Ralph Coleman Paintings

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Méditerranée (Mediterranean) by André Brasil...

A girl stands with her eyes closed, her deer beside her—two beings breathing in the same silence, bound by something older than words. This is an oil painting from "Alter Ego" seri...

Three beings merge in a silent embrace -a white animal, a blue woman with flowers in her hair, and another blue figure resting against her. Their bodies glow with orange and yellow w...

“Adviser” shows a figure surrounded by creatures that feel half-memory, half-warning. The face is calm, almost distant, while the forms around it shift like unspoken hints. Bright am...

This painting feels like stepping into a dream. Women in flowing black dresses stand quietly in warm, golden light. There's a softness in their mystery like they carry secrets, but t...

A quiet landscape rests in shades of blue and soft carmine, as if evening has gently settled over a dream. The hills dissolve into one another like slow breathing, and the air feels ...

“The Red Apple” shows an old and a young woman as one figure. They share the same body, the same presence — youth and age together. The apple recalls the story of Eve. It stands for ...

The philosophical painting “Where are we, who are we?” shows a young woman with two mysterious, bird-like figures in soft pastel tones. The scene carries quiet uncertainty, inviting ...

Oil on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...

Claude Cardon British, (1864-1937) Feeding Time in the Orchard Oil on canvas, signed & dated 1918 Image size: 19.25 inches x 29.25 inches Size including frame: 27.5 inches x 37.5 in...

"Monster's club" is an oil painting where two children stand among imagined monsters, reflecting the fears of childhood — created by the mind yet deeply felt. The painting speaks abo...

This large and strong oil painting, called The Power, is part of Alter Ego series and is inspired by Carl Jung’s psychology. Warm yellows and oranges against deep black and blue. A s...