$425,000
(Saint-Briac. From a Window) - Impressionist Garden Scene Oil Painting, 1885
By Paul Signac
Located in Palm Desert, CA
Paul Signac’s Saint-Briac. D’une fenêtre (1885) captures the quiet beauty of the Breton landscape at a pivotal moment in the artist’s evolution from Impressionism to Neo-Impressionis...
Canvas, Oil
Price Upon Request
Pilote de la Meuse - Impressionist Oil on Canvas Waterscape Painting, 1924
By Paul Signac
Located in Palm Desert, CA
Paul Signac’s "Pilote de la Meuse" (1924) is a refined late masterpiece that unites his devotion to color theory with his lifelong love of sailing. The composition is rigorously cons...
Canvas, Oil
$4,500
H 29 in W 35 in D 2 in
“Impressionist Landscape, c. 1915-1920” California Forest American Impressionist
By Francis Stillwell Dixon
Located in Yardley, PA
“Impressionist Landscape, c. 1915-1920” by Francis Stillwell Dixon (American, 1879-1967). One of Dixon’s finest canvases, depicting a tranquil forest scene bathed in soft, dappled l...
Canvas, Oil
$750Sale Price|50% Off
H 12.5 in W 14.5 in
‘Yellow and Red Umbrellas’ Beach Seascape Impressionist Oil Painting
Located in Toronto, ON
Impasto style brushwork creates a vibrant beach day with colourful umbrellas. Strong impressionist influence can be seen through the gestural brushstrokes, with figures dotting the s...
Canvas, Oil
$1,078Sale Price|43% Off
H 31.89 in W 39.38 in
Autumn Morning Spain oil on canvas painting mediterranean landscape
Located in Sitges, Barcelona
Author: Joan Gil i Gil (Barcelona, 1900 – 1984) Title: Autumn Morning Date: 1934 Technique: Oil on canvas Dimensions: 81 × 100 cm (31.9 × 39.4 in) Signature: Signed lower left: Joan ...
Canvas, Oil
$1,150Sale Price|20% Off
H 10.63 in W 16.15 in
Mediterranean Village, Catalonia Oil on Canvas, Signed, 1941, 27x41 cm
By José María Vila Cañellas
Located in Sitges, Barcelona
Title: Mediterranean Village, Catalonia Artist: José María Vilà Cañellas (Vic, 1914 – Barcelona, 2001) Date: 1941 Technique: Oil on canvas Support: Canvas on stretcher Dimensions (un...
Canvas, Oil
$1,917Sale Price|20% Off
H 23.63 in W 28.75 in
Landscape with Farmhouse and Figure, Oil on Canvas, Signed, 1940s
Located in Sitges, Barcelona
Title: Landscape with Farmhouse and Figure Author: Vicente Rincón Garrido (Fuentes de Ebro, 1892 – Barcelona, 1958) Technique: Oil on canvas Dimensions: 60 x 73 cm (23.6 x 28.7 in) S...
Canvas, Oil
$800
H 23.75 in W 27.5 in D 2 in
Edward Glafke 'Carmel River' Impressionist Landscape Painting
Located in San Rafael, CA
Edward Glafke (American, 1925-1997) Carmel River Oil on canvas Signed lower left Titled on the verso Canvas: 20in H x 24in L In a vintage giltwood frame: 24in H x 27.5 in L x 1.5in D...
Oil, Canvas
$2,100
H 51.2 in W 38.2 in
Over Peaks and Valleys, Impressionist Landscape, Pastel Tones, Acrylic on Canvas
Located in Barcelona, ES
This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...
Oil Crayon, Canvas, Oil, Acrylic
$1,250
H 17.5 in W 20 in D 2.5 in
Brian Blood 'Monterey Bay' Plein Air California Impressionist Seascape Painting
By Brian Blood
Located in San Rafael, CA
Brian Blood (American, b. 1962) Monterey Bay, 2000 Oil on canvas board Signed lower right: BB signed, dated, and titled verso: Brian Blood, 2000 Monterey Bay 9in H x 12in L In a silvered gilt frame with linen mat and moulding: 17 1/4in H x 20in L Brian Blood is a resident of Pebble Beach, California. He began his professional life as a graphic artist and art director in Boston, Massachusetts. He then came to California to attend the Academy of Art College in San Francisco for both undergraduate and graduate studies. In 2003, Blood and his artist wife, Laurie Kersey...
