Patrick Guyton Mixed Media

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes in original presentation gift box Poignant enameled Holocaust Project Logo pin & pendant based on the logo designed by Judy Chicago for the Holocaust Project: From Darkness into Light More about pioneering artist Judy Chicago Judy Chicago (born Judith Sylvia Cohen; July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno (formerly Fresno State College) which acted as a catalyst for feminist art and art education during the 1970s. Her inclusion in hundreds of publications in various areas of the world showcases her influence in the worldwide art community. Additionally, many of her books have been published in other countries, making her work more accessible to international readers. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. The Dinner Party celebrates the accomplishments of women throughout history and is widely regarded as the first epic feminist artwork. Other notable art projects by Chicago include International Honor Quilt, Birth Project, Powerplay, and The Holocaust Project. She is represented by Jessica Silverman...

Behold "12 // 23," an intriguing work where the stark geometry of form and the vibrancy of color come together to create a dance of light and shadow. This piece, rooted in the expert...

Introducing "21 // 23," a tactile symphony of acrylic, textured paint, and cardboard on wood, this piece captures the mesmerizing effects of light as it plays across its multifaceted...

Alberto Baraya’s work resonates within the relation men-science-nature, and deals more specifically with the aesthetics of the naturalists’s journeys and the concept of exotism. His practice involves long trips that replicate some of the mechanisms of Eurocentric colonization such as making inventories of nature or of the population’s physical features. On his work he re-contextualizes those methodologies highlighting the ideological and aesthetical choices which give them form. In the ongoing series Artificial Plant...

Introducing "21 // 23," a tactile symphony of acrylic, textured paint, and cardboard on wood, this piece captures the mesmerizing effects of light as it plays across its multifaceted...

"7 // 23" is a celebration of subtlety and nuance in art, an acrylic and textured relief on wood that harnesses the quiet interplay between light and structure. Part of a thought-pro...

'The Pulse Of Spring' Original Artwork _________________ Capturing the pulse and flush of fleeting youth, in the throb of spring the maples are dressed in their iridescent finery. '...

Colorful blue and orange abstract contemporary collage sculpture that incorporates collage, cardboard, wood, acrylic paint, and wood glue. The organic, amorphous form features spiked spires that resemble a rock formation. Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent...

Bridge To Total Freedom No.3 (Diminishing Returns) (2017) by Gary Sczerbaniewicz. Wood, laser-cut MDF, cast plastic, plaster, ink, acrylic, paper.

Micro picture, gouache on paper mounted on black leather. Belonging to the serie “Microbes”. Interestingly, it is unusually mounted on a black leather surface whose shape reminds th...

We are pleased to present this event, which will see the exclusive world premiere of Anna Pennati's works entitled The Black Series, that the artist reserved exclusively for 1stDibs ...

Medium: Pastel, Gouache, and Black Crayon on Paperboard Sight Size 22.88" x 17.50", Framed 31.75" x 26.50" Signature: Signed EVERETT SHINN and Dated Vanity Fair Cover...