Oskar Maria D'Amico was an active Italian artist in Rome, Naples, Lanciano, Cisterna, Milan, Gallarate, Torino, Zagabria, Paris, Toulouse, Melun, Carenac, Maubeuge, Madrid, Barcelona, Zaragoza, Budapest, Győr, Mexico City, Cuernavaca, Morelia, Toronto, New York City, Philadelphia, Los Angeles, San Francisco, Miami, Denver, Santa Fe, Albuquerque and Socorro, between 1943 and 2003. He is considered a Nomad artist because of his ability to work in various styles. He had three major periods in his artistic life, Figurative, Materic and Geometric. He also was an outstanding art director for more than 75 epic movies. D'Amico had a very outgoing personality. He was a non-conformist, which was reflected in his work throughout his life. D'Amico was born in Castel Frentano, Italy, a small village in Abruzzo. At a young age, he felt he had to leave and dive into the big world. After being a seminarist with the Salesiani during World War II, he left Naples, where he studied architecture and began a great adventure in Rome. He specialized at the time in decorating nightclubs and bars and invented a special type of double ceiling to hide the lights. D'Amico, who was self-taught as a teenager in drawing and painting, burst onto the filmmaking scene in Rome when an art director asked him to do a perspective of set design. Soon other movie makers were calling him.
D'Amico was an art director for 75 films including two by Orson Welles. D’Amico was able to create a real marble floor in the palace of King Saul, in David and Goliath directed by Orson Welles. Art directors previously painted a simulated marble on top of concrete due to the cost of the real thing. D'Amico became an associate of Jadran Films in ex-Yugoslavia, which specialized in Roman and Egyptian constructions. While an art director, he never stopped painting. His faceless clowns, reflecting the people who had no identity after World War II, were a big success. In the early 1960s, D'Amico moved with his family to Toronto, Canada, another place he felt that was too small. He left for Philadelphia and New York City, which affected his work. He turned his focus to abstract and for more than a decade, created abstract Expressionist paintings on the plane of all matter that he called Materic. The Materic style, which he invented, was done in several media and could not be changed once on the canvas. The paintings were very well received. D’Amico sold more than 400 in Philadelphia and New York City. Unfortunately, he had to stop doing the Materics, because the colors he used were harmful to his liver. In the mid-1970s, he returned to his architectural roots and developed a new vision for Abstract Constructivism using just acrylic colors. Presented in Paris by his French Art dealer, Francoise Tournier, at the Grand Palais de Paris and in Mexico City, D'Amico's interpretation of the "New Geometry" was widely admired. In 1983, when he presented the work at the Bodley Gallery, people whispered that he had the potential to be the new Picasso because of his eclecticism and the Nomad nature of his styles. In 1987, D'Amico abandoned the gypsy life and settled in New Mexico. Albuquerque was the perfect place to dedicate himself 100 percent to his work.
There were no distractions and a good climate that reminded him of his beloved Cuernavaca in Mexico. Staying in close contact with his French art dealer Tournier, D’Amico had several shows in Denver at the Helen Karsh Gallery and in Albuquerque at the Black Swan and Café Galleries. At least once a year, D’Amico went to Europe to immerse himself in the antique world and visit museums and galleries. In 1992, visiting Tournier at the Castle of Saint Cirq Lapopie, he met the man who founded the MADI movement in 1940, Carmelo Arden Quin. D’Amico aligned himself with MADI because he had been working for years in multimedia with an abstract, geometric focus. D’Amico established the first MADI gallery in the U.S. Arte Struktura International Gallery, where he gathered all artists working in the same style and encouraged them to do group shows within the MADI rules. In 1998, D’Amico’s health declined and he gave up the gallery. His many years of using toxic paints caught up with his liver and he had energy only to do his work. He painted up to the last day he was able to stand or sit, and always said that he lived off art and love.
