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Suzy Frelinghuysen

Composition, 1940–42
Composition, 1940–42

Composition, 1940–42

By Suzy Frelinghuysen

Located in Bryn Mawr, PA

Composition, 1940–42 Oil on paper collage on masonite, 16 x 11 3/4 inches (40.6 x 29.8 cm) Framed dimensions: 26 x 21 3/4 inches Signed right center: SF Provenance Frelinghuysen Mor...

Category

Mid-20th Century Cubist Abstract Paintings

Materials

Masonite, Paper, Oil

1930's Modernist Oil Painting Paris Rooftops Hazel Guggenheim Mckinley Fauvist
1930's Modernist Oil Painting Paris Rooftops Hazel Guggenheim Mckinley Fauvist

1930's Modernist Oil Painting Paris Rooftops Hazel Guggenheim Mckinley Fauvist

By Hazel Guggenheim McKinley

Located in Surfside, FL

., first director of the Museum of Modern Art in New York, who provided Guggenheim with five names, of which three were included in the exhibition, Suzy Frelinghuysen, Irene Rice Per...

Category

1930s Modern Figurative Paintings

Materials

Oil, Panel

Untitled [Abstraction]
Untitled [Abstraction]

Untitled [Abstraction]

By George L.K. Morris

Located in New York, NY

In 1935, he married the painter and collagist Estelle “Suzy” Frelinghuysen (1911–1988), who shared his penchant for abstraction.

Category

1940s American Modern Abstract Paintings

Materials

Paper, Gouache

Recent Sales

Exile

George L.K. MorrisExile, 1956

Unavailable

H 18 in W 15 in

Exile

By George L.K. Morris

Located in New York, NY

Gallatin, Charles Green Shaw, and his wife Suzy Frelinghuysen. His wealth permitted him to travel between New York and Paris through the Depression and he shared his knowledge of th...

Category

1950s Abstract Geometric Abstract Paintings

Materials

Canvas, Oil

Turboprop Skyshark
Turboprop Skyshark

Esphyr SlobodkinaTurboprop Skyshark, 1950

Unavailable

H 16.75 in W 20.75 in

Turboprop Skyshark

By Esphyr Slobodkina

Located in New York, NY

Morris, A.E. Gallatin, Suzy Frelinghuysen, Ilya Bolotowsky, Alice Trumbull Mason, and Ad Reinhardt.

Category

1940s Abstract Abstract Paintings

Materials

Masonite, Oil

Early Modern American Cubist Yellow, Blue, and Red Abstract Geometric Painting
Early Modern American Cubist Yellow, Blue, and Red Abstract Geometric Painting

Early Modern American Cubist Yellow, Blue, and Red Abstract Geometric Painting

By Albert Eugene Gallatin

Located in Houston, TX

His style was strongly influenced by the Cubist work of Picasso, Braque, and Gris; with his artist colleagues George L. K. Morris, Suzy Frelinghuysen, and Charles G. Shaw, he set out...

Category

1940s Cubist Abstract Paintings

Materials

Canvas, Oil, Board

"Intimate Lighting Series, " Robert Natkin Abstract Expressionist Lyrical Color
"Intimate Lighting Series, " Robert Natkin Abstract Expressionist Lyrical Color

"Intimate Lighting Series, " Robert Natkin Abstract Expressionist Lyrical Color

By Robert Natkin

Located in New York, NY

Indeed, Natkin’s work can be seen as a bridge between the flattened non-objective forms of the American Abstract Artists group of the 1930s and 40s such as Josef Albers, Suzy Freling...

Category

1970s Abstract Expressionist Abstract Paintings

Materials

Canvas, Acrylic

Intimate Lighting Series
Intimate Lighting Series

Intimate Lighting Series

By Robert Natkin

Located in New York, NY

Indeed, Natkin’s work can be seen as a bridge between the flattened non-objective forms of the American Abstract Artists group of the 1930s and 40s such as Josef Albers, Suzy Freling...

Category

1970s Abstract Expressionist Abstract Paintings

Materials

Canvas, Acrylic

Monochrome in Gray
Monochrome in Gray

Monochrome in Gray

By Esphyr Slobodkina

Located in New York, NY

Morris, A.E. Gallatin, Suzy Frelinghuysen, Ilya Bolotowsky, Alice Trumbull Mason, and Ad Reinhardt.

Category

1940s Abstract Abstract Paintings

Materials

Masonite, Oil

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Finding the Right Abstract-paintings for You

Bring audacious experiments with color and textures to your living room, dining room or home office. Abstract paintings, large or small, will stand out in your space, encouraging conversation and introducing a museum-like atmosphere that’s welcoming and conducive to creating memorable gatherings.

Abstract art has origins in 19th-century Europe, but it came into its own as a significant movement during the 20th century. Early practitioners of abstraction included Wassily Kandinsky, although painters were exploring nonfigurative art prior to the influential Russian artist’s efforts, which were inspired by music and religion. Abstract painters endeavored to create works that didn’t focus on the outside world’s conventional subjects, and even when artists depicted realistic subjects, they worked in an abstract mode to do so.

In 1940s-era New York City, a group of painters working in the abstract mode created radical work that looked to European avant-garde artists as well as to the art of ancient cultures, prioritizing improvisation, immediacy and direct personal expression. While they were never formally affiliated with one another, we know them today as Abstract Expressionists.

The male contingent of the Abstract Expressionists, which includes Jackson Pollock, Willem de Kooning and Robert Motherwell, is frequently cited in discussing leading figures of this internationally influential postwar art movement. However, the women of Abstract Expressionism, such as Helen Frankenthaler, Lee Krasner, Joan Mitchell and others, were equally involved in the art world of the time. Sexism, family obligations and societal pressures contributed to a long history of their being overlooked, but the female Abstract Expressionists experimented vigorously, developed their own style and produced significant bodies of work.

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