Peter Brandes Prints

The Encounter, 1944 Maurits Cornelis Escher (Dutch, 1898-1972) Print size: 13.5 by 18.5 inches (34.2 by 47 cm) Frame size: 23.25 x 27.5 inches (59 by 70 cm) From the catalogue raison...

Peter Sedgley, British (1930-2025) Cybergraph, 'Egg and Eye" signed and numbered 1/12 2004 Peter Sedgley is a British *Op and *Kinetic artist, born in London. After no formal trai...

Plate IX: 'Chirurgie'. (Surgery.) This plate shows surgical / medical instruments relating to the surgery of the waist. This print originates from 'Encyclopédie (..)' by D. Diderot. ...

A very unusual abstract portrait the we believe to be the work of the Danish artist Peter Brandes. It is signed Brandes 66 and it is very much in his sty...

Antique Greek vase print on paper 19th Century France This is a beautiful baroque print of an antique Greek vase. Contemporary wooden black ...

Peter Ilsted (1861–1933) “Girl by Column”. Mezzotint. Atmospheric exterior scene depicting a young girl by a column — rendered in Ilsted’s signature quiet, light-soaked tonal univer...

European Owls – Antique Hand-Colored Bird Engraving, Vogel IX, c.1800 This finely executed hand-colored engraving presents six European owl species arranged in comparative study, issued as Plate IX (Vogel IX / Oiseaux IX). The plate belongs to the late 18th–early 19th century tradition of scientific ornithology, in which birds were illustrated side by side to support identification, classification, and study. The owls depicted correspond to species recognized today as the Long-eared Owl (Asio otus), shown prominently with its upright posture and distinct ear tufts; the Tawny Owl (Strix aluco), represented in both its grey-brown form and its warmer rufous color morph; the Short-eared Owl (Asio flammeus), identifiable by its paler facial disc and reduced ear tufts; the small but expressive Little Owl (Athene noctua); and a larger, more powerfully built owl commonly identified as the Eurasian Eagle-Owl (*Bubo bubo*), included to demonstrate contrast in scale and form. Each bird is depicted perched on a branch against a neutral ground, allowing close observation of plumage texture, facial structure, and stance. The hand-applied coloring enhances the naturalistic effect, particularly in the subtle gradations of brown, grey, cream, and rust tones characteristic of owl plumage. The bilingual German and French headings reflect the international scholarly audience for whom such plates were produced during this period of expanding scientific exchange. Plates like this were originally issued in ornithological volumes intended for scholars, collectors, and educated amateurs. Today they are valued both for their scientific relevance and their decorative appeal. The balanced composition of six distinct species on a single sheet makes this print especially attractive to collectors of natural history, bird enthusiasts, and interior designers seeking refined, nature-inspired wall art. Condition report: Good condition. Original hand coloring. Noticeable age toning and patina throughout, with scattered foxing and light surface marks consistent with age. Minor edge wear and small discolorations visible. No modern restoration observed. Framing tips: This print is well suited to a classic museum-style presentation. A soft ivory or light beige mat will complement the aged paper and muted coloration, paired with a medium walnut, light oak, or ebonized frame depending on the desired contrast. UV-protective glazing is recommended to preserve the original hand coloring. Technique: Hand-colored engraving Maker: European school, late 18th–early 19th century Keywords: antique bird print, owl engraving, European owls, ornithology print, hand colored engraving, Vogel IX, Oiseaux IX, natural history print, antique wildlife art, Strix aluco, Asio otus, Asio flammeus, Athene noctua, Bubo bubo, tawny owl, long-eared owl, short-eared owl, little owl, eagle owl, bird illustration, antique zoology, 18th century print, 19th century print, scientific illustration, vintage bird art, collectible print, natural history engraving, European wildlife, decorative wall art, interior design artwork, classic ornithology, antique nature print

A Rare 17th Century Engraving: Saint Sebastian on "Chain-Laid" Paper This powerful 17th-century engraving captures Saint Sebastian in a moment of stoic martyrdom. A hallmark of Baroq...

A serigraph on paper titled "I Love the World" by Peter Max. Published circa 2000s. Hand signed in white pencil on the lower right with an annotation of 68/300. Known for his distinc...

We present you this illustration printed from a book with depictions of antique (architecture, mosaic, ornaments). This is one of the four graphics from the series on this topic. Ea...

France Paris black and white print on paper Mid-19th century This beautiful antique print titled "Paris dans sa splendeur" (Paris shows i...

Antique portrait of Charles IX of France, King of France from 1560 until his death in 1574. Source unknown to be determined. Artists and Engravers: Lithogr...

Peter Ilsted (1863-1933). ”Fiskerstue Hornbæk”. Interior scene with a mother and child. Original print by Peter Ilsted. 1932. Opus 72. Color mezzotint on paper. In very good conditi...

Antique print titled 'De Mizmoune'. Old print depicting a music sheet with the 'Mizmoune' (Moorish song), a Dance and a Turkish song. Originates from the first Dutch editon of an int...

Bold abstract print by Arne L. Hansen from 1979, built around a strong red and black color palette. The composition has a kind of architectural feel—horizontal bands and blocks that ...