Roi James Paintings

Vertical composition made on canvas on cardboard with acrylic paints, as well as texture paste with sand and coffee, textiles, jute fiber. It is covered with a durable acrylic varnis...

Rebecca Klundt's original artworks are inspired by nature its finite resources. Renewal, order, and lines drive her creative impulses. This 16 inch square original mixed media artwo...

Rebecca Klundt's original artworks are inspired by nature its finite resources. Renewal, order, and lines drive her creative impulses. This 20 inch square original mixed media artwo...

This piece titled "CHONDRITE 03" is a one-of-a-kind original piece by Chinny Bond and is a gestural mark-making study done with acrylic, ink and aerosol on linen. This piece measures...

Untitled 7, 2019 by Francisco Larios Size: 50 cm H x 50 cm W x 1.5 cm D One of a kind. From Mexican Ryōan-ji Series Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that g...

This piece titled "CHONDRITE 06 - BLUE" is a one-of-a-kind original piece by Chinny Bond and is a gestural mark-making study done with acrylic, ink and aerosol on linen. This piece m...

Johnnie Winona Ross Deep Creek Seeps 10, 2007 Oil paint on acrylic base burnished on Belgian linen Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label\ Canvas is stretched against wooden backing but no outer frame This work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss. Maureen Mullarkey of Studio Matters wrote in 2010: THE LOVELINESS OF JOHNNIE WINONA ROSS' paintings elude translation into either reproduction or verbal description. In 2011, ArtDaily published this announcement from Stephen Haller, publicizing a later exhibition: "Washington Post critic Stephen Parks characterized Ross’s work in this way: “From a distance his canvases appear to be simple, minimal constructions of horizontal stripes with hints of vertical color in the background. Up close the paintings are seen to be extraordinarily beautiful and complex objects that induce a humming meditative state.” Ross grounds his work in the inspiration of the desert of the American Southwest, and borrows techniques from ancient Native American sources, melding them with a distinctly sophisticated and utterly contemporary vision. His use of the Native American technique of burnishing pigment and minerals with a potter’s stone to create a hard surface with a visually warm sheen creates an effect reminiscent of the softening of marble steps...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Size: 4ft x 8ft Mixed Media: oil, saw dust and foam on wooden panel. Steven is now one of the top emerging artists in the U.S. His works are ground breaking, bold and imbued with u...

Leslie Zelamsky's "Point of Departure 2" is a 42 x 42 x 2.75 inch mixed-media painting on wood panel. This abstract painting contains an assortment of ...

Untitled 10, 2019 by Francisco Larios Size: 50 cm H x 50 cm W x 1.5 cm D One of a kind. From Mexican Ryōan-ji Series Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that ...

This piece titled "CHONDRITE 02" is a one-of-a-kind original piece by Chinny Bond and is a gestural mark-making study done with acrylic, ink and aerosol on linen. This piece measures...