Oliver Gagliani Art

Standing 630 feet above the Mississippi River is St. Louis’ most iconic landmark: the Gateway Arch. The tallest national monument in America, it is a lege...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Marc Vaux, a figure of Montparnasse, pro­duced a trove of pho­tographs which are cur­rently held in the col­lec­tion of the Centre Pompidou in Paris, France. Marc Vaux was com­mitted equally to sup­porting artists, notably by cre­ating the Foyer des Artistes (1946-70) and, in 1951, the first Musée du Montparnasse at 10, rue de l’Arrivée. Marc Vaux was born on February 19, 1895 in Crulai, Normandy Thanks to the color mer­chant from whom he bought his plates and his pho­to­graphic equip­ment, he met the sculptor Charles Desvergnes winner of Prix the Rome and author of var­ious memo­rials who was looking for someone to pho­tographs his works. Two of Marc Vaux’s first clients were his neigh­bors of 21 Avenue du Maine- Marie Vassilieff and Maria Blanchard...

Two 10 x 8 in., vintage gelatin silver prints by Ida Lansky. Artist stamp on prints' verso. Ida G. Lansky was born in 1910 in Toronto, Canada. She pursued many careers in her lifetime including Nursing, Art, and Library Science. In 1928 she moved to New York City and later attended New York University, The Jewish Hospital in Brooklyn, NY and Cornell University. In 1942 she received a B.S. in Public Health Nursing. Ida Lansky moved to Hawaii in 1945 and married Irving Lansky. She then moved to Norman, Oklahoma and then to Denton, Texas where she studied art and was mother to two children, Ellen and Michele. From 1954 - 1959 she was in the Visual Art studies program at Texas Women’s University in Denton with an emphasis on photography. She studied under Carlotta Corpron. 1959 marked a peak in her art career when she exhibited her photographs in a group exhibition curated by Henry Holmes Smith...

Shine Huang uses everyday objects to create mysterious and impressive images. Huang focuses on adapting historical photographic processes into contemporary art. Many of his images ar...

Guggenheim Museum - American Architecture Museum Black and White Photograph The recognisable Guggenheim Museum was designed by American architect Frank Lloyd Wright, and is now a UN...

Cameraless – A cameraless image is produced on photographic material without the aid of a camera or lenses.

Excellent hand printed photograph by the master Brett. Signed and dated in pencil.

Shine Huang uses everyday objects to create mysterious and impressive images. Huang focuses on adapting historical photographic processes into contemporary art. Many of his images ar...

Gelatin silver print mounted to archival board Signed and numbered, verso 15 x 15 inches (Edition of 15) 30 x 30 inches (Edition of 5) This artwork is offered by ClampArt, located...

Gelatin silver print mounted to archival board Signed and numbered, verso 15 x 15 inches (Edition of 15) 30 x 30 inches (Edition of 5) This artwork is offered by ClampArt, located...

Gelatin silver print mounted to archival board Signed and numbered, verso 15 x 15 inches (Edition of 15) 30 x 30 inches (Edition of 5) This artwork is offered by ClampArt, located...