Robert Fleming Art

Title: Fruit Market in Haiti Artist: JM Gary Delly Medium: Oil on canvas Dimensions (unframed): 9.8 x 7.9 in Dimensions (framed): 15 x 13 in Period: Approx. 1990-1999 Origin: Haiti Condition: Good, with frame included Description of the Artwork This painting captures a lively Haitian market scene, embodying the essence of Haitian primitivist art with its vibrant colors and thick impasto brushstrokes. The scene depicts a bustling marketplace where vendors and buyers interact, surrounded by piles of tropical fruits arranged in baskets. The figures are dressed in bright, contrasting tones, enhancing the painting’s dynamic and energetic atmosphere. The artist’s expressive, thick strokes and saturated colors create a sense of movement and liveliness. The composition is carefully balanced, with figures arranged in different planes, providing depth and perspective in an intuitive manner. The lush vegetation in the background and the bright blue sky add further context to the scene, situating it in the Caribbean setting. Haitian art, influenced by its African and Caribbean heritage, is known for its naïve style and depictions of everyday life. JM Gary Delly follows this tradition, celebrating the vibrancy of Haitian culture in his work. Comparable Artists This artwork shares stylistic similarities with renowned Haitian artists, including: Wilson Bigaud (1931-2010): A master of Haitian art, famous for his detailed depictions of everyday life and folklore. André Normil (1934-2015): Known for his naïve style and colorful representations of Haitian life. Laurent Casimir...

In my artwork, I strove to capture the profound connection between beings, a moment of tenderness transcending words. This piece embodies the timeless dance of companionship and empa...

Blue Nude, 1953 Oil on canvas Signed and dated upper right Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to tec...

Alte Fischerhütten (1949) by Max Pechstein is an oil on canvas in which the artist transforms a humble cluster of weathered fishing huts into a study of light, form, and atmosphere. Broad, rhythmic brushstrokes delineate the worn timbers and thatched roofs, while a sky streaked with lavender and rose imbues the scene with a quiet, almost meditative luminosity. Pechstein's bold outlines and flattened perspective are tempered by a late-career restraint, allowing the simple geometry of dunes, huts, and sea to resonate with an almost timeless calm. The artwork is signed lower right, "HMPechstein 1949" and signed verso, "Alte Fischerhütten 1949 HMPechstein” Provenance: Private Collection, Europe Lempertz, Cologne, June 15, 1966, lot 531 Selected Artists Galleries, New York, acquired by 1970 Private Collection, New York, acquired from the above Private Collection, by descent from above Phillips, New York, Wednesday, November 15, 2023, lot 123 Private Collection, acquired from the above Literature: Aya Soika, Max Pechstein The Catalgoue raisonne of oil paintings, Volume II 1919–1954, Munich, 2011, no. 1949/12, p. 490, illustrated Hermann Max Pechstein was born on December 31, 1881, in Zwickau, into a working-class family headed by his father, a textile-mill craftsman. Drawn to art early on, he apprenticed as a decorative painter from 1896 to 1900 before enrolling at Dresden’s School of Applied Arts and, from 1902, studying under Otto Gussmann at the Royal Academy of Fine Arts. His academic grounding—unique among his future peers—laid a solid foundation for the bold, expressive work that would follow. In 1906 Erich Heckel invited Pechstein to join Die Brücke, the pioneering Expressionist collective, and he quickly became one of its most active members. Exposure to ethnographic wood carvings in Dresden in 1905 spurred his first woodcuts, and travels to Italy (1907) and Paris (1908)—where he befriended the Fauvist Kees van Dongen—expanded his palette and compositional daring. After relocating to Berlin in 1908, he co-founded the New Secession in 1910, serving as its chairman and gaining acclaim for richly colored prints inspired by Van Gogh, Matisse, and the Fauves. With the outbreak of World War I, Pechstein’s peripatetic life took him from internment in Japan to service on the Western Front in 1916. In the revolution’s aftermath, he aligned with radical socialist art...

PEDESTRIANS Size: 35 x 30 cm (including frame) Oil on board A small yet very impactful modernist street scene composition, executed in oil onto board. This composition presents a b...

Odalisque ,yellow,orange, orient Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize La Coupole de Montparnasse (from Kisling to Pascin, from Derain to Vlaminck). He is considered one of most representative exponents of the Turin’s artistic scene in the ‘30s-‘40s, close to the Gruppo dei Sei. His works can be found in the following museums: Turin, Modern Art Gallery...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Oso...

BEHIND THE MASK Size: 43 x 35 cm (including frame) Oil on board A bold and enigmatic mid-century figurative portrait, executed in oil onto board and dated 1957. The composition dep...

Gorgeous figurative oil painting of a woman in blue by San Francisco artist Michael William Eggleston(American, 20th c.). From a collection of his works. Unsigned and unframed. Mic...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Oso...

Beautiful mid century mystery painting. Expressionist bull fighting oil on canvas with fabulous fauvist colors. It is signed upper right corner, but I cannot make it out. Painting me...

Her work with signs, symbols and esoteric spirituality reflects her passion for the ancient past and represents a symbolic return to the ground from which we emerged. Her work creates a commentary about “beginnings” and the transmission of signs and emotions through visual elements evoking a spiritual essence to our scientific notion of etymology. After studying under Rolf Dürig...