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Paul Earee Paintings

British, 1888-1968

Paul Earee was an artist who was professionally trained as an ecclesiastical architect, art teacher and illustrator, using his spare time in painting, etchings and drawing with strong regional content. As an architect, he designed many buildings and interiors in Sudbury including the pulpit of St Gregory's church, a petrol store for Dixon, Scott (1913), two houses in Gainsborough Road for C. E. Dennington (1913), Sudbury Union Hospital additions (1914) and the reseating of Gainsborough Theatre (1914). In 1920, he was a founder of the Sudbury Dramatic Society and a member of Ipswich Art Club 1938–45. Earee was a friend of artists Rowland Suddaby and John Rimmer and he collaborated with H. A. F. Haslewood to paint scenery for the local production of 'Brer Rabbit and Mr. Fox' at the Victoria Hall, Sudbury in 1921. There was a retrospective exhibition "Landscapes and Dreams" at the Quay Theatre in 1983 and Chappel Galleries, Essex in 1996. He married at Sudbury in 1913, Ivy Florence Elliston. He died in Sudbury in 1968, aged 79.

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Artist: Paul Earee
Floral Still Life - British art 1930 Post Cubist oil painting red yellow flowers
Floral Still Life - British art 1930 Post Cubist oil painting red yellow flowers

Floral Still Life - British art 1930 Post Cubist oil painting red yellow flowers

By Paul Earee

Located in Hagley, England

This appealing original oil on canvas painting is by British artist Paul Earee. Painted in a Post Cubist manner circa 1930, this floral still life depicts a vase of flowers on a table in bold blocks of colour. A really vibrant painting in superb tones. Signed lower right. Provenance. Estate of the artist. Condition. Oil on canvas. Image size 24 inches by 20 inches and in excellent condition. Housed in a gallery frame with complementary tones, 31 inches by 27 inches approx framed. As Frederick Percy Eary, he was born at Sudbury, Suffolk on 16 July 1888, son of Albert Henry Eary (1862-1941), mat weaver, and his wife Hannah (1860-1939). Known as Paul Earee, he was an artist who was professionally trained as an ecclesiastical architect, art teacher and illustrator, using his spare time in painting, etchings and drawing with strong regional content. As an architect he designed many buildings and interiors in Sudbury including the pulpit of St Gregory...

Category

1930s Cubist Paul Earee Paintings

Materials

Oil

English Farmhouse - Early 20th Century Impressionist Oil Piece by Paul Earee
English Farmhouse - Early 20th Century Impressionist Oil Piece by Paul Earee

English Farmhouse - Early 20th Century Impressionist Oil Piece by Paul Earee

By Paul Earee

Located in Watford, Hertfordshire

As Frederick Percy Eary, he was born at Sudbury, Suffolk on 16 July 1888, son of Albert Henry Eary (11 November 1862-1941), mat weaver, and his wife Hannah (6 July 1860-1939), who married at Sudbury in 1883 and in 1939 were living at 5 Acton Square, Sudbury. Known as Paul Earee, an artist who was a professionally trained as an ecclesiastical architect, art teacher and illustrator, using his spare time in painting, etchings and drawing with strong regional content. As an architect he designed many buildings and interiors in Sudbury including the pulpit of St Gregory...

