Robert Ruello Paintings

This contemporary abstract poured painting, April by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on aluminum create dep...

Cascading Folds (Aqua Footer) by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Yupo paper create the depth and smooth,...

Eric Friedmann Death of Marat, 2018 Acrylic polymer and pigment on canvas 200 x 150 cm

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract geometric shapes with bold use of color and contrast. The dark black ivory background allows for the luminosity of the emerald, light white, and and peach to shine through effortlessly, as the lines and intricate details of the silk paper laid over paint and mixed media add a most interesting texture. The artist hand embellishes gold leaf to add elegant accents. This painting comes housed in a natural oak floater frame with hanging wire on verso ready to be displayed. Art measures 63 x 47 inches Frame measures 64.5 x 48.5inches Antoinette Ferwerda is a renowned Australian artist largely recognized for producing a bold collection of fine artwork that joyfully explores the geometry of shape and the changing light from dusk to dawn. Championing her love for shape, reflection, and nature using a diverse pallet of mixed media to portray her abstract interpretations of nature. Antoinette's diverse past and a childhood that was somewhat nomadic has inspired much of her work today. Antoinette’s backstory reads like something out of an adventure series, having spent her early days living in remote pockets of Papua New Guinea, where she was lucky to spend time in a seaside shack on Ela Beach in Port Moresby, as well as the volcanic town of Rabaul, the Cargo Port Lae, before moving on to Darwin where her Dad worked for the Red Cross and helped with the re-build process after Cyclone Tracy. This was followed by a family stint in Europe, visiting Netherlands, London, Belgium, France, Italy, and Switzerland, before finally settling back in Melbourne for her formative years. Her love for nature and exploring the patterns and relationships she finds within started early. “I’ve been forever fascinated with color and the magical interplay of light”. “Blessed to have a teacher Mum who fostered regular creative time during our nomadic stint, my childhood was largely spent creating, especially outdoors”. Never without a pen, sketchbook or scraps of paper, her natural ability to create in layers instinctively started in these early years. Although her work continues to evolve, she consistently creates works that are rich in layers, resulting in pieces that are optimistic, luminous and full of stories from her colorful life. Her signature work is abundant with color and texture, resulting in a transparent quality of her works. Adaptable to any palette, Antoinette has produced works from a diversity of spectrums and mediums – sun-soaked, muted and ethereal, vibrant, as well as monochromatic with accents of gold. Her themes include abstract and metaphysical interpretations of fossicking in rock pools, exploring the rolling hills of the countryside both here and abroad, the rock formations of the Australian outback and the magical light of a European summer to name just a few. Her dream and longing to become an artist became a reality after starting her own family and farewelling a corporate life in the pharmaceutical industry, with her debut solo exhibition in 2014. Six years on, Antoinette has fast become a firm favorite amongst interior designers, stylists and home decorators alike, having been represented by fenton&fenton, Thom Gallery and Trit House (formally Click On Furniture) to name just a few. Continually experimenting and evolving as an artist, Antoinette invites the viewer to look deeper through surface layers to find hidden stories of color and form. Past collections have been inspired by visits to the bustling markets of India, the morning light outside her childhood beach shack...

The surface of Leave the Path by Susan English is a wonderful play of color, light, and composition. Hues of olive, soft jade, pale sage green, light mint green, and pale bluish gree...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Matte but luminous, Outland No. 47 by Susan English is a wonderful play of color, light, and composition. Hues of icy gray blue meet and merge, offset by beige brown at the bottom an...

"At Sea Between Fossils and Satellites" is a large-scaled textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, late...

In poured tinted polymer on aluminum, Outland No 34 by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer create the depth and...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Sea Girt by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Dibond panel create depth and surface textures throughout th...