Oki Sato Tables

At first sight, Trio is a side table that consists of three transparent bowls overlapping one another. The opening of each bowl is covered with either a glass, metal or wood top. The shape of the bowl is suggested by a single curved line — seemingly a spectacular feat of balance, yet the result is surprisingly stable, with each shape secured to the others in two different points. This single-leg structure supports several table tops, contrasting with more traditional table designs. TRIO by Nendo Coffee table...

Missisquoi 01 is a numbered and asymmetrical two part coffee or cocktail table, with a space that divides it as the river divides the Missisquoi Valley. The black ashwood was felled, milled and dried near the studio, and the stone is from the river's banks. The stone and plank that support the two parts form a continuous axis end to end, through the divide. The beauty of the Brutalist natural stone contrasts and converses with the delicate craftsmanship of the wood plateau...

Mura low table is created in collaboration with Toronto-based glass design and fabrication atelier Jeff Goodman Studio (JGS). It pairs STACKLAB’s signature solid-bronze Jupiter leg castings with a droplet-shaped top of kiln-fused Temple glass. The table’s name derives from the Japanese word for “unevenness, irregularity, inequality” Temple glass is a handmade product invented by JGS for the Bahá’í Temple of South America, capable of withstanding the rigorous weather fluctuations and seismic activity of the Andes mountains near Santiago, Chile. In the proprietary fabrication process, rods of glass are broken. The glass fragments are arranged in the kiln bed in JGS’s randomized River Rock pattern, then fired and cooled for a week. This process yields a distinctive mottled motif of milky translucent veils within a transparent field. The slab is polished, then cut to size with a water jet. Because the glass is handmade, each table top takes three weeks to carve and polish, a process that is impossible to duplicate, making each Mura table unique. “Our studios share a love of controlled, but partially unknown, outcomes,” says STACKLAB Founder and Creative Director Jeffrey Forrest. “Our disciplined methods allow us to ‘let go’ as we approach the finish line and observe what happens, from a careful arrangement of glass rods settling in the kiln to a computer code interpreting inputs about form.” “STACKLAB came to us with the idea of shaping the edge of Temple glass with a beautiful ribbon line,” says JGS Executive Director Sylvia Lee. “This is the first piece we’ve done in carved, sculptural Temple glass; earlier applications were always with straight edges. STACKLAB is helping push us into exploring the material more deeply and at a large scale. That’s exciting.” As for the Jupiter leg, it is a study in creating a completely asymmetrical, yet aesthetically cohesive, geometry. The shape is readily castable, yet differs in every elevation, section and plan view. The sand-casting process produces faintly perceptible irregularities that enhance the leg’s tactile appeal. The planetary name pays homage to the subtitle of Mozart’s last symphony, a favorite of the client who commissioned the first Jupiter table...

At first sight, Trio is a side table that consists of three transparent bowls overlapping one another. The opening of each bowl is covered with either a glass, metal or wood top. The shape of the bowl is suggested by a single curved line — seemingly a spectacular feat of balance, yet the result is surprisingly stable, with each shape secured to the others in two different points. This single-leg structure supports several table tops, contrasting with more traditional table designs. TRIO by Nendo Coffee table...

Japanese lacquer coffee table.

A shogi board made of cherry wood, possessing a dignified presence while exuding a gentle elegance. The fine, gentle grain of the wood spreads across the surface, and even with year...

Vintage Japanese coffee table in the style of 19th century Japanese 'Wakasa' tables. Made by Gumps, San Francisco 1960s. 'Oxblood' color ...

Large live edge Japanese red wood coffee table. The organic nature of this piece allows for room flow while bringing natural elements into your spac...

Creek is a table that suggests a stream of water flowing freely across its surface and around islands, circling around the table tops placed in opposite corners. The tables come in ...

This product is based on a very popular Taisho-era coffee table that is hard to find in the antique world and sells out quickly when it arrives. With the theme of harmony with antiq...

Mura low table is created in collaboration with Toronto-based glass design and fabrication atelier Jeff Goodman Studio (JGS). It pairs STACKLAB’s signature solid-bronze Jupiter leg castings with a droplet-shaped top of kiln-fused Temple glass. The table’s name derives from the Japanese word for “unevenness, irregularity, inequality” Temple glass is a handmade product invented by JGS for the Bahá’í Temple of South America, capable of withstanding the rigorous weather fluctuations and seismic activity of the Andes mountains near Santiago, Chile. In the proprietary fabrication process, rods of glass are broken. The glass fragments are arranged in the kiln bed in JGS’s randomized River Rock pattern, then fired and cooled for a week. This process yields a distinctive mottled motif of milky translucent veils within a transparent field. The slab is polished, then cut to size with a water jet. Because the glass is handmade, each table top takes three weeks to carve and polish, a process that is impossible to duplicate, making each Mura table unique. “Our studios share a love of controlled, but partially unknown, outcomes,” says STACKLAB Founder and Creative Director Jeffrey Forrest. “Our disciplined methods allow us to ‘let go’ as we approach the finish line and observe what happens, from a careful arrangement of glass rods settling in the kiln to a computer code interpreting inputs about form.” “STACKLAB came to us with the idea of shaping the edge of Temple glass with a beautiful ribbon line,” says JGS Executive Director Sylvia Lee. “This is the first piece we’ve done in carved, sculptural Temple glass; earlier applications were always with straight edges. STACKLAB is helping push us into exploring the material more deeply and at a large scale. That’s exciting.” As for the Jupiter leg, it is a study in creating a completely asymmetrical, yet aesthetically cohesive, geometry. The shape is readily castable, yet differs in every elevation, section and plan view. The sand-casting process produces faintly perceptible irregularities that enhance the leg’s tactile appeal. The planetary name pays homage to the subtitle of Mozart’s last symphony, a favorite of the client who commissioned the first Jupiter table...

An exceptionally minimal yet playful Japanese side table having a circular Pine top rising on two detachable bamboo legs from a square Pine. base. The edges of both the top and base ...