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Pair of Italian Neoclassical Allegorical Engravings
By Raphael (Raffaello Sanzio da Urbino)
Located in New York, NY
Pair of Italian Neoclassical allegorical engravings. Pair of Italian neoclassical allegorical engravings after Raphael from "The Hours of the Night" in antique Italian mahogany frame...
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Early 19th Century Raphael (Raffaello Sanzio da Urbino) Art

Materials

Paper

Engraving after Raphael Sanzio "Hours of Day and Night" "Ora Seconda di Giorno"
By Raphael (Raffaello Sanzio da Urbino)
Located in West Palm Beach, FL
This hand-colored engraving is based on Raphael's "The Hours of the Day and the Night". Created in Paris, circa 1805 with a black background and red border. There are twelve in the o...
Category

Early 19th Century French Renaissance Antique Raphael (Raffaello Sanzio da Urbino) Art

Materials

Paint, Paper

Related Items
After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
By Raphael (Raffaello Sanzio da Urbino)
Located in Los Angeles, CA
A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
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19th Century Italian Baroque Antique Raphael (Raffaello Sanzio da Urbino) Art

Materials

Gesso, Canvas, Wood

Fine 19th Century Porcelain Plaque of La Madonna della Sedia after Raphel Sanzio
By Raphael (Raffaello Sanzio da Urbino)
Located in Los Angeles, CA
A very fine German 19th century circular porcelain plaque painting of La Madonna della Sedia after Raphael Sanzio (1483-1520), depicting a seated Madonna and child next to a child Saint John the Baptist, within a giltwood carved figural frame, the plaque inscribed "Raphael" on the reverse and bearing a label that reads "Julius Greiner...
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19th Century German Renaissance Antique Raphael (Raffaello Sanzio da Urbino) Art

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Porcelain, Wood

2 Erte Embossed Statue of Liberty Day & Night Serigraphs Sunrise & Fireworks
By Erté
Located in Dayton, OH
Vintage pair of embossed metallic Art Deco style serigraphs by Erte, circa 1986. The prints feature the famous Statue of Liberty in both day and night settings. The day print feature...
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1980s Art Deco Vintage Raphael (Raffaello Sanzio da Urbino) Art

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Paper

Original Antique Print of The Transfiguration After Raphael. Circa 1850
Located in St Annes, Lancashire
Great image after Raphael Fine steel engraving Published by Fisher circa 1850 Unframed.
Category

1850s English Renaissance Antique Raphael (Raffaello Sanzio da Urbino) Art

Materials

Paper

Antique Print of St. Cecilia, After Raphael, C.1850
By (after) Raphael (Raffaello Sanzio da Urbino)
Located in St Annes, Lancashire
Wonderful image after Raphael Fine Steel engraving. Published C.1850 Unframed.
Category

1850s English Baroque Antique Raphael (Raffaello Sanzio da Urbino) Art

Materials

Paper

Antique Print of St. Cecilia, After Raphael, C.1850
Antique Print of St. Cecilia, After Raphael, C.1850
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H 10 in W 6.25 in D 0.07 in
Drawing on paper with colored pencils and ink "Get out of yourself" 2020
Located in Bogotá, Bogotá
Pastel, Pencil, petal flowers, Color and Ink on Paper. The base of this drawing is Fabriano paper of 120g /m2. I use natural dyes of flowers, herbs, leaves, bark of trees as the fir...
Category

2010s Contemporary Raphael (Raffaello Sanzio da Urbino) Art

Materials

Paper, Ink, Color Pencil, Pastel

Original Antique Print of The Conversion of St Paul After Di Ferrara. C.1850
Located in St Annes, Lancashire
Great image after Ercole Di Ferrara Fine steel engraving Published circa 1850 Unframed. Free shipping
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1850s English Renaissance Antique Raphael (Raffaello Sanzio da Urbino) Art

Materials

Paper

Original Antique Print of The Holy Family After Raphael. C.1850
Located in St Annes, Lancashire
Great image after Raphael Fine steel engraving Published circa 1850 Unframed. Free shipping
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1850s English Renaissance Antique Raphael (Raffaello Sanzio da Urbino) Art

Materials

Paper

Framed Architectural Print of Raphael's Loggia in the Vatican
Located in New York, NY
Color Italian Renaissance style print after Giovanni Ottaviani (1735-1808), after le Logge di Raffaello nel Vaticano (Raphael's Loggias in the Vatican), originally engraved by Gaetan...
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Late 20th Century Renaissance Raphael (Raffaello Sanzio da Urbino) Art

Materials

Wood, Paper

Original Pencil Drawing from PIERRE, "I DONT CARE" (CBS 1970s)
By Maurice Sendak
Located in Surfside, FL
An original animation drawing from the CBS-TV broadcast of Sendak's "REALLY ROSIE" - (this was the first time "Rosie" appeared anywhere other than Sendak's original book) - this cel is from the PIERRE, "I DONT CARE" sequence. this is the original pencil drawing from the 1970s. it is from the estate of the film producer Dan Hunn. Maurice Bernard Sendak, June 10, 1928-2012 Dubbed by one critic “the Picasso of children’s literature” and once addressed by former President Bill Clinton as “the King of Dreams,” Maurice Sendak illustrated nearly a hundred picture books throughout a career that spanned more than 60 years. Some of his best known books include Chicken Soup...
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1970s Pop Art Raphael (Raffaello Sanzio da Urbino) Art

Materials

Carbon Pencil, Paper

Two Faces (Purple and Magenta) in Pastel on Paper
By Kelvin Curry
Located in Soquel, CA
Two Faces (Purple and Magenta) in Pastel on Paper Brightly colored faces by Bay Area artist, Kelvin Curry (American, 20th Century). Two faces are shown in profile, looking to the left. They are boldly colored - one in purple, one in magenta - and each wearing earrings. A bright orange and lime green creates even more contrast, making this piece read well from a distance. Signed "Kelvin Curry" lower right. Artist's gallery label on verso. Presented "floating" in a white mat. Mat size: 28"H x 22"W Paper size: 15.25"H x 11.5"W Born in Oakland, California Kelvin Curry's creative destiny was clear early in life. Initially using black and white graphite as his medium and later expanding into mixed media to bring about multi-dimension; as well as a sense of rhythm and grace in the abstract female figure. Kelvin Curry studied fine arts at San Jose State University and has been making and exhibiting art all his life. Curry has a keen understanding of the arts, particularly the black arts movement in and around the Bay Area. Kelvin has exhibited his work in hundred of juried festivals, exhibits, and galleries throughout the country. Visitors from countries such as South Africa, Japan, Australia, France, the United Kingdom, and China have chosen his work to adorn their homes in their native lands. Collectors include Randy Crawford, Nancy Wilson...
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Early 2000s Post-Modern Raphael (Raffaello Sanzio da Urbino) Art

Materials

Oil Pastel, Laid Paper

Old Master Print Heads of Two Apostles after Raphael
Located in Rochester, NY
Early 19th century print on laid paper. Two apostles after Raphael (Raffaello Sanzio da Urbino). Good color. Some subtle wrinkles to the paper. Framed. 
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Early 19th Century European Antique Raphael (Raffaello Sanzio da Urbino) Art

Materials

Paper

Previously Available Items
Madonna of the Divine Love Copy from Raffaello Sanzio
By Raphael (Raffaello Sanzio da Urbino)
Located in Milan, IT
Oil painting on canvas. It is a beautiful copy from the "Madonna of Divine Love" painted in 1517 by Raphael and workshop, now kept at the National Museum o...
Category

19th Century Raphael (Raffaello Sanzio da Urbino) Art

Materials

Oil

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