Robert VERLUCA Landscape Paintings

Emile Albert Gruppe (American, 1896-1978) Bass Rock, 1967 Oil on canvas 30 x 36 inches (76.2 x 91.4 cm) Signed lower right: Emile A. Gruppe Signed, dated, and titled on the stretcher...

“Crossroads, c. 1940” by Sol Wilson (Polish-American, 1896-1974). This expressive painting by Wilson depicts a moody village crossroads rendered with his signature textured brushwor...

Johann Berthelsen (Danish/ American 1883 - 1972) View From Artist's Porch; Including his Two Sons, New Milford, Connecticut', Circa 1947/48. Oil on canvas. Signed lower right. P...

After the rain. Paris. Oil on canvas, 54,5x80 cm Street in Paris with people Gennady Bernadsky (1956) - Soviet and Russian artist. Gennady Bernads...

"Horses in the field" is unique by the artist, because of the location where they are grazing among the yellow popular trees.

A moody expressionist painting of the Upper Delaware River, done in the style that earned John Fulton Folinsbee his well-deserved reputation as an exceptional landscape painter of th...

Kevin Kearns' oil paintings on panel are highly sought after works. While seascape painting is traditional in a sense, Kearns' execution of these paintings is rooted in expressionism...

Maclet was born the son of a gardener and a laundress at Lihons in the Santerre region in Picardy. His family was poor and he began work very young as an assistant to his father. Pic...

Kevin Kearns' oil paintings on panel are highly sought after works. While seascape painting is traditional in a sense, Kearns' execution of these paintings is rooted in expressionism...

Theo Meier (1908-1982) View of the Village of Iseh, painted from the house of Theo Signed and dated 48 Theo Meier lower left Oil on canvas, 68.5 x 50 cm In original frame carved by the artist. Note: Theo Meier arrived in Bali in 1936 with the intention of going on to Tahiti where he had been before. However Bali turned out to be the paradise he had been searching for in his dreams and he had no desire any more to move elsewhere. Bali at that time was still a very traditional place where society lived according to an acient religious system and in a luscious tropical setting the modern world was ignored. Here he met Walter Spies...

A sawah landscape, Sumatra Signed and dated 'Sonnega '54' (lower right), and annotated 'Voor Jan de Bas 1-1-1970 / R de Bas' (on the reverse) oil on canvas, 50,5x60,5 cm Provenance: - Collection Pieter de Bas (1909-1979) Mr de Bas was head of the MULO school and acting head of the HBS school in Medan. Thence by descent to the present owner. Exhibited: - Hotel de Boer, Medan 1954, where acquired by the first owner. The light I observed everywhere was of a special quality, fluorescent blue, shone from nowhere but radiated from every point, oddly with great depth and intensity. The light in an entirely different dimension came from nowhere and went nowhere shimmering with the glow of a bright blue jewel. The most important thing I discovered was of being omnipresent and able to understand everything at the same time, yes I could fathom creation completely. Auke Sonnega, born March 9, 1910 in Leeuwarden, known as the painter, primarily of young Balinese men and women. Originally raised in the reformed denomination, the parents of Auke apparently practised theosophy and their children, including Auke were taught these principles. The talent for drawing revealed itself at an early stage which in 1926 lead to a 4-year study of textile design at the Academy for Art and Craft in Amsterdam. He completed the academy in 1930 and worked in a carpet factory in Twente until 1934 and then followed in his sister Aafje’s footsteps leaving the Netherlands to go to the Dutch East Indies where in 1935 he started working as a graphic designer with an advertising bureau in Batavia. He was able to travel through Java and Bali on the motorbike that he brought with him from Europe, and was paid for his travelogue, enhanced with his own photo’s which appeared in several Dutch newspapers and magazines. In the 1930’s two Europeans, Walter Spies and Rudolf Bonnet...

During travels through Spain in 1931, he was struck by the expressive strong styles of the artists El Greco, Velasquez, and most of all Goya.[1] Inspired by Goya, Lorjou began painti...