Pedro Ramirez Vazquez Furniture

The Bordeira coffee table by Rute Martins for Greenapple, in Calacatta Viola marble and black-stained American oak. Handcrafted in Portugal. W 111 x D 100 x H 38 cm (43.7 x 39.4 x 15...

Midcentury table 'Marcuso' by Marco Zanuso for Zanotta steel chrome and large tempered thickness smoked cristal. Excellent condition. Measures cm: H 33, W 103, D 56 About This...

The Bordeira coffee table by Rute Martins for Greenapple, in Patagonia granite and black-stained American oak. Handcrafted in Portugal. W 111 x D...

The Bordeira compact coffee table by Rute Martins for Greenapple, in Miel onyx and black-stained American oak. Handcrafted in Portugal. W 91 x D 76 x H 40 cm (35.8 x 29.9 x 15.7 in)....

This vintage 1970 square coffee table, designed by John McGuire, boasts a 60" x 60" glass top, 3/4" thick with a 1" bevel, offering a sleek and spacious surface. The distinctive base...

The Bordeira coffee table by Rute Martins for Greenapple, in Miel onyx, brushed and burnished antique brass and black-stained American oak. Handcrafted...

This compelling sculptural duo exemplifies the enduring power of reductive form and material honesty that defined mid-century modernism. Carved from richly veined dark stone and fini...

Sculptural Glass Coffee Table, designed for the Modernage Company of New York City, circa 1940's. The wooden base has been refinished in ...

Oval Art Deco center table.

Paul M. Jones bronze and glass coffee table.

This minimalist designer coffee table with a glass top is modern and playful. The precision joinery makes assembly painless while the silhouette of the cross-shaped base captures the tension between movement and stillness. Take a closer look at the shadow cast below the legs–does it look like a ninja...

Beautiful clear crystal art glass dolphin sculpture by Daum of France, circa 1980s. The piece is in very good vintage condition with no chips or crac...

Step into Slit's world of creative interplay of textures and axes. It exalts the 'Off_Grid' concept by disrupting wooden slats' axes on three different vertical levels and crown them...

Stylized crystal penguin sculpture by Daum France, circa 1980s. The etched signature reads "Daum France" and the sculpture is in very good condition with no chips or scratches. The p...

MATERIALITY series represents the thinnest line between design and sculpture. TECHNICAL DATA: Each piece is entirely made by hand by Eduard Locota himself, from acrylic glass & cold cast bronze. Each artwork is accompanied with a certificate of authenticity signed and dated by the artist. Made to order; build process takes 4-6 weeks; please allow extra time for custom orders (colors can be customized upon request). Every object has his own persona and is entirely made by hand using similar techniques used in metal casting. We have literally endless color combinations, and each color accentuates the different personalities of the objects. Ultra limited edition of 12 + 4 ap. * shipping worldwide: all our artworks are insured and packed in a custom-made wooden box. * dimensions may vary 1 – 2 cm. FEW WORDS FROM THE ARTIST: “I left on the surface of the object the imprints of my own fingers, of my hands, as well as the strikes and marks left by the actual tools used to shape the work. Later on, i took molds of my hands, fingers and of the tools that were actually used in the making of this unique piece, and duplicated them in cold cast bronze to complete the artistic statement.” For this set of works, the synthetic materials were chosen rationally in order to explain both the physical and conceptual materiality of the theme. Though, exactly the opposite for our case, the common perception of any synthetic material is usually disposable, mass-produces and low-grad. This gives birth to a discussion about the ethical value of synthetic materials and man’s ability to perceive it culturally. The story of the transformation of matter into an object, about the transformation of the object into a good, about the monetization of the good. PLASTIC CONCEPT: From the oldest of times, our species has experienced a strong symbiosis with matter. Humans have learned to model matter, turned it into tools, and then used it to create objects. The man of the 21st century has shaped the Anthropocene era to his liking; and plasticized it to his own mirror. The project called materiality, is centered around the last geological era, popularly known as the plastic age...