Pino Daeni Prints and Multiples

Gordon Hunt Into the blue Limited edition print Image size: H 60cm x W 60cm Sheet Size: H 70cm s W 70cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indicati...

Pencil signed lithograph by Costa Rican Master Francisco Zuniga (1921-1998) Works by Zuniga are instantly recognizable. He is mostly known for his paintings of rural indigenous wome...

A Quiet Read [2014] limited_edition oil Edition number 120 Image size: H:20 cm x W:20 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:.1cm Sold Unframed Please note that in...

From a series of large scale abstract photographs of muted color monochromatic water surfaces SEASCAPE IV by Frank Schott available in two edition sizes ...

monumental scale abstract b&w photograph of mesmerizing monochromatic black white water surface with "frameless" glass face mounting SEASCAPE V by Frank Schott 87.5" x 70" / 222 x 177.8cm signed edition of 7 photograph with acrylic glass mounting "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. Work ships from renown museum framing facility in Germany, the only production facility offering glass face mounting at this artwork scale. archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, Ed Rusha...

Limited Edition Print of Chrysler Building New York City NYC by Contemporary British Artist, Angela Wakefield. This is a striking, colourful and vibrant depiction of the Chrysler Bui...

**ANNUAL SUPER SALE UNTIL JANUARY 31ST ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* Celebrating the one and only Marilyn Monroe by this ori...

Tracey Emin I Could Feel You, 2015 Archival quality giclée print on Purcell Ultrasmooth Fine Art Paper 300 GSM 9 1/2 × 12 inches Plate signed Unframed Rare archival quality, giclée reproduction of Tracey Emin's original gouache I Could Feel You, which is in the permanent modern art collection of the Tate. This was printed back in 2015 in an undisclosed limited edition, and is now long sold out. More details about the original 2014 work are on the Tate Gallery's website as follows: Emin, whose work is often candidly autobiographical, scrutinises her relationship with her own body, using drawing...

PIERRE-AUGUSTE RENOIR Le Chapeau Épinglé (2e planche). Color lithograph, 1898. 600x488 mm; 23 5/8x19 1/4 inches, full margins. Edition of 200. With the second printed signature in the stone, lower left. Printed by Auguste Clot, Paris. Published by Vollard, Paris. A very good impression of this important lithograph with strong colors. Renoir (1841-1919) was, along with Edgar Degas, Claude Monet and Camille Pissarro, a founder of the Société Anonyme Coopérative des Artistes, Peintres, Sculpteurs, Graveurs and a key organizer of the 1870s Impressionist exhibitions. He is best known for his renditions of the sensuous and monumental bathing nudes that he produced from the 1880s onward, many of which were inspired by the works of Titian, Rubens, and 18th-century French painters such as Boucher and Fragonard. Like many of his contemporaries, Renoir embraced printmaking as a medium that allowed for more freedom of expression and experimentation. Ambroise Vollard, the eminent Parisian dealer and publisher, and Auguste Clot, the famed lithography printer, were both extremely instrumental in Renoir's foray into printmaking. They greatly encouraged and facilitated his practice of the medium. Vollard met Renoir during the height of Renoir's career and saw the opportunity for lithography to help disseminate the artist's ever popular work, and Clot worked closely with Renoir to masterfully capture the delicate quality of his pastels in color lithography. Renoir began producing lithographs and etchings in the late 1880s and created an oeuvre over the following two decades consisting of 25 etchings and 29 lithographs, many of them commissioned for various albums or books. His most famous prints reproduce popular compositions he had established in earlier paintings. The current lot is based on an 1893 oil and pastel painting which represents the artist Berthe Morisot's daughter pinning a flower on her cousin's hat. The same subject was reproduced in a series of etchings by Renoir...

Medium: pochoir (after the painting). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x ...

Giclee Print On Paper 28 × 21 in 71.1 × 53.3 cm Edition of 125 Hand-signed and numbered #1-65 of this edition are signed en verso; #66-125 are signed on front Katherine Bradford i...

Giclée on Somerset Photosatin paper with deckled edges Edition of 100 53.3 x 43 cm (21.1 x 17 in) Signed and numbered Mint, as issued. Sold with accompanying book