Philip Reisman Art

Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...

"Elegant Ladies" is an original watercolored ink drawing on ivory-colored paper, signed by Luigi Bompard (1879-1953). In excellent conditions: as good...

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

About this work: “Manchester-by-the-Sea” by Ann Sophia Towne Darrah (American, 1819-1881). Darrah was among the earliest American women to establish a professional reputation as a p...

A fine impression of this very popular image with full margins (smaller on top and bottom) published by Associated American Artists.

A fine impression with good margins published by Associated American Artists.

In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...

untitled lithograph drawn in 2022 and published in an edition of 43. Measuring 36 by 25 inches, the work is designated number 9 of 43 lower left and signed in pencil "R Hunt...

Peter Fischli / David Weiss Untitled (Airport Paris) 2008 Offset lithograph on three sheets Each sheet: 51 1/4 x 32 5/8 inches; 130 x 83 cm Edition of 100 Signed and numbered in ink ...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Oil & charcoal on cardboard Keta Jikia is a Georgian artist born in 2002 who lives and works in Tbilisi, Georgia. She is graduated in 2025 with a degree in International Relations f...

Ksenya Istomina Rosehip 20 x 20 cm (Framed 32 x 32 cm) Oil on cardboard This Still-life painting by Russian artist Ksenya Istomina is made in 2020 during the Lockdown in Russia. The...