Oil, Canvas
$9,500
H 42.75 in W 44.5 in D 2.5 in
“Covered Bridge, Kingston, NY, 1927” by Walter Koeniger, Snowy Winter Landscape
By Walter Koeniger
Located in Yardley, PA
Known for his evocative, snow-covered landscapes, Koeniger brings this subject to life with his bold, confident brushwork and keen eye for natural light. The composition centers arou...
Canvas, Oil
River Scene
By Jean Metzinger
Located in Austin, TX
"River Scene" Artist: Jean Metzinger Medium: Oil on Canvas Size: 23" x 28.75" Date 1902-3 Signed, bottom right. Metzinger Catalogue Raisonne Number: AM-...
Canvas, Oil
$599Sale Price|50% Off
H 18.12 in W 21.66 in
Rincón de Horta Oil on Canvas Painting, Signed, 1950s-1960s, 46x55 cm
Located in Sitges, Barcelona
Title: Rincón de Horta (Corner of Horta) Artist: Antoni Llobet Aracil (Barcelona, 1910 – 1983) Medium: Oil on canvas Dimensions: 46 × 55 cm (18.1 × 21.7 in) Support: Canvas on stretcher Signature: Signed “A. Llobet” in the lower right corner Inscription on reverse: “Rincón de Horta” Estimated period: 1950s–1960s Condition: Good Provenance: Private collection DESCRIPTION The painting depicts a scene of vernacular architecture in Barcelona’s Horta neighborhood, at a time when it still preserved its rural and peaceful character. A dirt path opens between lush vegetation and the façades of traditional houses, wrapped in bougainvillea, ivy, and leafy trees. Light enters from the left, illuminating the walls with warm brushstrokes that contrast with the greens and violets defining the foliage. The atmosphere is serene, almost nostalgic, captured with a loose and impasto technique, especially visible in the sky and vegetation. The composition showcases the painter’s ability to harmonize architecture and nature, conveying the tranquility of a nearly hidden corner. The vibrant brushwork and mastery of color evoke a distinctly Mediterranean sensibility, heir to post-impressionism and the legacy of Joaquim Mir. ABOUT THE ARTIST: ANTONI LLOBET ARACIL Antoni Llobet Aracil was a Catalan painter born in Barcelona in 1910 (according to some sources, 1919) and died in 1983. He trained at the Escola Superior de Belles Arts de Sant Jordi and was a pupil of masters such as José Mongrell and Joaquim Mir. In 1931, he received a scholarship to continue his studies in Rome. His career included exhibitions in Paris, Denmark, Finland, Norway, Iceland, and Mallorca, as well as his native city. He led an itinerant life that enriched his pictorial vision and allowed him to develop a plastic language characterized by free use of color, energetic brushwork, and a poetic view of the landscape. In his works, Llobet blended the impressionist tradition with a Mediterranean sense of light. He alternated natural landscapes, seascapes, rural streets, and urban corners with a rich palette and atmospheric sensitivity. He worked as a drawing and painting teacher and exhibited in prominent venues such as Grifé & Escoda in Barcelona, as well as in Palma and Inca, Mallorca. ARTISTS WITH SIMILAR STYLE The work of Antoni Llobet Aracil can be linked to that of several Catalan and Mediterranean artists through his loose technique, treatment of the landscape, and warm palette: Joaquim Mir i Trinxet – for his impasto brushwork and vibrant luminosity. Rafael Durancamps – for the intimacy and warmth of his urban and rural landscapes. Josep Mompou – for chromatic harmony and evocative simplicity. Isidre Nonell (in some late landscapes) – for dense pictorial matter and atmospheric color. Ramón Vilanova...
Canvas, Oil
$1,078Sale Price|25% Off
H 18.12 in W 14.97 in
Carrer de la Vilanoveta Impressionist Oil Painting, 1979
Located in Sitges, Barcelona
Title: Carrer de la Vilanoveta Artist: Rafael Monzó (Sitges, 1952) Year: 1979 Medium: Oil on canvas Dimensions: 18.1 x 15 inches (21.7 x 18.5 inches framed) Signature: Lower lef...
