Pampaloni Boxes

A wonderful Bailey Banks & Biddle Company sterling oval jewelry keepsake footed box.

An exceptional, fine and impressive antique William IV English sterling silver table snuff box; an addition to our collectable silverware collection. This exceptional antique William IV sterling silver snuff box has a rectangular, rounded form. The body of the box is embellished with impressive chased floral motifs accented with scrolling stem and foliate ornamentation, all on a matte background. The decoration to the body incorporates a chased single leaf design to each corner, emanating from the rounded lower portion. The upper rim of the body and swept sides of the cover are encompassed with a continuous band of engine turned decoration. The underside of the box features a further panel of engine turned decoration. This exceptional example of antique silverware is fitted with a hinged hallmarked cover embellished with an engine turned bordered rectangular vacant cartouche to the upper plateau. The cover is further embellished with an exceptional cast and applied domed, incurved border to the upper portion, matching the ornamentation to that of the body and continuing to an impressive floral thumbpiece to the anterior edge. This antique sterling silver snuff box opens to reveal the original gilded interior. Condition This antique sterling silver snuff box is an exceptional gauge of silver, exceptional quality and in exceptional condition. The chased and applied ornamentation is all very sharp and the engine turned decoration is all very crisp. Full hallmarks struck to the interior of the box are all very clear. Reflections in photographs may detract from the true representation of this antique silverware. Dimensions Length 9.8cm/3.9" Width 6.5cm/2.6" Height 4.3cm/1.7" Weight 8.2 troy ounces/253g Maker: Joseph Willmore...

Art Deco, sterling silver-mounted shagreen table box, London, 1923, Charles Boynton & Sons, Ltd, makers. Measures: 6 1/4" wide x 3 1/2" deep x 2 1/4" high. Wood lined. Shagreen is be...

Very pretty sterling silver Tiffany & Co. jewelry ball, box, number 35378 Weighted, 7.

Elizabeth II sterling silver box. Made by Padgett & Braham Ltd in London in 1963. Rectangular with straight sides. Cover hinged with gently curved top and tapering tab. Interior ...

George VI sterling silver box. Made by Robert Pringle & Sons in London in 1939. Rectangular with curved corners. Cover hinged and tabbed; top has engine-turned wave ornament and rect...

GUILLOCHE ENAMEL AND SILVER GILT From our collectables category, we are delighted to offer this incredible quality Italian Mid-Century Modern Silver and Enamel Box. The Silver and E...

This is a fine quality Edwardian cut crystal dressing table pot, mounted with a sterling silver lid. The oval crystal body rests on a star-cut base and is exquisitely decorated with ...

A very handsome top-quality four finger cigar case or box made from a heavy gauge of solid English sterling silver weighing 151 grams / 4.86 Troy Ounces. The case is in near mint co...

Italian Mid-Century Modern 800 silver box. Rectangular with straight sides and thumb rest. Cover flat and hinged with tab. Allover engine-turned curvili...

Introducing the epitome of sophistication: the Italian Mid Century Modern Jatoba Wood and Floral Decorated Silver Plated Cigarette Box by Ottaviani. Crafted with utmost precision and...

A remarkable intricately designed, handcrafted silver box, circa 1880s. We were told that this box is sterling silver and that the makers mark "M" is that of "M. Mayer". Maurice MAYER was a very prestigious silversmith. Research shows that he was an "Orfèvre de l'Empereur", Napoleon Bonaparte, 1860-1870. The Minerva hallmarks are not visible, may have been rubbed off from use and cleaning. No documentation. This intricately carved box depicts the romantic poem of Le Roman de la Rose (The Romance of the Rose). Comes with the original lock and key. Le Roman de la Rose, begun by Guillaume de Lorris circa 1230 and completed, in a different style, circa 1270-1280, by Jean de Meun, builds on the concept of courtly love found in the poetry of the troubadours. The authors create a complex allegory of the romance between the Lover and the Rose. In the quest to pick the Rose (to achieve the conquest of love), the flower and its attendants represent the Lady and her sentiments while being wooed. In the first part of the poem, written by de Lorris, the Lover recounts his dream, ending with the winning of a kiss from the Lady. In the dream, the Lover discovers a walled garden and gains entrance thanks to a beautiful young woman. He meets Diversion and dancers who represent courtly values such as Beauty and Generosity. A tour of the garden brings him to a beautiful bed of roses by the Fountain of Love...