Oliver Smith Paintings

This is an exclusive handprinted limited edition cyanotype. "Serene Cove Waters" is a handmade cyanotype print portraying fresh ripples movements in a Greek Islands cove...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

This is an exclusive handprinted limited edition cyanotype. "Abstract Crashing Water" is an original cyanotype that detailed portraits the eruptions and shapes of salty water in move...

"Rising Burst" is created by Heather Hartman to capture the light bursting through an obstruction. This painting is is part of an on-going series that explores the light and landscap...

This is an exclusive handprinted limited edition cyanotype. "Nighttime Firework Flaring" is a beautiful cyanotype of the New Years Eve Fireworks Lights. Details: + Title: Nighttime ...

"Summer's End " captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates a...

Beautiful mixed media abstracted landscape evoking the elegant beauty of the first snow in winter by Grace Eichholz (American, b. 1927). Warm neutrals with highly abstracted landscap...

Vibrant marina abstract with bold colors and geometric forms by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "...

Amaranth Ehrenhalt (1928–2021) Bryan, 1958 Gouache on thick paper Painting: 38 x 28 cm l 15 x 11 in. Frame: 52 x 42 cm l 20 1/2 x 16 1/2 in. Signed, titled and dated Amaranth Ehren...

Laura Jordan Central Park NYC Limited Edition Print Edition 20 Image Size: H 49cm x W 54cm Sheet Size: H 59.5cm x W 59.5cm x D 0.1cm Sold Unframed Please note that in situ images ar...

A refined and highly collectible 1977 watercolor by S. N. Lininger, Taos Mountain, New Mexico captures the enduring allure of the American Southwest through a sensitive and atmospheric lens. Signed and dated by the artist, this work presents one of the most iconic subjects in Western American art—Taos Mountain—rendered with a restrained, luminous palette and a finely observed sense of light. Lininger’s delicate washes and controlled transitions exemplify the classic Southwestern watercolor tradition, balancing soft desert tones with crisp mountain structure. The composition conveys a quiet, contemplative mood, emphasizing space, clarity, and the subtle drama of the high desert landscape. This sense of stillness, combined with an abstracted impressionist handling, places the work within a broader lineage of artists drawn to Taos and its singular light, long considered one of the most important artistic centers of the American West. Watercolors of this scale and refinement from the 1970s remain increasingly desirable, particularly as collectors continue to seek accessible, high-quality examples of Southwestern landscape painting. Works depicting Taos Mountain carry additional appeal due to the subject’s art historical significance and enduring market recognition. Presented in a custom archival frame with UV-protective glass, this painting is ready to place and ideally suited for collectors of Southwestern art, Colorado and New Mexico landscape painting...

In "Holes and Slices", Peña creates a silhouette of house and fills it with bubbly curved shapes and contrasts them with sharpe-edged shapes that contain gradients and muted tones of aqueous colors such as teal and light blue. He balances these colors with muted tones of pink and violet. The viewer can create a house that is yet to be built in between the gaps here. In "Holes and Slices", Peña remarks on a house and landscape that has yet to be built. The aquatic nature seems to hint at the possibility of a house and landscape under water. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small bubble-like cut outs where the viewer can see through to the pattern created with watercolor and acrylic paint. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...