Pierre Edmond Peradon Paintings

Stunning naturalist landscape by Karl Bock (German, 1873-1940) in the style of and "after" (Paul Franz Flickel German, 1852-1903) . Signed ("K. Bock n. P. F...

Rocky Inlet (France) Oil on canvas, relined, c. 1915 Signed: K A Buehr, lower right (see photo) Created during the artist's time in Giverny and Normandy Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibitiion at the North Franklin Street Gallery. Provenance: Gift of the artist to his wife, Mary Hess Buehr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Gallery Condition: Craquelure to the paint surface (normal with aging of 100 years) Relined Canvas size: 11 1/8 x 14 1/4 inches Frame size: 16 x 19 inches “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Summer themed impressionist landscape of a river with boats. Has the artist signature in the bottom right hand corner. Framed in a wooden frame. Dimensions without frame: H 15.5 in....

Framed size: 32.5" x 44.5" Michael Lyne’s 'Mendip Hunt 'captures the vitality and tradition of the English countryside with a keen eye for movement and atmosphere. The painting depi...

Artist's garden, Early June Oil on canvas board

Artist Statement (You Know Cowboys and Angels) Do You Know Cowboys and Angels was shown in the solo museum exhibition Almost True Tales at the Lyman Allyn Art Museum, alongside a pu...

Dennis Sheehan New England Spirit, circa 2025 Signed lower left Oil on canvas 16 x 20 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Barbizon School w...

Artist: Vahe Yeremyan Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2023 Style: Impressionism Title: Fall Size: 11" x 15" x 0.8'' inch,...

California Lupine Fields - Landscape with Wildflowers Impressionistic landscape of California by Kathleen Murray (American, b. 1957). This piece depicts foothills and Sycamore trees...

"Ta Som, Angor Wat" is a plein air oil painting of the Buddhist Temple in Cambodia. The painting has earth tones and was painted in the shade, no doubt to escape the heat while tryin...

Artist Statement (You Know Cowboys and Angels) Do You Know Cowboys and Angels was shown in the solo museum exhibition Almost True Tales at the Lyman Allyn Art Museum, alongside a pu...

Gyrth Russell. Canadian ( b.1892 - d.1970 ). Before The Hot Day Brightens To Blue (Mevagissey Harbor, Cornwall). Oil On Canvas. Signed Lower Right. Image size 22.4 inches x 34.8 inches ( 57cm x 88.5cm ). Frame size 28.5 inches x 40.6 inches ( 72.5cm x 103cm ). Available for sale; this original oil painting is by Gyrth Russell and dates from post WWII. The painting is presented and supplied in a 1960s frame (which is shown in these photographs). The painted surfaces have benefitted from cleaning and conservation, which took place on our instruction, supervision and approval. This vintage painting is now in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with the Howard Roberts Gallery, Cardiff. Considered one of the best coastal painters of the 20th century, Gyrth Russell was born in Halifax, Nova Scotia in April 1892. He was the youngest of 8 children. His father was a Canadian MP and a Supreme High Court Judge for Nova Scotia. At the age of fourteen, Russell began his artistic career at Halifax School of Art, and quickly graduated to the School of Art at Boston, Massachusetts. His first job was as a draughtsman in the Public Works Department of Canada, in Halifax. It was during this period he saw and sketched the cable ship Mackay Bennett returning to her Halifax Station, her decks piled high with coffins containing bodies found after the Titanic Disaster. In 1911 Russell left Canada to study at the Academie Julian and Academie Calorossi in Paris. In 1914 at the outbreak of War, he left France for London where he was commissioned, under the command of Lord Beaverbrook, as an official War Artist for the Canadian Sector, and spent most of 1918 in Northern France painting the landscapes and coasts travelled by the Canadian military during the conflict. During the course of the First World War he worked with amongst others, Augustus John, William Orpen & Frank Brangwyn, who greatly influenced him. Many of his earliest works are of landscapes and coasts travelled by the Canadian military in the conflict. During the War Russell also made etchings and poster prints for sale to help popularize and support the war effort abroad. He took part in the Canadian War Memorial Exhibition in London in 1919. Between the Wars, Russell earned his living as an artist in film studios, designing Railway Posters, Lecturing and Writing. He also illustrated books on the geography of Nova Scotia and Western Britain. Russell enjoyed considerable success between the Wars, exhibiting extensively at the major galleries, and was elected to membership of the Royal Society of British Artists, the Royal Institute of Painters and Watercolorists, the Royal Institute of Oil Painters and the Royal Society of Marine Artists as well as being an active member of the Langham...