Olivier Attar Photography

Photography / fine art print, limited 1/5, signed by the author.

I like minimalism, this orange stripe I found occasionally, the picture is limited edition of 5 in the size. Signed by the author.

Red Eye #3 from At the Center of Seeing carries an especially charged and enigmatic energy. At its core, a glowing orb hovers in a dark void, as if suspended between emergence and e...

Michel Piquette: chromatic cities By Anaïs Castro It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take r...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Geometric forms captured in a whirl of motion, creating an illusion of depth and continuity with echoes of shadows... The works aim to challenge the conventional perception of depth...

Pupil #10 blooms outward like a radiant mandala, its six-petaled form evoking both a flower in full opening and the geometric harmony of a stained-glass rose window. This work feels...

In Pupil #5, this composition feels more iconographic and symbolic, almost altar-like. The eye has become less about perception and more about presence—an emblem or vessel holding meaning. At the center-bottom, a pale, egg-shaped form rises above a deep violet structure that resembles both a heart and a pair of unfurling scrolls. This motif carries associations of birth, fertility, and transformation, as if the pupil has turned inward to reveal a seed of becoming. Above it, faint concentric rings form a flower-like pattern, encircled by delicate white marks that suggest both orbiting satellites and the notches of a clock. Time, in this work, feels suspended, it hovers in a state of expectancy, like the pause before emergence. The muted palette—lavender, rose, smoky brown—further emphasizes the contemplative quality. Pupil #5 reads like an inner diagram of potential, a moment of quiet before transformation. In the language of the series, it occupies the space between measurement and blossoming: the seed of sight itself, holding within it both time and vision yet to unfold. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 28" x 16" with a 1" white border...

Het Tuinpad I, is part of the artist's "The Curacao Pictures" Series. This one-of-a- kind, archival pigment print is printed on Hahnemuhle Photo Rag bright paper with a deckled edge...

In Red Eye #1, the palette is saturated with crimson and ember-like tones, evoking heat, intensity, and an almost bodily vibration. A central star shape anchors the composition, radi...

Thomas Struth (German, born 1954) Wall Detail, James Simon Galerie, Berlin, 2019 Medium: Inkjet print back-mounted on Alu-Dibond, set in archival cardboard (as issued) Print dimensio...

Kurason Lila, is part of the artist's "The Curacao Pictures" Series. This one-of-a- kind, archival pigment print is printed on Hahnemuhle Photo Rag bright paper with a deckled edge....