Category

1920s Impressionist Paul Earee Paintings

Materials

Oil, Board

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Will Foote View of Arizona Desert near Wickenberg, circa 1927 Signed lower center; titled and dated on the reverse Oil on artist's board 12 x 16 inches Foote was born on June 29, 1874 in Grand Rapids, Michigan, and died on January 27, 1965, in Sarasota, Florida. He was in Old Lyme, 1901-65; and in Cos Cob, 1903. Will Howe Foote was one of the earliest artists at Old Lyme and one who adopted the town as home. He first went there the summer of 1901 with his uncle, William H. Howe, a painter of cattle, who had been told about the beauties of the countryside by Henry Ward Ranger. Foote had himself heard of Old Lyme when he had met Clark Voorhees in France. He and his uncle were both from Grand Rapids, Michigan, where Foote's father was an executive in the furniture industry that made the city famous. Encouraged to be an artist by his father, he began his professional training at the Art Institute of Chicago in 1894. He became friends there with a fellow Michigan student, Frederick Frieseke, who would study with him again at the Art Students League in New York, where Foote worked in 1895-96 under H. Siddons Mowbray and Kenyon Cox. In 1897 he and Frieseke went to the Academic Julian in Paris, where Foote studied under Jean-Paul Laurens and Benjamin Constant. He was at Julian's until 1900, except for an Italian trip, summers at Laren, Holland, or Etaples, France, and a short period at Whistler's school in Paris. He exhibited twice at the Old Salon, and when he returned to the United States in 1900, he had a one-man exhibition in his hometown. Will Howe Foote's paintings were well received on his return from abroad. He exhibited frequently at the National Academy of Design and became an associate member in 1910. His awards included a bronze medal at the St. Louis Exposition in 1904 and a silver medal at the Panama-Pacific Exposition in San Francisco in 1915. Once he visited Old Lyme, Foote returned every summer. In 1902 he was hired as assistant to Frank DuMond at the Lyme Summer School of Art, which was sponsored by the Art Students League of New York. Sometime in 1903 he also taught a session in Cos Cob. After 1906, when the League moved its Lyme classes to Woodstock, New York, Foote continued in Old Lyme as a private instructor. In 1907 he was married to Helen Kirtland Freeman, whom he had met a year or two earlier when she had come to the Lyme art colony as a student of Henry Rankin Poore. Fellow artist William Chadwick was best man at the wedding. The Footes began building a house on Sill Lane in Old Lyme and upon its completion in 1909 spent every spring, summer and fall there, where Foote devoted full time to painting. The Gregory Smiths, old friends from Grand Rapids, arrived in Old Lyme in 1910 and became neighbors. Foote's early works in Connecticut, such as A Summer's Night reflect the artist's interest in soft, atmospheric scenes dominated by a single, overriding tone. The arrival of Childe Hassam and Walter Griffin...

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Previously Available Items
Large Mid Century Post Impressionist oil painting SUDBURY SUFFOLK by Paul Earee
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Large Mid Century Post Impressionist oil painting SUDBURY SUFFOLK by Paul Earee

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ARTIST: Paul Earee (1888-1968) British TITLE: “Sudbury Suffolk” SIGNED: lower right MEDIUM: oil on canvas SIZE: 101cm x 81cm inc frame CONDITION: excellent DETAIL: As Frederick Percy Eary, he was born at Sudbury, Suffolk on 16 July 1888, son of Albert Henry Eary (11 November 1862-1941), mat weaver, and his wife Hannah (6 July 1860-1939), who married at Sudbury in 1883 and in 1939 were living at 5 Acton Square, Sudbury. In 1891, a 2-year-old living with his parents at Railway Cottages, Station Road, Sudbury. Paul was educated at St Peters and St Gregory’s School, Sudbury and in 1911, as Fred Percy Eary, a 22-year-old architect’s assistant, living at The Fennels, Suffolk Road, Sudbury with his parents, 47-year-old Albert and 48-year-old Annie, and his 14-year-old sister Florence Anne. Known as Paul Earee, an artist who was a professionally trained as an ecclesiastical architect, art teacher and illustrator, using his spare time in painting, etchings and drawing with strong regional content. In 1922 in an architectural partnership with Noel Haslewood, as Earee & Haslewood at 36 Market Hill, Sudbury. As an architect he designed many buildings and interiors in Sudbury including the pulpit of St Gregory’s church, a petrol store for Dixon, Scott (1913), two houses in Gainsborough Road for C. E. Dennington (1913), Sudbury Union Hospital additions (1914) and the re-seating of Gainsborough Theatre (1914). In 1920 a founder of the Sudbury Dramatic Society and in 1922 of the Stour Valley Group when as F. P. Earee he exhibited ‘View from Prospect Hill...

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Paul Earee paintings for sale on 1stDibs.

Find a wide variety of authentic Paul Earee paintings available for sale on 1stDibs. You can also browse by medium to find art by Paul Earee in oil paint, paint, board and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Impressionist style. Not every interior allows for large Paul Earee paintings, so small editions measuring 26 inches across are available. Customers who are interested in this artist might also find the work of Pamela Cawley, Sarah Ollerenshaw, and John D Martin RBA. Paul Earee paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,842 and tops out at $5,012, while the average work can sell for $3,427.