Paul Mathieu (French) Furniture

The Louise Fleur de Lis Dresser is 84 inches wide and carries nine drawers across its full length, the Fleur de Lis carving covering the front, sides, and top continuously in Medium ...

The Louise Long Credenza in Smooth Copper runs 120 inches: ten feet of serpentine front, four cupboard doors, three drawers with curved metal pulls, and six cabriole legs carrying th...

The Louise Floral Credenza in Medium Hammered Copper has cabriole legs and serpentine front from the Louise series and the dense botanical carving from the Floral series, all in Medi...

The Louise Credenza in Smooth White Bronze has six cabriole legs, a serpentine front, four cupboard doors, and three drawers with curved metal pulls, all in Smooth White Bronze metal...

The Long Vaisseau Bench works as an ottoman at a scale that most ottomans cannot reach: 96 inches wide, in Medium Hammered Brass metal, with the arching hourglass profile that Paul Mathieu derived from the metal-clad storage furniture of India. The lid opens to a teak-lined interior with a removable inset tray. At 17 inches, the height is correct for a footrest or additional seating. In Medium Hammered Brass, it is also an object that a room is composed around. The wood box is constructed to the arching profile before Medium Hammered Brass metal sheets are pattern-cut and fitted by hand across its full length. The sides narrow at the waist and flare at each end; the metal is fitted in sections, each secured with flush-set nails. The lid is hinged and fitted in the same Medium Hammered Brass metal. Interior: teak-lined with removable tray. Measures 96 by 16 by 17 inches. Functions as a long ottoman, storage bench, blanket chest, or bedfoot piece. Hinged lid with removable interior tray. Available in all twelve standard finishes. Custom sizing available. Made entirely to order. Designed by Paul Mathieu for Stephanie Odegard Collection. The Long Vaisseau Bench extends...

The Louise Credenza in Smooth Copper has a serpentine front that runs 78 inches on six cabriole legs, with four cupboard doors on the outer sections and three central drawers with cu...

The Fleur de Lis Credenza in Smooth Antiqued White Bronze is a Louis XV credenza form covered in a carved heraldic surface: six cabriole legs, a serpentine front in Smooth Antiqued W...

The Long Vaisseau Bench is 96 inches wide and entirely in Medium Hammered Antiqued White Bronze metal. The hourglass profile, the sides arcing inward at the waist and flaring at the ...

The Louise Credenza in Smooth Brass is 78 inches of serpentine front on six cabriole legs, with four cupboard doors and three drawers with curved Smooth Brass metal pulls. The cabrio...

The Louise Floral Credenza in Medium Hammered Antiqued White Bronze is 80 inches of carved floral surface on cabriole legs. The dense botanical relief, drawn from the floral motifs o...

The Louise Demi Semainier in Smooth White Bronze is a three-drawer chest with a carved floral surface that covers the front, sides, and top continuously. The Smooth White Bronze meta...

Nine drawers, 84 inches, and a Fleur de Lis carving that covers the full front, sides, and top in Medium Hammered Brass metal: the Louise Fleur de Lis Dresser is the largest carved p...

The Louise Demi Semainier in Fine Hammered Brass is three drawers, four cabriole legs, and a carved floral surface that covers every exterior face in Fine Hammered Brass metal. The r...

The Louise Demi Semainier in Fine Hammered White Bronze is 24 by 16 by 30 inches: a three-drawer chest on four cabriole legs with a carved floral surface covering the front, sides, a...

The Louise Demi Semainier is a three-drawer chest on cabriole legs with a carved floral surface covering the full front, sides, and top in Smooth Brass metal. The Fleur de Lis-style ...

The Louise Floral Credenza in Medium Hammered Brass has the cabriole legs and serpentine front of the Louise series and the dense floral relief covering every exterior surface in Med...

The Louise Floral Credenza in Medium Hammered Brass has six cabriole legs, a serpentine front, four cupboard doors, and three central drawers, all covered in a dense botanical relief...

The Louise Floral Credenza in Medium Hammered Brass has a densely carved floral surface that covers the full front, sides, and top. The botanical relief, drawn from the painted decor...

The Vaisseau Bench is a storage form that Paul Mathieu designed after encountering the tradition of metal-clad furniture in India. In Fine Hammered White Bronze, the exterior is enti...

At 96 inches, the Long Vaisseau Bench is a storage piece at the scale of a significant room. The form is the same hourglass profile as the smaller Vaisseau, the sides arcing inward a...

In a Hollywood Regency interior, the Long Vaisseau Bench in Medium Hammered Brass is the piece that goes at the foot of the bed and makes the room complete. Ninety-six inches of arch...

The Vaisseau Storage Bench carries the Art Deco sensibility of material quality and formal discipline in a storage form. The exterior is entirely in Fine Hammered Copper metal, the p...

The Vaisseau Bench in Fine Hammered Brass is a storage piece in the collectible category: a form that comes from a specific cultural tradition, interpreted by a named designer, produ...

The Louise Demi Semainier in Smooth Antiqued White Bronze is 24 by 16 by 30 inches: a three-drawer chest on four cabriole legs with a carved floral surface covering the front, sides,...

The Louise Console Table in Smooth White Bronze has four cabriole legs hand-carved from solid teak and encased in Smooth White Bronze metal from foot to apron, a serpentine apron cur...

