Pierre-Auguste Renoir Wall Decorations

Le Cavalier cosmique (Cosmic Rider), around 1982, hand-signed: Dali, numbered: 104/250 and a stamp next to number, drypoint with pochoir in color, partly hand-colored (watercoloured)...

Artist Georges Braque 1882-1963, etching and aquatint Le Nid Vert (The Green Nest) M.1028 on Rives BFK paper, circa 1950. Signed and dated to lower edge 'G. Braque 157/300'. This wor...

Impressionist Revival Beach Scene Painting, Mid-Century, in the Manner of Pierre-Auguste Renoir, Greynolds Estate Provenance Impressionist Revival Coastal Figures Painting in the Man...

French vintage pen and ink drawing on paper of a youthful boy with gamine features such as a pronounced upper lip, arched brows, and a dense row of eyelashes. The vanilla tone of the...

After Pablo Picasso ''Femme avec le chapeau'' Screenprint 24 x 35cm Sheet. Done after a painting executed in 1970s. Framed 41x52cm.

Experience the raw beauty of artistic expression with our Vintage Boho Original Sketch on Paper. Handcrafted with soulful strokes, this piece embodies ...

Charcoal drawing by the French artist Marceau Constantin (1918 - 2017). Drawing on ingres paper representing two characters in shades of black and grey creating a fascinating light a...

Original vintage travel advertising poster for the World's Fair held from May to November on the theme of Art and Technology in Modern Life - Paris 1937 Exposition Internationale - f...

Large Framed French Etching of Versailles – Le Bassin d’Encelade Pair of Versailles themed prints available. From Mis en Demeure, Paris.

Original vintage travel advertising poster for the World Fair event held in New York at Flushing Meadows-Corona Park from 30 April 1939 to 31 October 1940. Great Art Deco design by J...

Beautifully capturing a lovely scene of rollings hills, planted fields, rail fences and an old elm tree in the foreground, this is one of Luigi Lucioni's finest prints. Lucioni is best known as a realist, producing still lifes, landscapes and portraits with beautiful, fine detail, as is evident here. Lucioni was also friends with a circle of gay artists...

The Seasons (Les Saisons) by Alphonse Mucha is among the most celebrated expressions of Art Nouveau printmaking: a suite of four poetic lithographs—Spring, Summer, Autumn, and Winter—each allegory embodied by an idealized female figure adorned with the flora and fauna of their eponymous season. Spring (Les Printemps) Spring emerges as an ethereal, blonde sylph—an air elemental—standing before a haze of apple blossoms. She is framed by a delicate wreath of blooming dogwood, a motif Mucha studied from life. She fashions a lyre-like instrument from a fresh green branch, her own flowing hair forming its strings, evoking the poetic ideal of the Aeolian harp—an instrument played not by human hands but by the wind itself. This association aligns her with Romantic notions of nature as an animating force, written by contemporaneous poets such as Samuel Taylor Coleridge. At her feet, songbirds—including the ortolan bunting, long associated in French culture with innocence, and the exotic red-billed leiothrix, prized for its melodious song—gather to animate the composition with sound. The floral border of her garment, composed of narcissi, asters, dianthus, and cuckoo flowers, reinforces the sense of the abundance that defines the season. Summer (L’Été) Summer is rendered in languid repose, seated beside a reflective pool, her body slackened by the heat. Crowned with vivid red poppies—flowers of both sleep and sensuality—she dips her feet into cool water, seeking relief from the oppressive warmth. Ivy curls around her form, her translucent white drapery appears to slip from her shoulders, heightening the sense of languor. Unlike the airiness of Spring, Summer is grounded in the body, evoking the sensuous, almost narcotic stillness of a long, sun-drenched afternoon. Autumn (L’Automne) Autumn is richly adorned, her deep auburn hair echoing the tones of fallen leaves that surround her. She turns her gaze not outward, but toward the ripe grapes she holds—a symbol of harvest and abundance. A crown of chrysanthemums, rendered in white and blue, rests upon her head, a flower closely associated with Mucha himself, who was known—according to his son Jiří Mucha—to wear one in his buttonhole. Her costume is elaborately detailed with filigree disk brooches inspired by the stage jewelry of Sarah Bernhardt, particularly in her role as Theodora. These jewelry designs by Mucha drew on historical sources ranging from Byzantine mosaics studied in Ravenna to the earlier Merovingian traditions of Frankish and Lombardic women, who wore paired brooches...