Randall Berndt Art

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

This painting is signed on the back, the frames are made of oak A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements,...

Acrylic paint on canvas Unique work Hand-signed and dated lower right by the artist

Acrylic paint on canvas 2019 Signed Unique work The world of William Bakaïmo is a great dreamlike bestiary where humans are not humans, where animals...

Acrylic paint on canvas Signed lower right Unique work "Let‘s focus on the smiles, the energy, the movement, the emulation, the strength of life, the colours, the whirlwinds, the cr...

This piece is not framed. Raluca Vulcan is a French-Romanian artist who likes to express the life and sensitivity of the human body, mostly through semi-abstract nudes and portraits...

This piece is not framed. Raluca Vulcan is a French-Romanian artist who likes to express the life and sensitivity of the human body, mostly through nudes and portraits.

This piece is not framed. Raluca Vulcan is a French-Romanian artist who likes to express the life and sensitivity of the human body, mostly through nudes and portraits.

Acrylic paint on canvas Signed Unique work Antoine Néron-Bancel is a young French artist of brazilian origins. After studying literature in France, he graduated from The Nîmes Schoo...

Acrylic paint on canvas Signed lower right Unique work "Let‘s focus on the smiles, the energy, the movement, the emulation, the strength of life, the colours, the whirlwinds, the cr...

Acrylic paint on canvas Unique work Hand-signed by the artist lower left THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures du Duc de Berry...