The Louise Console Table in Smooth Antiqued White Bronze is 60 inches wide at 18 inches deep: the right proportion for placement behind a sofa or along a corridor wall. The four hand...

The Long Vaisseau Bench spans 96 inches in Medium Hammered White Bronze metal, the same hourglass profile as the smaller Vaisseau but at a scale that suits the foot of a king-size be...

The Louise Console Table in Smooth Copper has four hand-carved cabriole legs covered in Smooth Copper metal from foot to apron, a 60-inch top in the same surface, and the geometric p...

Jahangir side table by Paul Mathieu for Stephanie Odegard Inspired by the elegant architectural element, namely the mehrabs, he saw in the palaces of Mughal India, the renowned de...

The Louise Demi Console Table in Smooth White Bronze has a half-moon top, flat at the back and curved at the front, on three cabriole legs in Smooth White Bronze metal. The flat back...

The Louise Credenza in Smooth White Bronze has a serpentine front that runs 78 inches on six cabriole legs, with four cupboard doors on the outer sections and three central drawers w...

The Louise Long Credenza is designed by Paul Mathieu for Stephanie Odegard Collection and spans 120 inches in Smooth White Bronze: a ten-foot run of serpentine front, four cupboard d...

The Vaisseau Storage Bench sits at 17 inches, which is seat height, and 36 inches wide, which is bench width, and in Smooth Brass metal with an hourglass profile that makes it someth...

Nine drawers, 84 inches, and a Fleur de Lis carving that covers the full front, sides, and top in Medium Hammered White Bronze metal: the Louise Fleur de Lis Dresser is the largest c...

The Louise Card Table in Medium Hammered Copper has four cabriole legs carved from solid teak and encased in Medium Hammered Copper metal, a serpentine apron, and a 32-inch square to...

The Louise Card Table in Medium Hammered Brass has four cabriole legs carved from solid teak and encased in Medium Hammered Brass metal, a serpentine apron, and a 32-inch square top ...

The Vaisseau Bench holds blankets, linens, or anything else that needs storing, and it does so in Smooth Copper metal with an hourglass profile that gives the piece the quality of a ...

The Louise Card Table in Smooth Copper is 32 inches square and 30 inches tall, the four cabriole legs encased in Smooth Copper metal from foot to apron, the serpentine apron curving ...

The Louise Round Table in Fine Hammered White Bronze has four cabriole legs, a serpentine apron, and a circular top, all in Fine Hammered White Bronze metal. At 30 inches in diameter...

The Louise Console Table in Smooth Antiqued White Bronze has four hand-carved cabriole legs covered in Smooth Antiqued White Bronze metal from foot to apron, a 60-inch top in the sam...

The Louise Credenza in Smooth Antiqued White Bronze has six cabriole legs, a serpentine front, and four cupboard doors flanking three central drawers with curved metal pulls, all cla...

The Louise Round Table in Smooth Copper is 30 inches across and 30 inches tall, four cabriole legs carrying a circular top in Smooth Copper metal, the serpentine apron curved between...

Worked from Rainbow Teakwood Stone with a geometric jali lattice pierced through all sides, this side table combines structural stonework with maximum visual openness. The stone retains its strength while appearing visually lighter through the pierced construction. Serves as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

A Rainbow Teakwood Stone side table are hand-pierced with a geometric jali pattern, each opening positioned to maintain structural integrity while preserving the continuity of the lattice. The stone's warm layered veining creates visual complexity beyond the geometry. Suitable as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

A hand-carved Rainbow Teakwood Stone side table with a continuous geometric jali lattice pierced through all walls. Light and shadow animate the carved pattern throughout the day, the table appearing different depending on the position and direction of the light source. Works as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

Rainbow Teakwood Stone, individually pierced with a geometric jali lattice through all visible walls. The interlocking pattern draws from the tradition of architectural stone screens found throughout Mughal architecture. Functions as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

Conceived as a furniture translation of Mughal jali architecture, this Rainbow Teakwood Stone table is hand-pierced with a geometric lattice derived from t...

Formed from Rainbow Teakwood Stone with a geometric jali lattice pierced through all sides, this compact side table applies architectural openwork carving to a functional furniture form. The relationship between solid material and open space is the primary visual subject of the design. Functions as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

Carved from Rainbow Teakwood Stone with a geometric jali pattern pierced through all visible sides, this compact side table draws directly from the tradition of Mughal stone screens....

A Rainbow Teakwood Stone side table hand-pierced with a geometric jali pattern across all visible surfaces. Shadow and light become part of the design — the pierced lattice casting a geometric pattern on surrounding surfaces in directional light. Works as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

Hand-pierced from Rainbow Teakwood Stone with a geometric jali pattern, this compact side table translates the architectural tradition of carved stone screens into furniture scale. The precision of the pierced lattice demonstrates the sustained concentration the process requires. Suitable as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

Rainbow Teakwood Stone and geometric jali carving define this compact side table, the interlocking pierced openings creating visual transparency through the solid stone body. The sto...

The Louise Card Table in Smooth Antiqued White Bronze is 32 inches square, the four cabriole legs carved from solid teak and clad in Smooth Antiqued White Bronze metal from foot to a...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...