D’Amico was very successful in France, where people are known to be critical of artists, especially if those from the U.S. D’Amico was a naturalized U.S. citizen. He had several shows in France, starting in Paris and to the south. Claude l’Houmeau wrote in Le Figaro, “D’Amico is an experienced traveler along the intricate pathways of painting, having thus obtained a good formula which he ably exploits with his surprising virtuosity. Having also been an architect, he can construct perfectly and to maintain the balance and rhythm within his compositions which can be moved back and forth, up and down, and continue to look well in any position”. John Tancock, director of Sotheby's Modern Art Department in New York City said “… Every one of his works penetrates deeply into the axial composition and its interrelation is punctuated by the great divergence of color and tonality and the accumulated experience, using which D’Amico handles his vocabulary of forms. Thanks to the methodical and constant study D’Amico carried out, he produced a successful series of paintings that have taken on a new monumentality without impairing the vitality that is D’Amico’s main characteristic as a painter.”
Large Abstract Expressionist painting by Oskar D'Amico
By Oskar D'Amico
Located in Long Island City, NY
Artist: Oskar Maria D'Amico, Italian (1923 - 2003) Title: Untitled Year: 1967 Medium: Oil on Canvas, signed Size: 66 x 48 in. (167.64 x 121.92 cm)
Oil
$9,500
Red Surreal Abstract with Skull, Large Oil on Canvas Painting by Oskar D'Amico
By Oskar D'Amico
Located in Long Island City, NY
Artist: Oskar Maria D'Amico, Italian (1923 - 2003) Title: Red Surreal Abstract with Skull Year: 1967 Medium: Oil on Canvas, signed Size: 54 x 60 in. (137.16 x 152.4 cm)
Oil
$1,000Sale Price|50% Off
Fisherman at Dusk
By Oskar D'Amico
Located in Wilton Manors, FL
Oskar D'Amico (1923-2003). Fisherman at Dusk, c.1960. Oil on linen canvas, 16 x 30 inches; 18 x 32 inches (frame). Signed lower right. Excellent condition with no damage or conservation. Biography: Oskar Maria D'Amico (February 22, 1923 – May 3, 2003) was an active Italian artist in Rome, Naples, Lanciano, Cisterna, Milan, Gallarate, Torino, Zagabria, Paris, Toulouse, Melun, Carenac, Maubeuge, Madrid, Barcelona, Zaragoza, Budapest, Győr, Mexico City, Cuernavaca, Morelia, Toronto, New York City, Philadelphia, Los Angeles, San Francisco, Miami, Denver, Santa Fe, Albuquerque and Socorro, between 1943 and 2003. He is considered a Nomad artist because of his ability to work in various styles. He had three major periods in his artistic life: Figurative, Materic and Geometric. [1]He also was an outstanding art director for more than 75 epic movies. D'Amico had a very outgoing personality. He was a non-conformist, which was reflected in his work throughout his life. D'Amico was born in CastelFrentano, Italy, a small village in Abruzzo. At a young age, he felt he had to leave and dive into the big world. After being a seminarist with the Salesiani during World War II, he left Naples, where he studied architecture, and began a great adventure in Rome. He specialized at the time in decorating nightclubs and bars, and invented a special type of double ceiling to hide the lights. D'Amico, who was self-taught as a teenager in drawing and painting, burst onto the filmmaking scene in Rome when an art director asked him to do a perspective of a set design. Soon other moviemakers were calling him.[2] D'Amico was an art director on 75 films including two by Orson Welles. D’Amico was able to create a real marble floor in the set of the palace of the King Saul, in "David and Goliath" directed by Orson Welles. Art directors previously painted a simulated marble on top of concrete due to the cost of the real thing. D'Amico became an associate of Jadran Films in ex-Yugoslavia, which specialized in Roman and Egyptian constructions. While an art director, he never stopped painting. His faceless clowns, reflecting the people who had no identity after World War II, were a big success. In the early 1960s, D'Amico moved with his family to Toronto, Canada, another place he felt was too small. He left for Philadelphia and New York City, which affected his work. He turned his focus to abstract, and for more than a decade created abstract Expressionist paintings "on the plane of all matter" that he called "Materic". The Materic style, which he invented, was done in several media and could not be changed once on the canvas. The paintings were very well received. D’Amico sold more than 400 in Philadelphia and New York City. Unfortunately he had to stop doing the Materics because the colors he used were harmful to his liver. In the mid 1970s, he returned to his architectural roots and developed a new vision for Abstract Constructivism using just acrylic colors. Presented in Paris by his French Art dealer, Francoise Tournier, at the Grand Palais de Paris, and in Mexico City, D'Amico's interpretation of the "New Geometry" was widely admired. In 1983, when he presented the work at the Bodley Gallery, people whispered that he had the potential to be the new Picasso because of his eclecticism and the Nomad nature of his styles. In 1987, D'Amico abandoned the gypsy life and settled in New Mexico. Albuquerque was the perfect place to dedicate himself 100 percent to his work.[3] There were no distractions and a good climate that reminded him of his beloved Cuernavaca in Mexico. Staying in close contact with his French art dealer Tournier, D’Amico had several shows in Denver at the Helen Karsh Gallery and in Albuquerque at the Black Swan and Café Galleries. At least once a year, D’Amico went to Europe to immerse himself in the antique world and visit museums and galleries. In 1992, visiting Tournier at the Castle of Saint Cirq Lapopie, he met the man who founded the MADI movement in 1940, Carmelo Arden Quin...
