Paul Rigoulet Art

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Amit Kalla - Landscape - 36 x 28 inches (unframed size) Oil on Canvas, 2019 ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his ...

Amit Kalla - Untitled - 60 x 36 inches (unframed size) Acrylic on canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his com...

Survage,Cubism,1915,france Leopold Survage ( 1879-1968) Work signed lower right Provenance : Gallerie Zlotowski Paris Galerie Guillermo de Osma ,Madrid Private collection In Madrid...

Modern orange, brown, yellow, and black geometric abstract composition by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin. Dimensions Without Frame: H 35.5 in. x W 33.5 in. Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School. John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950. In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory. In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

This contemporary abstract painting is by David Sorensen. A Canadian treasure, David Sorensen pursued his own vision of abstract expressionism for decades. He was known for his lyri...

This etching is in very good condition, it is signed and numbered by the artist but I was unable to identify the artist. It is a piece from my private collection of artists from the ...

This contemporary abstract painting is by David Sorensen. A Canadian treasure, David Sorensen pursued his own vision of abstract expressionism for decades. He was known for his lyri...

Anna Schuster Draft Design (Geometric Abstract, Shapes, Dark, Pastel) Gouache on Paper Year: 1992 Signed by hand, dated and inscribed Unique Size: 22.6 × 23.4 on 23.8 × 33.5 inches (57.4 × 59.4 cm on 60.5 × 85.1 cm) COA provided Anna Schuster is a German contemporary artist whose multidisciplinary practice spans painting, installation, photography, video, and new media. She studied from 1981–1983 at the Freie Kunstschule Stuttgart and from 1983–1989 at the Universität der Künste (UdK) Berlin, where she later also held several academic positions including guest professorship and teaching assignments. Schuster’s work is characterized by process-oriented exploration in which layering, fragmentation, and found elements reveal the evolution of the artistic act itself. Rather than presenting a fixed final image, her works emphasize transformation and temporality, allowing each stage of the process to remain visible and to trigger the next. In her video installations particularly, the dimension of time—through movement, stillness, and spatial perception—plays a central role. As Schuster has noted, “Every fixation simultaneously provokes its reversal and dissolution,” a concept that reflects her interest in instability, perception, and the poetic tension between structure and change. Her works have been exhibited widely in Germany and internationally and are held in numerous public and private collections, including the Kupferstichkabinett Berlin, the Berlinische Galerie, the Staatsgalerie Stuttgart, and the Skulpturenmuseum Glaskasten Marl. She lives and works in Berlin. Anna Schuster installation art, German contemporary installation artist, process-based artwork, layered collage and assemblage, video installation art Berlin, spatial installation works, fragmentary visual language, conceptual mixed media installation, site-specific installation artist, experimental media art Anna Schuster artist, German contemporary art, Berlin installation artist, Universität der Künste Berlin alumni, multimedia contemporary practice, video and installation art Germany, European conceptual art, post-1980s German art...

Genevive Moreau (French, fl. early Twentieth Century) Three Designs in Blue Gouache 32 x 50 cm c. 1925 Signed in pencil; from a small portfolio of well-executed designs by the artis...