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Noel Daggett Art

American, 1925-2005

Noël Daggett was born in Phoenix, Arizona in 1925. He became known for his neo-impressionist quadrille paintings likened to mosaic compositions or latticework. Later, he did more traditional style paintings of western genre and landscape. At an early age, he moved to California with his parents and won a scholarship to the California School of Fine Arts in San Francisco. During World War II, Noël was a Merchant Marine in the South Pacific and then took odd jobs in California, including the truck driver and fender repairman. He moved to Chicago and studied at the Chicago Art Institute and also studied privately with Leonard Rodowicz (1898–1981). In 1953, he was drafted into the Korean War and then was in military service in Germany doing illustration for Army bulletins. After discharge, Noël remained in Heidelberg for three years as a civilian illustrator. In 1958, he decided to become a professional illustrator and studied advertising in Los Angeles at the Art Center School. However, after one year, he switched to fine art, and after six semesters went to New York, where he won a scholarship to the New School and studied with Raphael Soyer (1899–1987). Noël also had a one-man show in Paris at the Galerie Ror Volmar in 1962. In New York in the 1960s, he had his work well received and earned honors including, the Emily Lowe Award and the Harold Stevenson Gold Medal of the American Veterans Society of Artists. Noël’s studio was on the top floor of a thirty-story building close to Times Square with a skylight and panoramic view of the city. His paintings come from a variety of sources from landscapes to figures, and he has also done mural decorations for the New York restaurant Henry IV. In his later years, he established a studio in Tucson, Arizona, from where he traveled extensively throughout the country.

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Artist: Noel Daggett
Fan Nap: Vietnam Sketchbook, Impressionist Oil on Canvas Painting by Noel Dagget
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Fan Nap: Vietnam Sketchbook, Year: 1970, Medium: Oil on Canvas, signed, Size: 24 x 20 in. (60.96 x 50.8 cm), Frame Size: 33 x 28 inches
Category

1970s Impressionist Noel Daggett Art

Materials

Oil

Approach of a Rider, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Approach of a Rider, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 23 inches, ...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

Pay Dirt, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Pay Dirt, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 20 x 24.5 inches, Size: 22...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

High Country Chill, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - High Country Chill, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, S...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

A Twig Snapped, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - A Twig Snapped, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 40, Image Size: 19 inches x 23 inches, Siz...
Category

1980s American Realist Noel Daggett Art

Materials

Lithograph

When Mountains Turn Cold, American Western Art Gouache Painting by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - When Mountains Turn Cold (Crow Indians), Year: 1990, Medium: Gouache on Board, signed and dated l.r., Size: 10 in. x 17 in. (25.4 cm x 43.18...
Category

1990s American Realist Noel Daggett Art

Materials

Gouache

The Messenger, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - The Messenger, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 22 x 15 inches, Size:...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

Roll your own, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Roll your own, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 20 x 22 inches, Size: ...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

Good Takings, American Western Art Gouache Painting on Board by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Good Takings, Year: 1991, Medium: Gouache on Board, signed and dated l.r., Size: 10 in. x 17 in. (25.4 cm x 43.18 cm), Frame Size: 17.5 x 2...
Category

1990s American Realist Noel Daggett Art

Materials

Gouache

A Last Look Back, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - A Last Look Back, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17.5 x 25 inches, S...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

Prize Rack, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Prize Rack, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17.5 x 23 inches, Size: ...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

A Helping Nose, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - A Helping Nose, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 inches x 25.5 inch...
Category

1980s American Realist Noel Daggett Art

Materials

Lithograph

We Shall Not Talk of War, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - We Shall Not Talk of War, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 25 inc...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

Last to Arrive, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Last to Arrive, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 23 inches, Size:...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

Let's Move 'Em, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Let's Move 'Em, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 18.5 x 27 inches, Siz...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

Mustangs on the Run, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Mustangs on the Run, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 23.5 inches...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

Shattered Silence, American Western Art Etching by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Shattered Silence, Year: Circa 1980, Medium: Etching with Chine Colle, signed and numbered in pencil, Edition: 8/40, Size: 22 x 29 in. (55...
Category

1980s American Realist Noel Daggett Art

Materials

Etching

A Long Rifle Awaits, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - A Long Rifle Awaits, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, ...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

Bring Back the Buffalo, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Bring Back the Buffalo, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 20, Image Size: 19 x 23 inche...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

Approach of a Rider, Western Oil Painting by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Approach of a Rider Noel Daggett, American (1925–2005) Date: 1980 Oil on Canvas, signed Size: 30 x 36 in. (76.2 x 91.44 cm) Frame Size: 35 x 41 inches
Category

1980s American Realist Noel Daggett Art

Materials

Oil

Last of the Strays, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Last of the Strays, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 40, Image Size: 20 x 26 inches, Size: 22.5 ...
Category

1980s American Realist Noel Daggett Art

Materials

Lithograph

Saheila, American Western Art Gouache Painting on Board by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Saheila (Cheyenne meets Sioux-Teton)[Cheyenne for 'We Meet'), Year: 1988, Medium: Gouache on Board, signed and dated, Size: 10 x 17 in. (25...
Category

1980s American Realist Noel Daggett Art

Materials

Gouache

Guarded New Bride, American Western Art Gouache Painting on Board by Noel Dagget
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Guarded New Bride (Ute Indians 1870's), Year: 1987, Medium: Gouache on Board, signed and dated, Size: 10 in. x 17 in. (25.4 cm x 43.18 cm), ...
Category

1980s American Realist Noel Daggett Art

Materials

Gouache

Trackers Moon, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Trackers Moon, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, Size: ...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

Spoils from Mexico, American Western Art Gouache Painting by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Spoils from Mexico (Apache), Year: 1988, Medium: Gouache on Board, signed and dated, Size: 13 in. x 10 in. (33.02 cm x 25.4 cm), Frame Size:...
Category

1980s American Realist Noel Daggett Art

Materials

Gouache

Halfway to Lamey, American Western Art Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Halfway to Lamey, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 18 x 22 inches, Siz...
Category

1970s American Realist Noel Daggett Art

Materials

Lithograph

Race to the Station, Lithograph by Noel Daggett
By Noel Daggett
Located in Long Island City, NY
Race to the Station Noel Daggett, American (1925–2005) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 300, AP 40 Image Size: 19 x 23.5 inches Size: 21 in. x 29...
Category

1970s Noel Daggett Art

Materials

Lithograph

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The Golden Gate
By Adolf Arthur Dehn
Located in Fairlawn, OH
The Golden Gate Lithograph on wove paper watermarked GC, 1940 Signed in pencil by the artist (see photo) Publisher: Associated American Artists Edition: 189, unnumbered The image depicts The Golden Gate Bridge which connects San Francisco and Marin County, California References And Exhibitions: Illustrated: Adams, The Sensuous Life of Adolf Dehn, Fig. 13.17, page 324 Reference: L & O 325 AAA Index 391 Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood. After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet). Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason. Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag. The Years in Europe: 1922-1929 In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work. Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.” A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer...
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1940s American Realist Noel Daggett Art

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Iris
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Noel Daggett art for sale on 1stDibs.

Find a wide variety of authentic Noel Daggett art available for sale on 1stDibs. You can also browse by medium to find art by Noel Daggett in lithograph and more. Not every interior allows for large Noel Daggett art, so small editions measuring 30 inches across are available. Customers who are interested in this artist might also find the work of Richard Florsheim, Harry Schaare, and Dan Mehlman. Noel Daggett art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $300 and tops out at $300, while the average work can sell for $300.

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