Canvas, Oil
Indian with Pipe
By Roy Lichtenstein
Located in New York, NY
This exceptional oil on canvas by master Pop artist Roy Lichtenstein is an exceptional and unique example of his early pre-pop work. It is signed by the artist, upper right. After m...
Canvas, Oil
Untitled Abstract Oil by Naohiko Inukai
By Naohiko Inukai 1
Located in Hudson, NY
A richly colored abstraction by Japanese artist Naohiko Inukai. This early work demonstrates the artist's fluidity and expression with paint prior to wh...
Canvas, Oil
Flowers_05
By Simon Gaon
Located in New York, NY
“Between chaos and beauty, Gaon finds the pulse of life.” His work is often described as expressionistic, energetic, and deeply tied to the experience of the city, nature and human e...
Oil
Untitled
By John Opper
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, signed and dated verso. 62.25 x 56.25 in. 64 x 58 in. (framed) Custom framed in a natural cherry wood floater. Provenance Washburn Gallery, New York Behnke Doherty Gallery, Washington Depot, CT Born in 1908 in Chicago, John Opper moved with his family to Cleveland, Ohio, in 1916. In high school, he began studying art and attending classes at the Cleveland Museum of Art. After graduation, he enrolled in the Cleveland School of Art (now Cleveland Institute of Art), only to withdraw after a year and move to Chicago, where he took classes at the Art Institute of Chicago. He eventually returned to Cleveland, enrolling at Western Reserve University (now Case Western Reserve), receiving his bachelor’s degree in 1931. The Depression has taken hold during this period, so Opper found work by teaching metalworking and sketching classes at the Karamu Settlement House, the oldest African American theater in the United States. In 1933, Opper traveled to Gloucester, Massachusetts, eventually connecting with the artist Hans Hofmann, who was teaching at the school run by Ernest Thurn. Hofmann encouraged Opper to work “in a more modern vein and start finding what it’s all about.” Heeding this advice, Opper relocated to New York, co-founding a mail-order club of American and British prints for dissemination to schools and museums. By the mid-1930s, he joined the Works Progress Administration (WPA) Easel Division, and also began attending the 57th Street school that Hans Hofmann had established after leaving the Art Students League. Looking back at his time at the school, Opper felt that beyond Hofmann’s teaching, most advantageous was his contact with fellow artists, including Byron Browne, Rosalind Bengelsdorf, and George McNeil. At the time, he also met Giorgio Cavallon and the sculptor Wilfrid Zogbaum. In 1936, Opper became a founding member of the American Abstract Artists, along with Balcomb and Gertrude Greene. The organization was formed to provide an opportunity for artists to show abstract works at a time when such opportunities were scarce. This led to his first solo show in 1937 at the Artists’ Gallery in New York. During his summer in Gloucester in 1933, Opper came to know Milton Avery. Painting in Avery’s informal studio in New York City the following winter, he became acquainted with Adolph Gottlieb and Mark Rothko. Opper participated in a couple of shows during the 1930s of the American Artists Congress Against War and Fascism, whose president was Stuart Davis. About the same period, Opper joined the Artists’ Union and served as the business manager of its publication, Art Front. During World War II, Opper worked for a ship design company creating drawings for piping systems used in PT boats...
Canvas, Oil
Untitled
By Michael Goldberg
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...