Canvas, Oil
Sold
H 19.5 in W 25.5 in
The Seine, Paris - Post Impressionist Watercolor, Riverscape by Paul Signac
By Paul Signac
Located in Marlow, Buckinghamshire
A charming watercolour, charcoal and graphite on paper circa 1925 by French neo impressionist painter Paul Signac depicting a view of the Pont Neuf bridge over the River Seine in Paris, France on a cool autumn day. Signature: Signed lower left Dimensions: Framed: 19.5"x25.5" Unframed: 11.5"x17.5" Provenance: The authenticity of this work has been confirmed by Marina Bocquillon-Ferretti. Galleries Maurice Sternberg, Chicago - 1973 In 1880, having left school, Paul Signac contemplated becoming a scholar, his financial independence being assured by his prosperous family. In February 1882, he published a pastiche of Émile Zola’s work in the Parisian magazine Le Chat Noir, entitled Serendipity ( Une trouvaille), but on seeing reproductions of Claude Monet’s work in La Vie Moderne, he decided to turn his ambitions to painting. He took lessons with painter Émile Bin in Montmartre, and settled in successive studios in the area. He wrote to Monet, asking his advice, in 1883. In 1884 he met Armand Guillaumin and exhibited work at the Salon des Artistes Indépendants where he was introduced to Georges Seurat, whose Bathing at Asnières was a revelation to him. The two artists moved in the same avant-garde literary circles and became close friends. Both were part of the founding committee of the Société des Artistes Indépendants (Signac was its President from 1909 to 1934 and unceasingly encouraged younger avant-garde artists such as the Fauves and the Cubists). In 1885 Signac met Camille Pissarro at Durand-Ruel’s. He met Vincent Van Gogh in 1887 at Père Tanguy’s paint shop and the pair remained close friends. He spent summers in various parts of France (Les Andelys and Fécamp in 1886, Comblat-le-Château in Auvergne in 1887, Collioure on the Mediterranean coast, Portrieux in North Brittany in 1888, Cassis in 1889, Italy and Brittany in 1990, and Concarneau in 1891). In 1892 he discovered the little port of St-Tropez where he bought a villa – La Hune – in 1897. He returned there each summer, bringing with him several friends, artists, and writers, including Henri Matisse, who worked with Signac and Henri Edmond Cross for several months. Signac was constantly searching for new subjects to paint, often travelling to ports such as La Rochelle, Marseilles, Genoa, Rotterdam (1896), Switzerland (1903)), Venice (1904 and 1908), and Istanbul (1907). He received the Croix de la Légion d’Honneur in 1911. In 1913, after the birth of his daughter, Ginette, with his mistress Jeanne Selmershein-Desgranges, he separated from his wife and settled in Antibes. In 1884, Signac discovered the writings of the chemist Michel-Eugène Chevreul, whose pioneering study of colour, The Law of Simultaneous Contrast (1839) had been developed by Hermann von Helmholtz (1878). Signac also read the work of David Sutter, whose articles on the Phenomena of Sight were published in 1880 in the review Art, and that of Edouard Rood (1881). Signac’s views on colour were also influenced by Eugène Delacroix, whose Journal was published between 1893 and 1895. Signac had a taste for mathematics, and in 1889 worked closely with his friend Charles Henry, a mathematician and physician. Henry was researching mathematical and geometric proportion and their potential application to the industrial arts. Signac was associated with the Symbolists of La Revue Indépendante. He was also an admirer of Jules Vallès and Joris-Karl Huysmans. He collaborated on the anarchist journal Le Cri du Peuple and throughout his life unceasingly expressed his social and political opinions. A competent writer, from 1890 he published various articles on art, provided texts for exhibition catalogues and wrote other publications including a volume on Stendhal (Antibes, December 1913-January 1914) and a monograph on Jongkind (Paris, Crès, 1927) which included a Watercolour Treatise ( Traité de l’aquarelle). In 1899 he published From Delacroix to Neo-Impressionism (Editions de la Revue blanche, Paris, 1899; H. Floury, Paris, 1911; Hermann, Paris, 1964), in which he analysed the principles of Neo-Impressionism which he had developed with Seurat. He methodically studied the composition and decomposition of light in coloured rays, and quickly established his role as the theoretician of the group, which included Cross, Théo Van Rysselberghe, Maximilien Luce, Henry van de Velde, Hippolyte Petitjean, Lucie Cousturier...
Paper, Charcoal, Watercolor, Graphite
Samois II, Bateaux sur la Rivière
By Paul Signac
Located in London, GB
14.9 x 23.1 cm (5 ⅞ x 9 ⅛ inches) Watercolour and pencil Signed lower right, "P. Signac"
Color Pencil, Paper, Watercolor