Robert Bubel Figurative Paintings

Paris. 2009, canvas on cardboard, oil, 30x40 cm Sunny day in Paris with people and cars

In this painting, I've captured the serene moment of a woman caressed by the gentle hues of a sunset at the coast. Through the blend of realism and impressionism in oils, I sought to...

Title: Fish Market in Cadaqués Artist: Shigeyoshi Koyama (1940, Osaka, Japan) Technique: Oil on canvas Style: Figurative Expressionism with Mediterranean influences Dimensions (unfra...

Her work with signs, symbols and esoteric spirituality reflects her passion for the ancient past and represents a symbolic return to the ground from which we emerged. Her work creates a commentary about “beginnings” and the transmission of signs and emotions through visual elements evoking a spiritual essence to our scientific notion of etymology. After studying under Rolf Dürig...

Boulevard de la Madeleine. Oil on canvas, 33,3x46 cm Street in Paris at evening

Parisian Street Scene. Oil on canvas, 32x46 cm

In this painting, I sought to capture the serene and reflective essence of a solitary walk along the coastline. Utilizing expressive brush strokes and vibrant blues, I depict the dyn...

Oil on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...

CHARLES - CLÉMENT CALDERON French, 1870 - 1906 VENICE TWILIGHT signed "C. Calderon" (lower right) oil on canvas 15-1/4 x 21-3/4 inches (38.5 x 55 cm.) ...

Pilgrims Waiting at the Gate shows that flowers, birds and snow are symbols for emotional states or story elements. Dogs sometimes accompany the pale bald “Everywoman” protagonist on her journeys that often take place beneath a starry moonlit sky. She has been called a mythic artist, telling ancient stories that never grow old. Pilgrims are beneath the Moon approaching the Gate as seen in Pilgrims at the Gate in the oil painting on canvas. LOOK FOR 1STDIBS DISCOUNT CODE ON SHIPPING OR GALLERY QUOTE The artists says: "I love to show the strength and optimistic attributes of women. Even when they are in a quandary or in danger, I always try to show a glimmer of hope and wisdom—that they will solve the riddle and make it through, stronger and with dignity. Being bald and shorn of any particular identity, they become all women.” She is also a published poet and her paintings have appeared as cover art for literary journals and poetry collections. Recently her painting “Thoreau’s Pumpkin” was included in the Hudson River Museum...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State ...

Winter landscape. 1984, canvas, oil, 60x80 cm Slepyshev Anatoly Stepanovich (1932 - 2016) - Soviet and Russian painter, sculptor, graphic artist. Anatoly Slepyshev was a distinguished Russian artist and a recognised master who had a great talent and a distinctly recognisable style that cannot be confused with anyone. The most characteristic feature of his paintings is a swirl, maelstrom of colourful formations, vigorously, rapidly, almost frantically put on canvas in a burst of sudden emotion, of spontaneous sensuality. The artist brilliantly managed to blend the subjects of the Russian hinterland, simple village life with horse-driven carriages, small humble churches and familiar landscapes with refined, pompous images of French Rococo, the atmosphere inherent in the works of Jean-Antoine Watteau. This liberal, highly personal interpretation of the sophisticated French motifs of the XVIII century, processed by means of dashing Russian folklore, sometimes even containing vulgar, staggering elements, is very typical for many works by Slepyshev. Solo exhibitions 1967 Exhibition of watercolors by Anatoly Slepyshev. Central House of Artist, Moscow 1970 Anatoly Slepyshev. Drawing. Central House of architect, Moscow 1971 Anatoly Slepyshev. Print workshop, Moscow 1976 Exhibition in the flat of art historian Leonid Bazhanov, Moscow 1981 Anatoly Slepyshev. Painting. House of scientists of the Scientific Center of the USSR Academy, Troitsk 1982–1983 Ausstelung Anatoli Slepyschev, Nicolai Grizjuk. Kleine Galerie Hoger Sweda, Berlin, Germany 1983 Anatoly Slepyshev. Puskin Museum of Fine Arts, Moscow 1984 Anatoly Slepyshev. Historical-Architectural and Art Museum of the New Jerusalem, Istra 1987 Anatoly Slepyshev. Exhibition of one picture. Dramatic theatre named after M. Ermolova, Moscow Anatoly Slepyshev. Drawing. Central House of Artist, Moscow 1989 Anatoly Slepyshev. Painting. AZLK Palace, Moscow Anatoly Slepyshev. MARS Gallery, Moscow Anatoly Slepyshev. Drawing. Moscow Gallery, Moscow Anatoly Slepyshev. Painting. Vadim Sidur...