personal style and space. Perfect for collectors or contemporary art enthusiasts looking for a vibrant and unique piece. An excellent addition to any collection! Natalia Yuryevna Pankova (Russian: Наталия Юрьевна Панкова, Gorky, June 28, 1965) is a Russian painter. Natalia Pankova was born in the city of Gorky in 1965. She finished her studies at the Gorky Art Institute and the Moscow External University of Humanities. Master in art criticism. Member of the Union of Artists of Russia. President of the Directorate of the Nizhny Novgorod Fund “Russian Art” Representative advisor of the Ministry of Foreign Affairs of Russia in the city of Nizhny Novgorod for cultural affairs. Natalia Pankova's paintings are in the collections of the Nizhny Novgorod State Art Museum The Museum of Fine Arts of the Republic of Mordovia “S.D. “Erzia” The Chuvash State Art Museum The National Museum of Fine Arts of Algeria Margaret Thatcher Alain Juppé Sergei Kiriyenko Boris Nemtsov Irina Jakamada Frits Philips Mstislav Rostropovich and Galina Vishnevskaya Yuri Bashmet Vladimir Spivakov Bank of Russia He has been exhibiting his work since 1988, during which time he has participated in more than 70 individual exhibitions of artists in Russia and abroad. Among which stand: 1989: Exhibition hall of the Association of Creators “Black...

Artist: Slonem, Hunt Title: Pink Tulip Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Editi...

Vintage Still Life Oil Painting - Orange Teapot on Purple Background Painterly still life piece by Loomis, California artist Betty Thomas (American, 20th Century.) An orange teapot ...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. The painting comes with a certificate of authenticity and a letter of appraisal. Marc Zimmerman creates playful p...

'Catelayas Of Hawaii' 2021. Signed, titled, and dated to the verso This painting features a vibrant depiction of catelaya flowers and colors of purple, blue, orange, and white. Co...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

This painting is an imagined abstract landscape featuring green, yellow, purple, brick red, and blue. Eilis Crean is inspired by the works of Honoré-Victorin Daumier, Evie Hone, Pat...

"San Marco Interior", original, unique painting, 60x80cm / 23.5x27.5in. See painting in different light conditions, in artificial and natural light. Shipped stretched ready for displ...

Still life with Skull is a modern artwork realized by Albin Sattler (1927 Lauterbach, Czechoslovakia - 1998 Munich) in 20th Century. Mixed colored oil painting on canvas Includes f...

Edie Nadelhaft “Fine Detail Triptych” Oil on canvas. Each painting is 22 x 24 inches. Offered unframed. Edie Nadelhaft's bold, large-scale, colorful monolithic oil paintings of bode...

This painting is a colorful abstract landscape featuring yellow, green, orange, blue and purple. Eilis Crean is inspired by the works of Honoré-Victorin Daumier, Evie Hone, Patrick...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...