Rosemary Lyons Art

An Ema is a votive plaque people hang in a "dedication area", at a Shinto shrine, with their wish to the gods. Wishes usually would revolve around health, love, career, prosperity, a...

Icon of Our Lady of Jerusalem. Egg tempera on gesso and over a wooden board. Dimensions in centimeters: 42 x 34 x 2 cm / In inches: 16.54 x 13-39 x 0-79 " Author: Oliver Samsinger...

The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century. Egg tempera and gold leaf on gesso and wood. Author: Oliver Samsinger...

The present illuminated page was once part of a larger manuscript, as evidenced by the tears along the right edge, illustrating a story from the Islamic world. The scene presents two figures in a landscape, one on horseback and another gesturing to a fallen deer. The stylization of the landscape shows influence from the Byzantine tradition of painting, with jagged rocks jutting into a golden sky. The page contains handwritten text on both sides, and is surrounded by gold illustrations of peacocks and a running deer. 11 x 6.5 inches, artwork 18.63 x 14 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

Christ, the Great High Priest. Greek-Italian style Icon with silver filigreed oklad. Egg tempera, over gesso on wood with a silver cover, "oklad", with pol...

The Virgin of Tijvin (after a Russian icon in the style of the 18th Century). Egg tempera and gold leaf on gesso over wood. Measurements in centimeters: 45 x 36.5 x 3 cm / In inch...

"Giant At Sea" is an Asian Inspired Painting with a colorful Samurai and sailing boats in the ocean, with lots of white waves. The piece is created using ink, egg-tempera, and a gold...

"Christ Pantocrator". After an Icon in the style of the Moscow school (15th century). Somewhat similar to that of Rublev. Author: Oliver Samsinguer Egg tempera and gold leaf on gesso and on wood. Dimensions; (H) 42 x (W) 33.5 x (D) 3.5 cm. (H) 16.54 x (W) 13.19 x (D) 1.38 in. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24-carat gold . Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

Mural Study 1933 Depression Era Mid-Century WPA Modern American Scene Drawing. Study to Scale Mural Sketch for “Evolution of Textile Production” East. All,...

Konstantinos Papamichalopoulos was born in Athens, Greece in 1975. He studied painting and printmaking at the Athens School of Fine Arts, where he also received a postgraduate degree...

L' Amour a ses raisons que la raison ignore Painting Tempera on Panel In Stock. Including frame 58 x 38 cm Gérard Willemenot (1943, Paris, France) gr...

A rare & important Italian Renaissance tempera on parchment painting, Giuseppe Cesari Il Cavalier d'Arpino (Giuseppe Cesari, 1568-1640), the painting c...