Roi James Abstract Paintings

ADDITIONAL PHOTOS OF THIS WORK WILL BE SENT UPON REQUEST. NOTE COLOR OF WOOD IS NOT QUITE AS YELLOW AS IIT APPEARS IN PHOTO AND IS IN KEEPING WITH OTHERS IN THIS SERIES: Jean Fein...

Optimism Painting II - acrylic & mixed media on wood panel, 2019 20 x 20" inches / 51 x 51 cm mint condition - original and unique piece. Christian Möller...

The Weight of Air VIII, 2019 Oil & wax on deep-fame canvas

Untitled 04, 2015 - 2016 Mixed technique: oil paint, adhesive on OSB (Signed on reverse) 8 15/32 H x 5.9 W in 21.5 H x 15 W cm Zsolt Berszán’s work speaks of repulsion and fascinati...

Steven H. Rehfeld (American, born 1954) 'Orange Colors' 2018 Oil paint, charcoal, ink, paper, glue, canvas, stretcher bars The artist signed the back of the painting. 'Orange Colors...

Johnnie Winona Ross Deep Creek Seeps 10, 2007 Oil paint on acrylic base burnished on Belgian linen Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label\ Canvas is stretched against wooden backing but no outer frame This work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss. Maureen Mullarkey of Studio Matters wrote in 2010: THE LOVELINESS OF JOHNNIE WINONA ROSS' paintings elude translation into either reproduction or verbal description. In 2011, ArtDaily published this announcement from Stephen Haller, publicizing a later exhibition: "Washington Post critic Stephen Parks characterized Ross’s work in this way: “From a distance his canvases appear to be simple, minimal constructions of horizontal stripes with hints of vertical color in the background. Up close the paintings are seen to be extraordinarily beautiful and complex objects that induce a humming meditative state.” Ross grounds his work in the inspiration of the desert of the American Southwest, and borrows techniques from ancient Native American sources, melding them with a distinctly sophisticated and utterly contemporary vision. His use of the Native American technique of burnishing pigment and minerals with a potter’s stone to create a hard surface with a visually warm sheen creates an effect reminiscent of the softening of marble steps...

Petra Rös-Nickel’s original paintings merge playful forms, bright colors and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich textu...

Untitled 03 [Dissecting the Unknown 03], 2015 Mixed technique: oil paint, adhesive on canvas (Signed on reverse) 9 27/32 H x 7 7/8 W in 25 H x 20 W cm Zsolt Berszán’s work speaks of...

Laser cut plywood with oil and acrylic on canvas

The Weight of Air IV, 2019 Oil & wax on deep-fame canvas

"Floral Mystique" is an abstract diptych painted by Rebecca Sobin in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 44 x 44 inches. Each separate panel m...

The Weight of Air I, 2019 Oil & wax on deep-fame canvas