Onelio Marrero Interior Paintings

This impressionist still life by French painter Léon Garraud depicts a table set with a plate of peaches and a vase of pink peonies and delicate white flowers. The warm palette of or...

"Nightstand" by Lu Haskew Oil 24x20" framed, 20x16" image size A colorful antique oil lamp is accompanied by some fresh cut flowers and a lace drape cascades over the table in this r...

Mostly White by Lu Haskew Floral Still Life Oil painting 24x20" image size 28x24" framed size Shipping price includes the custom packing necessary for safe transport of fine art. ...

This 15.75" x 19.5" x 1.5" oil paint on panel work by Wisconsin-native artist Arthur E. Schneider depicts what appears to be a family frolicking around a field that overlooks a large...

Modern Impressionist Oil Painting of a beautiful Model adjusting her Stockings. It is a Contemporary depiction yet in a Traditional style. The artist is referencing Vermeer in hi...

Hamilton Hamilton (American, 1847-1928) A large and impressive oil on canvas "Othello and Desdemona" after the William Shakespeare's play "Othello", depicting a young Desdemona pleading with an enraged Othello, and perhaps Iago is the seated figure, within a giltwood craquelure finished frame. Signed (l/r): H. Hamilton, 1921 . Canvas Height: 67 inches (170.2 cm) Canvas Width: 48 inches (121.9 cm) Frame Height: 75 inches (190.5 cm) Frame Width: 57 inches (144.8 cm) Frame Depth: 2 inches (5.1 cm) Hamilton Hamilton (1 April 1847 – 4 January 1928) was a painter and etcher, known mostly for his landscapes of the American West. Born in Oxford, England, he lived most of his life in the Eastern United States. He painted landscapes in New York, Connecticut, the American West, England, and France. He also painted portraits and drew illustrations. Artistic career Hamilton Hamilton was born in Oxford, England, on 1 April 1847. While young, he was a protégé of John Ruskin. In 1872, he began his mostly self-taught career as a portrait artist in Buffalo, New York. He created 47 landscape paintings during an 1873 expedition to Colorado which were chosen to be part of the 1876 Centennial Exposition in Philadelphia. He spent 1878 and 1879 painting in Pont-Aven, Brittany, alongside Barbizon School painters. He moved to New York City in 1881 and shortly after began to practice genre painting and etching.[6] He became an associate member of the National Academy of Design in 1886 and a National Academician in 1889. Until the end of the century, he and his family resided alternately in upstate New York, Long Island, Colorado, and England.[6] In 1907 and 1908, Hamilton spent two years painting landscapes in Southern California. In 1912 he and his family permanently moved to Norwalk, Connecticut. There he became involved with the Silvermine group of artists led by Solon Borglum...

Luminous Mediterranean View of Sitges Church with Palms and Flowers Artist: López-Valle Title: View of Sitges, Church of Sant Bartomeu i Santa Tecla Medium: Oil on canvas Period: circa 1970–1979 Signature: Signed lower left Artwork dimensions: 19 × 24 cm / 7.48 × 9.45 in Framed dimensions: 33 × 38 cm / 12.99 × 14.96 in Frame: Decorative frame included Provenance: López-Valle oil paintings exhibition, documented on the reverse with original exhibition card dated 1979 Condition: Very good overall condition. Stable paint surface. Minor age-related wear to the frame, consistent with age. Ready to hang. DESCRIPTION A charming and luminous Mediterranean oil painting depicting the iconic Church of Sant Bartomeu i Santa Tecla in Sitges, one of the most recognizable architectural landmarks of the Catalan coast. The composition captures the church from a highly desirable viewpoint, framed by tall palm trees, lush Mediterranean vegetation and a vivid foreground of red flowers. The result is a small but visually rich painting with strong decorative presence, full of coastal light, architectural character and warm Mediterranean atmosphere. The artist uses a loose, expressive brushstroke and a bright palette of turquoise blues, sandy ochres, fresh greens and floral reds. The impasto in the sky, church façade and garden areas gives the surface a lively texture, while the diagonal path leads the viewer naturally toward the historic church and its bell tower. This is exactly the kind of Mediterranean coastal subject that performs well with international collectors: intimate scale, recognizable location, architectural charm, palm trees, flowers, sunlight and Spanish post-impressionist atmosphere. A little Sitges jewel, basically the painting equivalent of a terrace table with sea breeze and no tourist asking where the beach is. The original exhibition card preserved on the reverse, dated 1979, documents the work’s presence in an oil paintings exhibition dedicated to López-Valle, adding period context and collectible appeal. Its modest size makes it especially suitable for interiors, gallery walls, Mediterranean-style decoration, coastal homes, libraries, bedrooms or refined small spaces where a luminous European landscape can act as a concentrated window of light. European art with a Mediterranean soul. ARTIST BIOGRAPHY López-Valle was a Spanish painter active in the second half of the 20th century, particularly associated with traditional oil painting and Mediterranean subjects. His work reflects the enduring appeal of Spanish coastal landscape painting, combining architectural views, garden settings and luminous color with a direct, post-impressionist handling of paint. This painting is especially interesting because the original exhibition card on the reverse places the artist within a documented exhibition context in 1979, confirming that his works circulated publicly during the period. López-Valle’s paintings are appreciated for their decorative quality, approachable scale and ability to capture recognizable Spanish places with freshness, color and atmosphere. ARTISTIC CONTEXT / PICTORIAL INSPIRATION This work belongs to the tradition of Catalan and Spanish Mediterranean landscape painting, a school deeply connected to light, coastal architecture, gardens, palm trees and open-air observation. Its luminous handling of color and its decorative view of Sitges recall the atmosphere sought by collectors of artists such as Santiago Rusiñol, Eliseu Meifrèn, Joaquim Mir and Josep Amat, painters who helped define the poetic and chromatic identity of the Catalan coastline. While López-Valle maintains his own modest and direct pictorial language, the painting clearly participates in that same Mediterranean lineage: sunlit architecture, garden foreground, loose brushwork, atmospheric blue sky and an elegant sense of place. This makes the piece attractive not only as a view of Sitges, but also as part of the broader collecting category of Spanish impressionist and post-impressionist coastal painting. TAGS mediterranean landscape sitges church painting catalan landscape painting spanish coastal painting spanish impressionist style post impressionist landscape mediterranean architecture art church landscape artwork palm trees painting flower garden painting...

Jim Beckner's (US based) "View to the Kitchen" is an original, handmade oil painting depicting a trio at a bar with a view to the establishment's kitchen. About the Artist: (Bor...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Jim Beckner's (US based) "Cruise Room #8" is an original, handmade oil painting depicting a Denver landmark born the day after the repeal in 1933. The Cruise Room is Denver's longest...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...