Rick Chapman Art

Policewoman Playing Tag, New York City, 1978 by Leonard Freed, is a 16” x 20” gelatin silver photograph from the photographer's Police Work series and book. The photograph from the estate is stamped verso (back of photo) and signed by Brigitte Freed (widow). This is a black and white modern photograph...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Bride, Naples, Italy, 1958 by Leonard Freed is a black and white contemporary photograph, cinematic in nature. This is a gelatin silver, signed by the photographer, lifetime print, 24" x 20" from the Freed archive. LITERATURE: W. A. Ewing, N. Herschdorfer, and W. van Sinderen, Worldview, Leonard Freed, Steidl, 2007, p. 73 and back cover. Leonard Freed discovered Little Italy in New York...

Paris Longchamp, 1989 by Leonard Freed is stamped and signed verso (back of photo), a gelatin silver vintage print, 16" x 12". The documentary photograph captures chic beautiful peop...

Burt Glinn photographed one of the most highly-paid celebrity actresses, Elizabeth Taylor, 1959 on set during the filming of "Suddenly Last Summer". In the candid photo, he captures ...

Basilica di San Giorgio Maggiore, Study 2, Venice, Italy by Michael Kenna is a black and white photograph depicting a dramatic sunset silhouetting the San Giorgio Maggiore church. G...

A gelatin silver estate print, 24" x 20" from the Freed archive, Rome, Italy, 2000 by Leonard Freed is a black and white contemporary photograph focused on an unexpected, poetic, and beautiful classical sculpture in the stairwell of a modest Roman dwelling. Leonard Freed discovered Little Italy in...

Kate #15, 2002 by American photographer Leonard Freed is in the photographer's series "Kate." This is an 11" x 14" gelatin silver photograph signed verso (back of photo) by the Freed...

The black and white photograph from the 1950s captures beatnik hipster writer Jack Kerouac in dark glasses, wearing a beret and friend Barbara Ferrara. Beat Couple, 1959 by Burt Gl...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Harlem, 1954 by Leonard Freed, is a 14” x 11” photograph from the photographer's Black in White America book (p. 91). The gelatin silver print from the estate is stamped verso (back ...

Newport Tennis 1953 Members of 'old Newport' watching the action on court at Newport Tennis Week, Rhode Island, USA, 1953. Large oversize 30 x 30 inches / 76 x 76 cm paper size ...