Canvas, Pastel, Mixed Media, Oil, Handmade Paper
4-35 abstract oil painting by Charles Biederman
By Charles Biederman
Located in Hudson, NY
Signed and dated "Biederman 4-35" lower right. About this artist: Charles Joseph Biederman was a twentieth century abstract American artist best known for his constructivist, cubist...
Canvas, Oil
$4,800Sale Price|40% Off
H 30.125 in W 35.875 in D 1.5 in
Ralph Rosenborg "Landscape: Garden of Flowers, 1973" Oil on Canvas, Signed
By Ralph Rosenborg
Located in Miami, FL
RALPH ROSENBORG – "LANDSCAPE: GARDEN OF FLOWERS, 1973" Oil on Canvas ⚜ Signed and Dated Lower Left and on Verso ⚜ Custom Conservation Frame A VIBRANT ABSTRACT LANDSCAPE BY AN AMERIC...
Oil, Canvas
$8,000
H 30 in W 35.75 in D 1.5 in
"Night Mountain Landscape, 1974" – Signed Abstract Oil by Ralph Rosenborg
By Ralph Rosenborg
Located in Miami, FL
RALPH ROSENBORG – "NIGHT MOUNTAIN LANDSCAPE, 1974" Oil on Canvas ⚜ Signed Lower Left and on Verso ⚜ Custom Conservation Frame A VIVID ABSTRACT VISION OF MOUNTAINOUS NIGHTSCAPE In "N...
Canvas, Oil
$4,800Sale Price|60% Off
H 36 in W 46 in D 1.5 in
Ralph Rosenborg "American Landscape: Trees and Sky" 1973 Signed Oil on Canvas
By Ralph Rosenborg
Located in Miami, FL
RALPH ROSENBORG – "AMERICAN LANDSCAPE: TREES AND SKY" ⚜ Oil on Canvas ⚜ Hand Signed and Dated Lower Right and on Verso ⚜ Conservation Frame AMERICAN ABSTRACT LANDSCAPE Painted in 19...
Canvas, Oil
Portrait of Ipek Gokeri
Located in North Clarendon, VT
Wonderful abstract expressionist portrait of artist Ipek Gokeri by Italian/American artist Livia Campanella St. Florian. Oil on canvas, 27.5" x 19.75". Unsigned, exhibition catalog ...
Oil
$5,500
H 72 in W 48 in D 1 in
"Story No. 12" Abstract Oil Painting 72 x 48 inch by Yoram Katz
By Yoram Katz
Located in Culver City, CA
"Story No. 12" Abstract Oil Painting 72 x 48 inch by Yoram Katz Medium: Oil on Canvas Signed by the artist ABOUT THE ARTIST: Born in Israel. Graduated from the Bazelel Art Academy...
Canvas, Oil
Lady of the Flies, blue tones, abstract female figure
By Tom Bennett
Located in Brooklyn, NY
A expressive abstracted figure painted with strong yet ethereal colors and beautiful textures. The painting has biomorphic shapes and an active, dynamic composition.
Canvas, Oil
Flowers_01
By Simon Gaon
Located in New York, NY
“Between chaos and beauty, Gaon finds the pulse of life.” His work is often described as expressionistic, energetic, and deeply tied to the experience of the city, nature and human e...
Oil
$700
H 24 in W 36 in D 0.5 in
Original butterfly oil painting by prominent & searchable artist Steve McElroy.
By Steve McElroy
Located in Dallas, TX
This artist's butterfly work is in the current Veranda Magazine with Jan Showers. "Flight of the Butterfly" original oil on canvas painting of a blue and green butterfly by Steve Mc...
Canvas, Oil
Untitled
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed verso. Some scratched out, illegible writing in paint and graphite verso, which may ha...
Canvas, Oil
Large Abstract Expressionist painting by Oskar D'Amico
By Oskar D'Amico
Located in Long Island City, NY
Artist: Oskar Maria D'Amico, Italian (1923 - 2003) Title: Untitled Year: 1967 Medium: Oil on Canvas, signed Size: 52 x 60 in. (132.08 x 152.4 cm)
Oil
Large Abstract Expressionist Painting
By Oskar D'Amico
Located in Long Island City, NY
Artist: Oskar Maria D'Amico, Italian (1923 - 2003) Title: Untitled Year: 1967 Medium: Oil on Canvas, signed Size: 44 x 72 in. (111.76 x 182.88 cm)
Oil