Rex Yuasa Art

In crafting this painting, I've melded acrylics, oils, and ink to capture the complexity of nature and the interconnectedness of life. My brushstrokes dance between fine art and abst...

In this piece, I endeavored to blend acrylic, oil, and ink with relief printing techniques to capture the enchanting essence of a mystical forest. This painting is a journey into the...

In this painting, I've interwoven the raw textures of acrylic and the fluidity of ink to explore the mysticism of natural landscapes. The deep contrasts and vibrant splashes symboliz...

Contemporary abstract painting with vivid gestures and bright colors. Bold strokes of red, yellow, violet, and white emerge with energy against a muted ground, creating a powerful ba...

PATRICK WILSON (b. 1970, Redding, CA) received his Bachelor of Arts degree at the University of California, Davis in 1993 and his Masters of Fine Art degree at Claremont Graduate University in Claremont, CA in 1995. For abstract painter Patrick Wilson, aesthetic beauty and visual pleasure are primary concerns. Using drywall tools, paint rollers, and masking tape, Wilson layers lines, squares, and rectangles in meticulously balanced compositions that, with the use of vivid color, evoke a palpable sense of light. Despite Wilson’s assiduous process, he also works intuitively, responding to his compositions as they evolve. “The key value of abstraction to me is its openness,” he explains. “The best abstraction isn’t didactic, it’s experiential.” He has had numerous solo exhibitions, including Miles McEnery Gallery, New York, NY; Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Evolving Geometries: Line, Form, and Color,” Center for the Arts at Virginia Tech, Blacksburg, VA; “Steak Night,” Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Patrick Wilson: Pull,” University Art Museum, California State University Long Beach, Long Beach, CA; “Slow Motion Action Painting,” Marx & Zavattero, San Francisco, CA; and “Slow Food,” Curator’s Office, Washington, D. C. Recent group exhibitions include "Do You Think it Needs a Cloud," Miles McEnery Gallery, New York, NY; “20 Years Anniversary Exhibition,” Vielmetter Los Angeles, Los Angeles, CA; “The Responsive Eye Revisited: Then, Now, and In-Between,” Miles McEnery Gallery, New York, NY; “Michael Reafsnyder & Patrick Wilson”, Miles McEnery Gallery, New York, NY; “Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA; “On the Road...

In this painting, I've swirled together acrylics, oils, and ink to capture the mesmerizing chaos and fluidity of emotions. The colors twist and turn, symbolizing life's unpredictable...

Walter Darby Bannard (born September 23, 1934 in New Haven, CT) "Natural Christmas (1972)" Alkyd Resin Magna Medium Aquatec Gel on Canvas Painting Walter Darby Barnard is a Profess...

Movement of white color that give impression of power and victory.Working on abstraction is often very intuitive and sometimes the artist has to rein in this "beast" to achieve the ...

Robert Goodnough (American, October 23, 1917 – October 2, 2010) Title: "L-7" Acrylic and Oil on canvas 46 x 68 inches Signed lower Right Signed and dated 1990 on reverse

In this stirring blend of acrylics, oils, and ink, I channeled the dynamic essence of existence. The abstract forms swirl with a futuristic spirit, embodying the perpetual dance of e...

The work reflects the artist’s mastery of gesture and emotion, where each mark becomes a visual language. A striking piece that brings movement, depth, and intensity to any collectio...

Abstract composition that based on floral forms.Working on abstraction is often very intuitive and sometimes the artist has to rein in this "beast" to achieve the desired image.In ab...