Pedro Lazcano Art

Clement Drew grew up in Kingston, Massachusetts, a coastal New England town. Early on he settled into a career as a marine painter. He augmented his income by working in a number of ...

Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea. Signature: Signed lower left with the cachet of painter Dimensions: Framed: 23.5"x24.5" Unframed: 14.5"x15.5" Provenance: Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...

Waves crashing in on the rocks at Polzeath Oil Paint on Canvas 18 H x 23 W x 3 D cm (7.09 x 9.06 x 1.18 in) Sold framed Image size: Height: 15cm (5.91 in) Width: 20cm (7.87 in) Co...

An oil painting painted en plein air overlooking the Teifi estuary in Gwbert, West Wales. Oil Paint on Board 34 H x 40 W x 3 D cm (13.39 x 15.75 x 1.18 in) Sold framed SIZE: Image...

David Grossman's (US based) "Evening View to the South West" is an original, handmade oil painting that depicts a wide open plain of the West with fields of...

G. Guiraud French School, Early 20th Century Cottages in a Village, circa 1900–1910 Oil on board Signed lower right A richly textured and characterful early 20th-century French vil...

Artist: Marcel Bouyeron, French (1890 - 1976) Title: Bord l'Yerre de Seine Year: circa 1930 Medium: Oil on Canvas, signed Size: 13 in. x 18 in. (33.02 cm x 45.72 cm) Frame Size: 22.5...

A wonderful impressionist-style coastal landscape with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate yet energetic way and has packed much fee...

RAMÓN SANVISENS MARFULL (Barcelona, 1917–1987). Landscape. Hand-signed and dated 1978. Oil on canvas. Dimensions: Canvas: 25.2 × 31.5 in. (64 × 80 cm) Framed: 36.2 × 42.1 in. (92 × 1...

Artist: Jean-Jacques Berne-Bellecour, French (1874 - 1939) Title: Untitled - Snowy River Landscape Year: circa 1920 Medium: Oil on Canvas, signed l.l. Size: 21.5 in. x 29 in. (54.61 ...

Signed figures in a landscape oil on canvas circa 1870 by French impressionist painter Victor Alfred Paul Vignon. The work depicts a woman carrying a basket with a young child beside her walking along a snowy path in a Fontainebleau Forest. This early work by Vignon was painted whilst he was under the tutelage of Camille Corot in the period between 1869 and 1870 . The work shows a mother and child in the forest at Fontainebleau in winter. Many painters in Vignon's circle such as Monet, Renoir, Sisley and Bazille visited this area to paint in the late 1860's and the early 1870's. Signature: Signed lower left Dimensions: Framed: 23"x25.5" Unframed: 13.5"x16" Provenance: Galerie Commeter - Hamburg c. 1920 French exhibition customs stamps verso His mother has been incorrectly identified as the writer Claude Vignon...

Hilton Head Beach is an example of the bright colors that Beckner uses in his paintings. The orange umbrella paintings were painted at Hilton Head, South C...