Robert Julius Beyschlag Interior Paintings

Hamilton Hamilton (American, 1847-1928) A large and impressive oil on canvas "Othello and Desdemona" after the William Shakespeare's play "Othello", depicting a young Desdemona pleading with an enraged Othello, and perhaps Iago is the seated figure, within a giltwood craquelure finished frame. Signed (l/r): H. Hamilton, 1921 . Canvas Height: 67 inches (170.2 cm) Canvas Width: 48 inches (121.9 cm) Frame Height: 75 inches (190.5 cm) Frame Width: 57 inches (144.8 cm) Frame Depth: 2 inches (5.1 cm) Hamilton Hamilton (1 April 1847 – 4 January 1928) was a painter and etcher, known mostly for his landscapes of the American West. Born in Oxford, England, he lived most of his life in the Eastern United States. He painted landscapes in New York, Connecticut, the American West, England, and France. He also painted portraits and drew illustrations. Artistic career Hamilton Hamilton was born in Oxford, England, on 1 April 1847. While young, he was a protégé of John Ruskin. In 1872, he began his mostly self-taught career as a portrait artist in Buffalo, New York. He created 47 landscape paintings during an 1873 expedition to Colorado which were chosen to be part of the 1876 Centennial Exposition in Philadelphia. He spent 1878 and 1879 painting in Pont-Aven, Brittany, alongside Barbizon School painters. He moved to New York City in 1881 and shortly after began to practice genre painting and etching.[6] He became an associate member of the National Academy of Design in 1886 and a National Academician in 1889. Until the end of the century, he and his family resided alternately in upstate New York, Long Island, Colorado, and England.[6] In 1907 and 1908, Hamilton spent two years painting landscapes in Southern California. In 1912 he and his family permanently moved to Norwalk, Connecticut. There he became involved with the Silvermine group of artists led by Solon Borglum...

Jim Beckner's (US based) "View to the Kitchen" is an original, handmade oil painting depicting a trio at a bar with a view to the establishment's kitchen. About the Artist: (Bor...

Vaclav Vytlacil Woman Reading in an Interior, circa 1915 Signed lower right Oil on canvas 16 x 20 inches As a child, Vytlacil had taken art classes at the Art Institute of Chicago....

James Roy Hopkins Interior of Église Saint-Sulpice, Paris, 1908 Signed and dated lower left and inscribed "Paris" Oil on canvas 17 3/4 x 14 3/4 inche...

Look for Free Shipping at Checkout The Evening Gown is an American Impressionistic painting by Stuart Fullerton. The artist is know for his figurative paintings in the American Impr...

A whimsical oil painting depicting a Venetian Powder Room Scene with Figures getting ready for the masquerade. A truly intimate scene with a ornate mirror, flowers in a vase and whit...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...

This rare and historic Orientalist painting, La Petite Dieu, translated as “Little God”, by renowned Armenian-American artist Hovsep Pushman. First exhibited March 27 – April 7, 192...

Mediterranean Church Square with Figures Spanish Impressionist Oil Painting Artist: Joan Roig i Soler (Barcelona, 1852–1909) Title: Mediterranean Church Square with Figures Medium: Oil on canvas Dimensions: 36 × 32 cm / 14.2 × 12.6 in Framing: Unframed Signature: Signed lower right Period: Late 19th to early 20th century Country of origin: Spain Style: Catalan Luminism, Impressionism, Mediterranean painting Subject: Church square, village architecture, figures, religious procession Condition: Good antique condition, with age-related wear and surface texture consistent with its period. Please examine the photographs carefully, as they form an integral part of the condition description. Description An exceptionally atmospheric Mediterranean village scene by Joan Roig i Soler, one of the founders and leading representatives of the Sitges Luminist School. The composition depicts a sunlit church square animated by a gathering of villagers dressed in traditional clothing. Several figures appear to carry baskets or offerings, suggesting a local religious celebration, market day or procession taking place outside the church. Whitewashed houses, balconies, green shutters and warm ochre façades frame the scene, creating an evocative image of everyday life in a historic Spanish coastal town. Roig i Soler constructs the view through loose, confident brushwork and a luminous palette of pale blues, creams, rose, ochre and muted green. The broad foreground and diagonal shadows guide the eye towards the group assembled beside the church entrance, while the vivid Mediterranean sky gives the entire painting a radiant, open-air atmosphere. The contrast between the sunlit architecture and the compact crowd demonstrates the artist’s ability to combine landscape, urban architecture and costumbrista figure painting. Rather than describing every individual in detail, Roig i Soler uses rapid touches of colour to create movement, light and social energy. The result is spontaneous and highly decorative, yet also historically evocative. Works showing populated streets and village squares are especially desirable within Roig i Soler’s production, as they unite his celebrated treatment of Mediterranean light with a vivid record of Catalan and Spanish daily life. Its intimate format also makes the painting particularly suitable for a salon wall, study, library or carefully assembled collection of European Impressionist art. Artist biography Joan Roig i Soler was born in Barcelona in 1852 and became one of the most important Catalan landscape painters of the late 19th century. He studied at the Escola de la Llotja in Barcelona and trained under Modest Urgell, one of the leading Spanish landscape painters of his generation. After travelling through France and Italy, Roig i Soler settled for extended periods in Sitges, where he worked alongside Arcadi Mas i Fondevila. Together they became central figures in the development of the Sitges Luminist School, a pioneering movement devoted to plein-air painting, Mediterranean light and direct observation of nature. The Sitges Luminists moved away from academic historical painting and focused instead on beaches, ports, village streets, churches and everyday life. Their experiments with natural light anticipated important aspects of Catalan Modernism and helped establish Sitges as one of the principal artistic centres of Spain. Roig i Soler painted throughout Catalonia and the Balearic Islands, including Sitges, Barcelona, Blanes, Tossa de Mar, Cadaqués, Camprodon and Mallorca. His work is admired for its luminous colour, animated brushwork and sensitive depiction of Mediterranean architecture and coastal atmosphere. He participated in major exhibitions in Barcelona, Madrid, Zaragoza and Paris and served as a jury member at the 1888 Barcelona Universal Exposition. His paintings are represented in important public collections, including the Museu Nacional d’Art de Catalunya and the museums of Sitges. Artistic inspiration The luminous treatment of architecture and atmosphere recalls the Mediterranean clarity of Joaquín Sorolla, while the lively arrangement of figures and spontaneous plein-air brushwork evokes Pierre-Auguste Renoir and Camille Pissarro. The elegant observation of everyday urban life also connects the work with John Singer Sargent and the Venetian street scenes of Maurice Prendergast, filtered through the distinctive light and vernacular architecture of Catalonia. Joan Roig i Soler, Spanish Impressionist painting, Catalan Luminist painting, Mediterranean village painting, Spanish church painting...

Mediterranean Woman with Flowers Interior Post Impressionist Oil Painting Artist: Ramon Pichot i Soler (1924–1996) Title: Woman with Flowers (title assigned) Medium: Oil on board Di...

Look for Free Shipping at Checkout Kit is an American Impressionist figurative painting by Stuart Fullerton. The artist is known for his landscape, still-life, portraits and citys...

Albert Dumoulin, around 1900, "La Curieuse", interior scene with a young lady Enchanting interior oil painting. Portrayal of an inquisitive young lady...