Raymond Peynet Art

Innovative design, fine craftsmanship and a strong artistic sense make this creation not only a bowl but a real artistic sculpture. The natural col...

Roger Capron, ‘Sou-Chong’ coffee table, ceramic, stained beech, France, 1971 Lovely French coffee table with wonderful composed ceramic tiles by French designer Roger Capron. Both t...

Lioness is a modern artwork realized by Evert Louis van Muyden (Albano, Lazio 1853 - 1922 Orsay) in 1900 . Black and white etching. Signature and date on plate. Includes passe-pa...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Mid-Century Ceramic Coffee Table by Roger Capron, circa 1960 A stunning coffee table by the renowned French master ceramicist Roger Capron. This piece features a tabletop composed of...

Carl Auböck Model #4317 Long Brass Dish Designed in the 1950s, this incredibly refined and sculptural Viennese bowl is executed in polished and darkly patinated brass. Originally conceived as a fountain pen...

A wood and beige ceramic tile coffee table designed and produced by Roger Capron, France, c. 1960s. Overall Dimensions (inches): 10.75"H x 51.625"W x 24.5"D All items ship from Hig...

"Combat Equestre" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (24/100) in the lower left. This piece depicts mu...

Just add this coffee table and transport instantly to a 1960s Provençal afternoon: sun-warmed tiles, limewash walls and the kind of pared down glamour the region is famous for. Rog...

Vintage ceramic tile coffee table by Roger Capron in France, 1960s. Beautiful hand etched and painted leaf design on beige, cream, and earthy light brown ceramic tiles in a concentri...

Coffee table by Roger Capron from the 1970s, ceramic and metal. 1970s coffee table by Roger Capron, metal and ceramic in orange. Dimensions : H: 39cm, W: 80cm, D: 39cm Contact us ...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...