Ole Schwalbe Wall Decorations

This is an original antique interior oil painting by Danish painter Kai Jeppe Drews (1884-1964) signed under his pseudonym Poul Rønne. Kai Jeppe Drews ...

Workshop of Jan Frans van Bloemen (Antwerp, 1622 - Rome, 1749) Lazio landscape Oil on canvas, 48.5 x 64.5 cm The painting, to be considered belonging to the vast production...

Stunning feathered wall hanging. Other colors available. Please inquire. Andrianna Shamaris. The Leader in Modern Organic Design.

Mid-century Overscale Abstract Beach Scene Oil Painting, Signed, 1962 Offered for sale is a bold and vibrant oversized abstract oil painting on canvas depicting three figures at the...

George August Stahl – Composition (1962–63) A striking abstract painting by Georg W. Stahl, executed in oil on masonite. Signed on the front by the artist, with a label on the verso ...

Gösta Fougstedt (1906-1975), Sweden. Oil on canvas. Modernist composition. Dated 1965. The canvas measures: 81 x 54 cm. The frame measures: 0.5 cm. In excellent condition. Signed.

Abstract modernist painting by Engish artist Peter Daglish titled "Exit", dated 1962. From Ask Art: "Peter Daglish was born in Gillingham, England, in 1930. At age 25, he immigrat...

Abstract oil on art board in subtle broad stroke tones. Predominant colors are gold, yellow, teal, gray, blue, violet and brown. Clean gray lacquered wood frame. Signed B. Levin '64.

Colorful Abstract Expressionist / Drip Painting in the style of Jackson Pollock signed R. Maloney, 1962 paint on board in original vintage frame "bright and colorful with the righ...

Roman school, late 16th-early 17th century Praying Madonna Oil on canvas, 81 x 69 cm Frame 83 x 95.5 cm A divine whiteness reverberates with vibrant luster on the maphorion of the present Virgin. The palpable iridescence that structures the thin rosaceous garment, woven with the same fresh light, produces a slight rustle when she takes her hands off. The Madonna in fact takes a prayerful pose, opening her palms to underline her fervent ecstatic intention; the white neck is rendered with perishable fullness of pigments, like the hands, perfectly alive, and the very shiny eyes. With fine shrewdness the artist of the present styles the Virgin's hair with thin white ribbons, exacerbating the purity. An evocative light falls gently on the bust, a materialized sign of divine glory. The present can be traced back to the late Mannerist climate that prevailed in the capital after the emanation of the Tridentine council (1545-1563). The late Mannerist licenses that can still be seen there, such as the intense lyricism in the stylistic code adopted by the artist, are innervated in the new basic catechetical intent, which at the end of the century produced a certain figurative rigorism. The present, however, still responds to that extraordinary Roman dynamism that raised the capital to a bulwark for the entire mannerist lesson, matched only by a second artistic center, the Florentine one. The engaging carriage of the Virgin reflects the contemporary examples of Giuseppe Valeriano (1542-1596), a Jesuit painter, returning in the Marriage of the Virgin of the Roman Church of Jesus, as well as in the Madonna of Sorrows in the Recanati Altarpiece, equal ardor. But it is in the Assumption of the Virgin painted in four hands with Scipione Pulzone...

'Lysistrata', signed and dated 1962 Oil on board Anthony Thomas Triano (1928–1997) Size: 17 3/4" high x 19 wide x 3 /4" deep. Triano was a...

Ole Bjørn Krüger (1922-2007), Danish artist. Oil on Japanese paper placed on board. Modernist composition. 1960s / 70s. The paper measures: 78 x 62 cm. The board measures: 84 x 68 ...