Jason DeMeo

Develop In The Dark - Bold Splash Textural Original Painting on Raw Canvas

2021

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Abstract minimalist artist Jason DeMeo creates artworks that work to serve as a meditation for the viewer, drawing them toward the timeless concepts of truth, beauty, and goodness. H...

Magdalena Morey – “Interlude 2” (2017) This is the second painting in the “Interlude” series. As with the first painting in the series, I wanted to capture the incredible sense of e...

Magdalena Morey Exploring Every Path 6 Contemporary Abstract Landscape Painting Mixed Media on Canvas Canvas Size: H 30cm x W 30cm x D 3.5cm Sold Unframed (Please note that in situ i...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and gold leaf are applied to the su...

A Connection and a Bond by Lélia Pissarro Mixed media on canvas 65 x 54 cm (25 ⅝ x 21 ¼ inches) Signed Executed in 2008 Literature: Lélia Pissarro, The Colours of Silence, London, 2010, p. 87 (illustrated) Authenticity: This work is accompanied by a certificate of authenticity from the artist. Artist biography: Lélia Pissarro was born in Paris on the 27th July 1963, the third and youngest child of the artist Hugues-Claude Pissarro and Katia, an art-dealer. From infancy until the age of eleven she was entrusted to the care of her grandparents, Paulémile Pissarro and his wife Yvonne, and her interest in drawing and painting was nurtured by Paulémile whilst living in Clécy, Normandy. Paulémile taught her the fundamental impressionist and post-impressionist techniques as had been taught to him by his father and his brothers, and so began her love for figurative art. She sold her first canvas to Wally Findlay, a New York art dealer, when she was only 4 years of age! Before his death, Paulémile made Lélia promise to retain her family name, to continue painting and to make art her life. At the age of 11 Lélia returned to Paris to live with her parents and it was then that she had her first exhibition at the "Salon de la Jeune Peinture" where she was, in all probability, the youngest ever exhibitor. Hugues-Claude, whose style veered towards conceptual art, took over from Paulémile as Lelia’s teacher and consequently she practiced drawing on a daily basis. At 15 she participated in an exhibition at the Luxembourg Museum in Paris and a year later, having excelled in a special examination, enrolled at the Ecole des Beaux-Arts in Tours. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco. During this period she became dissatisfied with conceptual art and reverted to the family's traditional creative roots which distanced her from her avant-garde teachers. However, during the late 1980’s as the figurative style once again became fashionable, Lélia’s work found itself gaining in popularity. Whilst in Paris, Lélia taught art at the Moria School and studied oil painting restoration under Madame De Pangalleria at the laboratory of the Louvre and during this time had solo exhibitions in Paris, Lyon, Mulhouse and Rennes. Following her marriage in 1988 to David Stern, the London art dealer...