Omar Ramsden Vases

Antique Arts & Crafts art pottery vase by Weller Pottery features pink and white floral design on graduated sea foam green to blue ground, artist and maker signed as photographed, ci...

An antique Arts and Crafts pair of vase by Moorcroft offer art pottery construction with hand painted floral design, maker mark as photographed, d...

American Arts & Crafts, Sea green Rookwood style Vase mounted as a lamp. Finely painted with two ducks swimming and diving under a canopy, with bright cobalt streaks chang...

A gorgeous Arts & Crafts period sterling silver on bronze floral vase with verdigris green patina By Heintz Art Metal Shop USA, Early 20th Century Measures: 2.5"W x 2.5"D x 6"H. ...

Lovely Arts and Crafts "pumpkin" from hand hammered copper vase. Out of a local estate the piece has great patina and wear. A small ding to t...

Teco Pottery Arts & Crafts vase with Four buttressed handles created circa 1903-1910. This piece is designed by W.B. Mundie for Teco Pottery. The vase is...

“A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

An antique Arts and Crafts vase by Rookwood offers matt glazed art pottery construction with stylized Greek Key and swirl elements, signed on base as photographed, c1923 Measures- 6...

Rookwood Vase, Monumental tapered shape in a Vellum glaze with a beautiful wild rose design, executed by Fred Rothenbusch in 1914, No.1653. Bottom Di...

A gorgeous pair of Arts & Crafts vases In the manner of Joseph Heinrichs USA, early 20th century Hand hammered copper, with riveted bands to tops and bases. Measures: 4"W...

“A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

Vintage "arts & crafts" style pottery vase, circa 1950s. Wonderful bluish green colors and a great vintage patina make this a wonderful decor piece! It is in very good vintage condit...