Robert Boyle Art

This idyllic landscape painting depicts two grazing brown cattle in a green field before an old Danish farmhouse, partially surrounded by mature trees. The scene is imbued with a qui...

European painter (late 19th century) - Landscape with Mill and Stream. 41 x 61 cm unframed, 46 x 66 cm with frame. Antique oil painting on canvas, in a gilded wooden frame (not sig...

Highland Painter (late 19th century) - Highland Cattle by the Lake. 35 x 54 cm unframed, 44.5 x 62.5 cm framed. Oil on panel, in a giltwood frame (not signed). Condition report: T...

Oil study by a lake and mountains during sunset by Edward Rosenberg (1858-1934). This is a an oil study for a larger painting that Rosenberg did. A te...

A fine small plein air study of three women picking flowers on the meadow next to white cliffs and sea. In the horizon where the sky ends, the contours of mainland is visible as a sh...

"After the Storm" is the title of this oil painting on canvas by the Swedish artist Hjalmar Berghcrantz (1889–1961). Signed and dated 1917. The artwork depicts a rugged landscape whe...

This oil painting of mare and two foals is set in an idyllic landscape with mature old tree, stone well and cottage in the background; by Robert Alexander, signed and dated indistinc...

Eric Sloane American, 1905-1985 New England Landscape with Barn Oil on panel 22 by 30 in, w/ frame 30 ½ by 39 in Signed lower right Eric Sloane was born, Everard Jean Hinrichs, on ...

The Old Mill is a 19th century oil painting on board by Scottish artist Colin Hunter, (1841-1904). Hunter was a member of the Royal Academy with the title...

KARL KAUFMANN Austrian, 1843 - 1901 VIEW OF VENICE OF THE DOGE'S PALACE, VENICE signed & dated "K. Kaufmann 1894" (lower right) oil on canvas 38-3/4 x 56-1/8 inches (98 x 142 cm....

Exhibition-sized painting of Iona Island coast by celebrated Scottish artist Duncan Cameron (1837-1916), this is a large and expansive 19th century landscape oil painting on canvas. Renowned for his landscape paintings, this work captures the natural light on the sea, sand and rocks with splashes of rich color under a big sky. Iona off the west coast of Scotland, has attracted artists for for its dramatic scenery and northern light, including the Scottish Colourists who favored the fresh pure light. The cliffs and coastal rocks are reminiscent of works by Samuel Peploe and Duncan Fergusson of this fabled island. In 1876 Cameron won a Gold Medal for landscape painting, at the Crystal Palace exhibition. The year after this painting (circa 1870s) Cameron began exhibiting in the Royal Academy, Society of British Artists, and Royal Scottish Academy, showing his work consistently from 1880. Other venues for exhibiting his work include the Glasgow Institute, Walker Art Gallery in Liverpool, Manchester City Art Gallery, and the Royal Hibernian Academy. His work is sold today in Fine Art Galleries in the UK and in Saltire Gallerie, USA. His landscape paintings are widely acclaimed, and this landscape painting of considerable size and detail is a fine example. Born in Perthshire, Cameron studied in Dundee and in South Kensington, London. He later died in Edinburgh. The highest auction sale of his work reached nearly 20,000 GBP. He was widely acclaimed as a landscape artist, painting Scottish farmlands and haystacks, coastal scenes and lochs. In this work the colors of the sea change from blue to green with white crests of waves. The rocks have splashes of red, rust and orange, and the beach has red and green in the sand. Water laps at the edge of beach and rock. A sailboat is a focal point, with distant sailboats on the water, and a rowboat by the central sailboat. A hill rises behind the beach painted...

Loch Awe and Kilchurn Castle is a landscape oil painting on board by 19th century artist Edward Train (1801 -1866). Train was a British artist, painting mostly landscapes in northern England and, like this one, in Scotland. The painting is signed E. Train (lower left) and dated 1850 or 1856, the last number being too faint to be certain. From 1850 to 1880 Train flourished as an artist. His work was exhibited from the 1830s. Born in Gateshead, Tyneside, Train left to take an apprenticeship with a London engraver. In the 1830s Train traveled with an expedition to the Hebrides and Shetland Islands. Here he became fascinated with the Scottish scenery that would become part of his repertoire of landscape art. Loch Awe lies in the west of Scotland in Argyll and Bute. Kilchurn Castle, built in the 16th century, lies on a peninsula inside the Loch, on the water's edge. Train would have traveled to the Highlands and painted the dramatic scene from the east banks of Loch Awe, across from the Castle. This painting captures the Highland mountains, loch and castle that was very much the ouevre of this artist's work. Train painted the Highlands decades before other renowned landscape artists of the 19th century, such as Alfred de Breanski, Louis Bosworth Hurt, Douglas and Duncan Cameron...