Robert Freiman

An abstract Mid-Century piece with dark color tones accentuated with the use of basic colors, blue, red and yellow. In this abstract composition we can see outlined 4 figures, to the...

nterior (Untitled), 1958, watercolor and ink on paper mounted on cardboard, signed and dated lower right, 11 ½ x 16 ½ inches (sight); 12 x 18 inches (sheet); inscribed lower left “To...

An abstract Mid-Century piece with lighter color tones accentuated with the use of basic colors, blue, red and yellow. In this abstract composition we see a figure, tending to their ...

A stunning Mid-20th Century depiction of a man writing with the with thick use of paint and vibrant coloration. The model posing is writing on a paper with rolled up sleeves, a wonde...

Abstract harbor scene with boats, in bold, vivid colors on heavy mould made paper. Hand signed and dated, 1980 22 X 30 not frame Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he was six. Early in his childhood, his love for drawing, painting and studying became apparent, and as an adult, he continued his studies in New York at the National Academy of Design, Pratt Institute, the Art Students League and the Parsons School of Design. In Paris, France he studied at the Ecole des Beaux Arts. Bob Freiman was especially focused on painting portraits and figures in motion in various mediums, especially the mixed-media combination of watercolor, acrylic and pen. Among his subjects were acrobats, ballet dancers, cyclists and other athletes. He as well focused on abstracts for a time, discovering new media in his works with quick brushwork and expressive movements. In the latter part of his career, his style became abstract and surreal with images of metaphysical landscapes with architectural elements such as arches, towers, pyramids and castles floating in the air. The famed art critic Pierre Rouve wrote: “It is therefore refreshing to see them revitalized by the colourist wealth and virile handwriting of Robert Freiman, probably the best American water-colorist since John Marin. He worked in Provincetown and Nantucket and regularly exhibited there. He showed at Doll & Richards gallery of Boston alongside John Chetcuti, Lloyd Goodrich, Tod Lindenmuth, William Meyerowitz, Dwight Shepler...

An abstract Mid Century city scene with a red moon placed above. This piece is depicted with thick use of paint and complex lines and color placement....

An abstract Mid Century scene of beautiful Zurich, presenting a vivid use of paint and complex lines and color placement. A strong modernist oil painting depicted in 1965 with the br...

An abstract Mid-Century piece with a bright color palette, with the use of green, yellow, orange, red, burnt sienna, black, pink, white, and blue, among others. In this abstract comp...