Ralph Anderson Abstract Paintings

This original abstract oil painting by Marius Zabinski, created circa 1990, explores the expressive possibilities of Cubism through a sophisticated arrangement of geometric forms, ar...

Signed & dated Verso. 1965 Paul Reed in 1970. He favored “staining” untreated canvas. Paul Reed, the last surviving member of the Washington Color School, who explored the complexities of color and form in vibrant bio-morphic and hard-edge abstract paintings, died on Sept. 26 at his home in Phoenix. He was 96. His death was confirmed by his daughter, Jean Reed Roberts. Mr. Reed acquired his public identity as an artist when he was included, along with Gene Davis, Kenneth Noland, Morris Louis, Thomas Downing and Howard Mehring, in “The Washington Color Painters,” a landmark traveling exhibition that began at the Washington Gallery of Modern Art in 1965. All of the other painters had been shown, the year before, in “Post-Painterly Abstraction,” a 31-artist exhibition at the Los Angeles County Museum of Art organized by the critic Clement Greenberg in an effort to write a new chapter in the historic march of abstract art. Like his fellow Washington artists, Mr. Reed rejected the hot, gestural approach of Abstract Expressionism and explored color and abstract forms in a cooler mode. Working with diluted acrylic paint, in discrete series that methodically explored formal issues, he created luminous fields of color by letting the paint bleed into, or stain, untreated canvas. “I have a saying: Pollock dripped, Frankenthaler poured,” he told The Washington Post in 2011, referring to the artist Helen Frankenthaler. “Morris Louis poured. Howard Mehring sprinkled. I blot.” In his first stained series, “Mandala,” color radiated from a circular central image. The nearly 100 paintings in his “Disk” series, which he called “a matrix for exploiting color,” consisted of a central circle and two triangles positioned at the corners of the canvas. Over the next decade he moved to hard-edge geometric zigzags and stripes in the vertical “Upstart” series, color grids and shaped canvases that allowed for more complex experiments in form and color relations. He also made welded steel sculptures and, in the “Quad” series of the 1980s, collaged photographs. “Reed was, in a sense, the ‘little master’ of that first batch of Washington colorists,” the critic Benjamin Forgey wrote in The Washington Post in 1997. “He was a latecomer — he didn’t turn seriously to painting until he was in his mid-30s — but he never considered becoming anything other than an abstract painter. And when he was ready to show, in his early 40s, he was a very good abstract painter indeed.” Mr. Reed gave himself a more modest assessment in an interview with NPR last year. “I’m sort of low man on the totem pole of that group of six,” he said. Paul Allen...

Signed lower right. The composition is a tightly organized geometric abstraction on a deep blue ground. A large, centrally placed triangular form asserts the vertical axis and is an...

“Sand City” presents a softly structured, abstracted urban grid built from warm ochres, saturated golden yellows, dusty blue-greys, pale blush pinks, and muted olive greens. Block-li...

Steven H. Rehfeld (American, born 1954) "Orange Colors" 2018 Oil paint, Paper, Glue, Canvas, Stretcher bars The artist signed the back of the painting. In "Orange Colors," Rehfeld o...

Continuous Line I–IV is a series of four original mixed media works on paper by Canadian artist Murray Duncan. Through fluid, uninterrupted gestures layered over textured surfaces, t...

Signed lower right with the monogram Probably titled in the artist's hand on the back on the stretcher with archive number EXHIBITIONS Budapest, Var Fok Gallery. Pecs, Françoise Gil...

Iwan Albertovich Puni (also known as Jean Pougny) was a Russian avant-garde artist (Suprematism, Cubo-Futurism) who later became French. He evolved towards Lyric Primitivism, influen...

Zion Mor (Israeli, born 1958) "Yellow Spot" 2021 Oil paint on canvas, stretcher bars The artist signed the bottom right of the artwork. "Yellow Spot" captures the enigma of urban abstraction. Dominated by a vast expanse of deep charcoal, the canvas is contrasted sharply with a pale, almost ethereal background, symbolizing the duality of city life: both chaotic and calm. The bold black swatch, reminiscent of towering skyscrapers, is accentuated with sporadic splashes of crimson and an arresting yellow spot, which stands out as a beacon of light...

Oil on board Signed, dated and titled on back. George Lloyd is an American Artist born 10/28/45 in Winthrop, MA Graduated in 1967 from RISD with a BFA and Yale, in 1969 with an MF...

Solent No.25 is an oil on canvas showing a section of the landscape, painted from an aerial perspective by Artist & Musician John Illsley. The artwork com...

Robert Glick (American, born 1950) "Carmelita" 2021 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom left of the painting. "Carmelita" ...

This 26" x 34.5" oil on canvas painting was done in 1958 by French Postwar & Contemporary artist, Maxime Darnaud (b. 1931, d. 2015.) This painting is an abstract still life compositi...

"Les Competiteurs" by American modernist painter Leonard Nelson is a 36" x 26" oil on canvas abstract figurative painting, created in 1952. The work is framed in classic black and si...

Walking Man is an oil on canvas painting of a figure - formed in a geometric abstracted manner by Artist & Musician John Illsley. The artwork comes signe...